Paul Robb 的作品 Monk Latin and Arabic Geometric 字体设计

设计师 Paul Robb 的作品 Monk Latin and Arabic Geometric 字体设计荣获了极具声望的 2020 A' Design Award 银奖，竞赛类别为平面、插画与视觉传达设计。

银平面· 2020

Monk Latin and Arabic Geometric 字体设计

设计师： Paul Robb

客户: Salt & Pepper

平面类别A' Design Award 银奖获奖者

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关于 Monk Latin and Arabic Geometric 字体设计

僧侣在人文无衬线的开放性和可读性与方形无衬线的规范性之间寻求平衡。尽管最初设计为拉丁字体，但很早就决定要进行更广泛的对话以包括阿拉伯文版本。拉丁语和阿拉伯语都为我们设计了相同的原理和共享几何的思想。并行设计过程的强度使两种语言具有平衡的和谐与优雅。阿拉伯文和拉丁文可以无缝地一起使用，并具有共同的计数器，茎粗和弯曲形式。

荣誉认可

关于A' Design Award 银奖

Monk Latin and Arabic Geometric 字体设计是 A' Design Award 银奖得主，这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品，展现出其设计师杰出的专业技能、才华与敏锐。预计Monk Latin and Arabic Geometric 字体设计将成为一件出色的典范之作，兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明，造福并拓展艺术、科学、设计和技术的边界。Monk Latin and Arabic Geometric 字体设计是一件令人羡慕的创作，它唤起渴望，带来积极的情感，并激发惊叹与赞叹。

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由设计师提供的致谢、团队成员及技术详情。

独特属性: Monk is a multi-language geometric harmoniously balanced font in Arabic and Latin. The font family has its origins from the Benedictine and Franciscan writing. Both Arabic and Latin work seamlessly together having shared counters, stem thickness, and curved forms. Monk is a type family that seeks a balance between the openness and legibility of humanist sans serifs. Letterforms have a distinct direction of the ductus, a wide overall stance, large open counters that help in its legibility.
尺寸与包装: True Type and Open Source Font
标签: Typeface design, Font Design, Font Family, Monk, Graphic typeface
生产技术: Designed and produced in Fontographer
设计挑战: The challenge was to create a modern typeface based on the historical research.
研究: The Monk font family has its origins from the Benedictine and Franciscan writing. The initial research was based around the ancient text stored in and around Umbria in central Italy. Analyzing the form and structure of the monk's letter we created a modern approach to the forms creating repeatable geometric curves, which were applied first to create the Latin font. With a concept of open discussion through the religions, the next logical step for us was to develop those design rationals to Arabic lettering with the development of two harmonious fonts.
灵感: The font family has its origins from the Benedictine and Franciscan writing. Originally designed as a Latin typeface it was quickly seen that we needed to open a wider dialogue and expand the font to include an Arabic version, using the same rationale to the design. The strength of the parallel design process allows the two typeset languages to have balanced harmony and grace.
项目周期: The Project started in 2017 and finish in September 2018, in Perugia Italy.
操作流程: Our underlying concept was to develop a font that could communicate harmoniously in Arabic and Latin that was constructed with shared geometry. When used in an Arabic text western words would be seamlessly intergraded in the text.
团队成员: Design direction: Paul Henry Robb
Latin Font: Paul Henry Robb
Arabic Font: Naser Imache - Paul Robb
Design Ass: Tommaso Calderini