Yuko Suzuki 的作品 Life Forms of Colors 数字艺术

设计师 Yuko Suzuki 的作品 Life Forms of Colors 数字艺术荣获了极具声望的 2025 A' Design Award 银奖，竞赛类别为生成式、算法、参数化与人工智能辅助设计。

银生成式设计· 2025

Life Forms of Colors 数字艺术

设计师： Yuko Suzuki

客户: Civic Creative Base Tokyo (CCBT)

生成式设计类别A' Design Award 银奖获奖者

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关于 Life Forms of Colors 数字艺术

这是一件以动画形式视觉化呈现像素分解与重构过程的作品。作品的创作理念源于艺术家作为版画家，在构思创作风景版画时，思考能否通过编程实现色彩分离。作品中，像素如同细胞般移动，形成新的形状和色彩，体现了日本文化中"层叠"（Kasane）与"错位"（Zurashi）的概念。它们同时象征着个人可能经历的各种转变，在整个作品中表达了多样性与流动性，并反映出传统与技术的交融。

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关于A' Design Award 银奖

Life Forms of Colors 数字艺术是 A' Design Award 银奖得主，这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品，展现出其设计师杰出的专业技能、才华与敏锐。预计Life Forms of Colors 数字艺术将成为一件出色的典范之作，兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明，造福并拓展艺术、科学、设计和技术的边界。Life Forms of Colors 数字艺术是一件令人羡慕的创作，它唤起渴望，带来积极的情感，并激发惊叹与赞叹。

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由设计师提供的致谢、团队成员及技术详情。

独特属性: This animation breaks down an image into pixels, reconstructing and transforming them repeatedly. The pixels emerge like cells, moving and forming new shapes and colors, embodying the Japanese concepts of "Kasane (layering)" and "Zurashi (shifting)." This reflects how living beings shape the world, either by choice or by following the flow. The ever-changing forms symbolize human transformation and the cycle of life and death.
尺寸与包装: LED screen 4m × 4m, 10 minutes 30 seconds
标签: Generative Art, Coding
生产技术: This work was created entirely in a programming language called Processing.
It is made up of multiple animations that change from one shape to the next, linked together.
设计挑战: The most difficult and exciting part was figuring out how to connect all of the different shapes through coding.
It was impossible to create all of the animations in one document, so I divided the whole thing into four scenes, created the animation, and connected them using video editing software.
研究: This design research explores an animation technique that uses coding to break down and reconstruct pixels.
Through this process, the artist began to feel as if the pixels symbolized the workings of humans and the world. The pixels are like cells, but at the same time, they also seem like the individual people that make up the world. This created a sense of moving between the micro and macro worlds.
Through the use of digital technology, this research offers new methods of visual expression in art, business and society, and suggests the possibility of redefining cultural value.
灵感: The impetus for creating this work began when the artist, a printmaker, wanted to create a landscape print, and wondered whether it would be possible to achieve color separation through coding. This was the beginning of an attempt to incorporate the physical acts of producing a multi-color woodblock print - "color separation of the print," "overprinting, " and "rolling the paper" - into code, and it developed into the more abstract idea of "creating a three-dimensional print."
项目周期: This work was exhibited as part of the CCBT x Yebisu International Festival for Art and Alternative Visions 2024 "Poems in Code: Generative Art Today and Programming Generated Moving Image" project held in Tokyo in February 2024.
操作流程: This work is an animation that depicts the process of pixels being broken down and reconstructed. As you watch, the pixels move and transform, creating new shapes. The changes in the pixels symbolize the potential for people to transform in various ways, and this diversity and fluidity is expressed throughout the work.
图片版权: Image #1: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Image #2: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Photo courtesy Civic Creative Base Tokyo [CCBT].
Video Credits: Photographer Ryuichi Maruo, Life-forms of colors, 2024, Video courtesy Civic Creative Base Tokyo [CCBT].