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Arthur Li 的作品 The Cross 咖啡厅室内设计

设计师 Arthur Li 的作品 The Cross 咖啡厅室内设计 荣获了极具声望的 2026 A' Design Award 铜奖,竞赛类别为室内空间与展览设计。


铜室内· 2026

The Cross 咖啡厅室内设计

设计师: Arthur Li

客户: EDGE DESIGN INC. Taipei

室内类别A' Design Award 铜奖获奖者

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关于 The Cross 咖啡厅室内设计

The Cross是位于台湾一处地下空间的咖啡厅兼文化场域。设计将采光有限的昏暗空间转化为一处充满活力的1200平方米聚会场所。全彩LED媒体墙覆盖室内各个界面,支持互动式视觉体验。吧台以玻璃砖打造,内嵌可编程LED灯光。不锈钢与镜面饰面削弱了结构梁柱的视觉厚重感。开放式平面布局与灵活的分区规划,可承载展览、现场音乐演出及社区活动。

荣誉认可

关于A' Design Award 铜奖

The Cross 咖啡厅室内设计是 A' Design Award 铜奖得主,这是授予以创造力、独创性和敏锐见长的杰出设计的极具声望的认可。铜奖得主是技艺娴熟、创意惊人的作品,印证了其设计师丰富的经验、想象力与机智。预计The Cross 咖啡厅室内设计将成为一件备受推崇、令人钦佩且被珍爱的物品,兼具显著的专业性与创新性。这件赢得 A' Design Award 铜奖的设计融入艺术、科学、设计和技术领域的最佳实践,并因注重细节而出类拔萃。The Cross 咖啡厅室内设计出色地满足需求,触动渴望,迷住情感,并吸引好奇心。

设计幕后

媒体资料包

由设计师提供的致谢、团队成员及技术详情。

独特属性
This project is a hybrid cultural venue that blends cafe operations with multimedia, cultural, and artistic elements. It stands out with its integration of interactive led media walls, exposed ceiling finishes, and a bar counter made of glass bricks with programmable LED lighting. The space encourages community engagement and serves as a dynamic gathering point for exhibitions, live music, and AI-related content.
尺寸与包装
The space covers an area of 1200 square meters. The design incorporates a range of materials, including tiles, marble, aluminum grilles, stainless steel, artificial stone, stained oak veneer, mirrors, and glass bricks. The full-color Led media walls span across the interior surfaces, with ceiling finishes combining exposed sprayed finishes and diamond-shaped colored light strips.
标签
Cafe, Multimedia, LED Media Walls, Cultural Venue, Hybrid Space, Interactive Design, Glass Bricks, Sustainable Design, Modern Aesthetic, Community Engagement
生产技术
The design utilized advanced materials such as led media walls and glass bricks for the bar counter. The led walls were employed to create a dynamic multimedia environment, while glass bricks were chosen for their versatility in the bar counter. Stainless steel cladding was used to reduce the visual heaviness of structural beams and columns. These materials were selected for their aesthetic value and their ability to meet the project's technological and structural demands.
设计挑战
The greatest challenge was the transformation of a dim, underutilized basement space into a vibrant, multi-functional cultural hub. The design had to address the lack of natural light while preserving the building's structural integrity. External factors, such as existing piping systems and large structural beams, required innovative design solutions, like using stainless steel and mirrored cladding to enhance spatial perception.
研究
This project focused on transforming a dim basement into a vibrant cultural venue using multimedia elements like LED walls. The research aimed to enhance the space's visual impact and community engagement. Design trials and expert consultations were conducted, leading to a successful integration of technology, which revitalized the space and fostered a dynamic cultural atmosphere.
灵感
The inspiration stemmed from the challenge of transforming a basement with limited natural light into a lively cultural space. The concept focused on creating an immersive environment through interactive led media walls and dynamic lighting, effectively bringing the space to life with technology and vibrant visual energy.
项目周期
The project started in October 2024 and finished in August 2025 in Taiwan, China.
操作流程
The space is designed for flexible zoning and multi-functional use. The LED media walls allow for interactive visual experiences, while the open-plan layout facilitates a seamless flow between various activities. The bar counter, with its programmable LED lighting, serves as a focal point, creating a dynamic space for social interaction, exhibitions, and performances.
图片版权
Image #1: Photographer Commercial Space, The Cross, 2025.
Image #2: Photographer Commercial Space, The Cross, 2025.
Image #3: Photographer Commercial Space, The Cross, 2025.
Image #4: Photographer Commercial Space, The Cross, 2025.
Image #5: Photographer Commercial Space, The Cross, 2025.

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