Hoshino Jinja Indawo Engcwele ngu-Shigetaka Mochizuki

Umdwebo Hoshino Jinja Indawo Engcwele ngu-Shigetaka Mochizuki ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2024 Umklomelo Wesiliva we-A' Design Award Esigabeni Somncintiswano se-Ifa Lamasiko.

IsilivaIfa Lamasiko· 2024

Hoshino Jinja Indawo Engcwele

ngu Shigetaka Mochizuki

Iklayenti: Mochizuki Corporation

Umnqobi we-Umklomelo Wesiliva we-A' Design Award Esigabeni se-Ifa Lamasiko

130,955

Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#160556

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Hoshino Jinja Indawo Engcwele

Kuyindlela entsha yokusungula ehlanganisa ubuchwepheshe obudala nobusha, njengendlela yendabuko yaseJapane yokwakha engasebenzisi izinto zensimbi, ukwakha kwe-Ishiba kanye nokubala kwamandla omkhawulo okusekelwe ekuhlaziyweni kwesakhiwo sanamuhla. Umklamo, owakhiwe ngemigqa evundlile neyimile, unobuhle obuphakeme kakhulu futhi uchaziwe njengobuhle besakhiwo obuhehayo obusekelwe emqondweni wowahlukile waseJapane wobuhle.

Ukuqashelwa

Mayelana ne-Umklomelo Wesiliva we-A' Design Award

Hoshino Jinja Indawo Engcwele iwinile uMklomelo Wesiliva we-A' Design Award, ukwaziswa okuhloniphekile ngokungajwayelekile okunikezwa imiklamo esezingeni eliphezulu, ebukekayo nethinta kakhulu. Abawinile beSiliva yimisebenzi egqamile kakhulu nedala kakhulu ebonisa ubungcweti obuphawulekayo, italente nobuhlakani babaklami babo. Hoshino Jinja Indawo Engcwele ilindeleke ukuba ibe ngumsebenzi omuhle wesibonelo, onobungcweti obuphawulekayo nezinto ezintsha ezijulile. Lo mklamo owinile uMklomelo Wesiliva we-A' Design Award uyinto entsha ebonakala kakhulu nethakazelisayo esiza futhi isunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. Hoshino Jinja Indawo Engcwele iyinto enomhawu omkhulu kuyo evusa izifiso, ilethe imizwa emihle futhi ivuse ukumangala nokuxakeka.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: The simple design of the new covered hall, with its copper-sheet roof, the main element of the shrine, gabled roof, and horizontal and vertical lines of the pillars, stiles, and footings, expresses the Japanese sense of beauty with a very high level of design. This building is open to those who study, manage, and use architectural techniques, and functions as a place to learn about such knowledge.
Izilinganiso Nokupakisha: Main applications Shinto shrine
Site area 0.402248ha
Building area 0.009565ha
Total floor area 0.009277ha
Maximum height 30.8395ft
Eaves Height 20.669ft
Amathegi: Mochizuki Corporation, Mochizuki Architects, Architectural Design Office, Shrine carpenter, traditional techniques, architect, Architect Builder,artisan,
Ubuchwepheshe Bokukhiqiza: The masonry structure employed in this building has the aptitude to resist earthquakes and typhoons without damaging the earth.
The building was calculated and planned using the limit capacity design method, which is based on the frictional and restorative forces resulting from the combination of members, a characteristic of wooden architecture. It is truly an epoch-making building that makes full use of traditional Japanese construction methods and new technologies.
Inselele Yokudweba: function and reflect its role without eclipsing the sacred building. The sensitive design solution was to emphasize simplicity and strength.
Ucwaningo: The building has been used as a training site for university and technical college students, engineers, and prefectural and city officials to foster younger generations and pass on traditional techniques, and has been widely covered by the media through several public tours. As a result, it has become possible to sustain the traditional techniques of architecture. The use of local wood contributes to tradition, culture, industry, and the environment, and the shrine has become a local landmark.
Ugqozi: The design, composed of horizontal and vertical continuous lines, is aesthetically pleasing and unique to Japanese architecture, and is considered an "attractive structural beauty.
An innovative approach that combines traditional Japanese construction methods that use no hardware at all with modern structural analysis and "limit strength calculations" to create buildings that will last for 100 or 200 years, blending old and new technologies.
Ubude Bephrojekthi: The project started in August 2019 in Toyokawa City, Aichi, Japan and finished in December 2021
Location 102 Kamikaizu, Hirao-chou, Toyokawa City, Aichi, Japan, Aichi,
Ukuhamba Kokusebenza: Tradition evolves through innovations and is reborn as a new tradition.
Centuries-old traditional skills and craftsmanship combined with new modern practices and designs, will be bridging to a new traditional residential architecture, that carries on succession of skills.
Amakhredithi Ezithombe: Photographer, Yasuo Hagiwara