✓ Tí Àmì-Ẹ̀yẹ Fìdí Múlẹ̀ Àmì Ìdánimọ̀ Alápẹẹrẹ Tailandi Ilé-iṣẹ́ Tuntun
Khajornsak Nakpan
- ✓ Aṣẹ́gun àmì ẹ̀yẹ A' Design Award.
- ✓ Amọ̀nà nínú Àpèsè Aṣọ.
- ✓ Aládàásílẹ̀, Oníṣòótọ́ àti Alámọ̀ṣẹ̀dá.
Olùṣàpẹẹrẹ Náà
Nípa Khajornsak Nakpan
An “Innovative fashion designer” who specialises in generating knowledge of creative design, theory of colours, and computer graphics. Combining his diverse abilities and skills renders uniqueness to Khajornsak’s work. He focuses on the aesthetics of modern art, especially conceptual art. He also pays attention to research methodology and process. His work, therefore, demonstrates different aesthetic dimensions through the lens of adaptive science.
One of Khajornsak’s widely known works is “Innovative Synthesized Melanin from Soil as Textile Substitute to Create Garment for the Future”. The research builds upon a study on the abundance and changing qualities of soil. It is part of an experiment to create a textile substitute material by synthesizing natural fibre and melanin from good bacteria into cellulose sheets. The process is a clean technology and produces zero waste. Result is a textile substitute material, which is human, and nature friendly. The material is an innovation which can drive an investment on environmental friendly fashion business. The entire process from designing to production focuses on using clean technology to reduce pollution, maximising nature resources, and decreasing dependency on imported materials.
Following his success in the innovative material, Khajornsak applies the result to other products to demonstrate the effectiveness and potential of the material. The products include accessories, sleeping wear, lingerie, and mixed materials paintings. Apart from creating aesthetic experiences, he also tries to disseminate the knowledge through presenting the research in different international academic forums.
In the near future, Khajornsak aims to continue to drive the creation of new materials to improve innovative design and harmonious living. The relationship between humans, the textile substitute material, and nature, can lead to a ‘balanced reality,’ which enables us to preserve the “ecological cycle of happiness”.
Ibi Tí A Ti Gba Àwọn Àmì-Ẹ̀yẹ
Gba Àmì-Ẹ̀yẹ Nínú
Àwọn ẹ̀ka àpẹẹrẹ tí Khajornsak Nakpan ti gba àwọn A' Design Award nínú.
Àkójọpọ̀ Iṣẹ́
Àwọn Iṣẹ́ Tí Ó Gba Àmì-Ẹ̀yẹ Látọwọ́ Khajornsak Nakpan
Ṣàwárí àwọn àpẹẹrẹ ti Khajornsak Nakpan tí A' Design Award and Competition mọ̀yìn.
Ìpín Àpẹẹrẹ
Àwọn Ipò Gẹ́gẹ́ bí Ẹ̀ka Àpẹẹrẹ
Ipò Khajornsak Nakpan nínú àwọn ìpín àpẹẹrẹ ti Designers.org.
Oníṣọwọ́
Ṣàwárí Ju Designers.org Lọ
Ṣàwárí àwọn ọjà, iṣẹ́ àti àǹfààní láti ọ̀dọ̀ àwọn alábàáṣe ìpolówó wa.
Àpèsè Dídára Tọ́sí Ìmọ̀yìn Ńlá
A' Design Award jẹ́ àmì ẹ̀yẹ àgbáyé tí àwọn onídàjọ́ ń fúnni fún àpèsè dídára. Kópa nínú A' Design Award láti ní àǹfààní láti gba ìmọ̀yìn tí o tọ́sí, gba òkìkí, ọlá àti ìpolówó fún iṣẹ́ rẹ. Yan iṣẹ́ rẹ fún A' Design Award kí o sì dije fún ẹ̀bùn A' Design Prize tó gbajúmọ̀.
Yan