设计师 Hong Jia Min 的作品 Guanshan 品牌形象识别荣获了极具声望的 2025 A' Design Award 铁奖，竞赛类别为平面、插画与视觉传达设计。

铁平面· 2025

Guanshan 品牌形象识别

设计师： Hong Jia Min

客户: Jijia Brand Creative Studio

平面类别A' Design Award 铁奖获奖者

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关于 Guanshan 品牌形象识别

关山是为一家奶茶店打造的品牌形象。设计以汉字为基础，在保留古典意蕴的同时，对传统隶书的结构进行现代化演绎。视觉语言植根于东方器物美学，融合了水墨团扇与茶器的意象。核心图形以扇面与茶盏叠合的构图呈现，形成双重象征：水墨笔触勾勒出传统团扇的竹制骨架，杯形轮廓则取意于建盏。

荣誉认可

关于A' Design Award 铁奖

Guanshan 品牌形象识别是 A' Design Award 铁奖得主，这是授予满足人们对设计精良的创作所期待的专业与工业要求的优良设计的声望认可。铁奖得主展现出其创作者的高超技艺、高度专业化、专家级的理解力和创造能力。预计Guanshan 品牌形象识别将成为一件备受推崇、令人钦佩且被珍爱的创作，既实用又创新。这件赢得 A' Design Award 铁奖的设计整合了行业最佳实践，并拥有与专业知识和才华相结合的称职技术特性。Guanshan 品牌形象识别因其严谨而受到尊重，旨在提供有助于让世界变得更美好的生活品质改善。

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媒体资料包

由设计师提供的致谢、团队成员及技术详情。

独特属性: Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
尺寸与包装: The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
标签: Oriental, Creativity, Tea , Ink Painting, Chinese
生产技术: The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
设计挑战: The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
研究: We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
灵感: Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
项目周期: Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
操作流程: Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
专利: Copyrights belong to Hong Jia Min, 2024.
团队成员: Hong Jia Min
图片版权: Hong Jia Min