设计师 Yuko Suzuki 的作品 Changes Cycles and Shapes 数字艺术 荣获了极具声望的 2025 A' Design Award 金奖，竞赛类别为生成式、算法、参数化与人工智能辅助设计。
金生成式设计· 2025
Changes Cycles and Shapes 数字艺术
设计师： Yuko Suzuki
客户: Feral File
生成式设计类别A' Design Award 金奖获奖者
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关于 Changes Cycles and Shapes 数字艺术
该作品通过表达视觉表现的循环流转，探索了"何为绘画"这一命题。作品受蒙德里安绘画转变的启发，基于绘画的构成图式，形态在具象与抽象之间移动，在噪声与线性之间游走——这一理念同样应用于色彩。作品唤起了数字物质性的变化状态，强调转变过程中的形态才是本质所在。通过融入以马连压印的纹理，该作品在数字形式中反映了艺术家作为版画家的身份认同。
荣誉认可
关于A' Design Award 金奖
Changes Cycles and Shapes 数字艺术是 A' Design Award 金奖得主，这是授予一流、绝妙而杰出设计的极为崇高的认可。金奖得主是极具创新、极富远见且璀璨夺目的创作，反映出其设计师的天才、智慧与才干。预计Changes Cycles and Shapes 数字艺术将成为一项备受赞誉、引领潮流、气势恢宏的发明，带来前所未有的价值。这件赢得 A' Design Award 金奖的设计是一个壮观而受人敬重的项目，极大地造福并拓展艺术、科学、设计和技术的边界。Changes Cycles and Shapes 数字艺术激起强烈的渴望，唤起激情，鼓励创造力，令我们着迷。
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由设计师提供的致谢、团队成员及技术详情。
- 独特属性
- Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form. - 尺寸与包装
- 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
- 标签
- Generative Art, Coding
- 生产技术
- This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next. - 设计挑战
- The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it. - 研究
- This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art. - 灵感
- In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
- 项目周期
- This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform. - 操作流程
- In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
- 图片版权
- Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.
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