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Igor Pinheiro 嘅作品 Carimbo 郵票

由設計師 Igor Pinheiro 創作嘅 Carimbo 郵票 係備受推崇嘅 2020 A' Design Award 鐵獎 得獎作品,獲獎類別為 平面設計。


鐵平面· 2020

Carimbo 郵票

由 Igor Pinheiro

客戶: Igor Pinheiro

平面 類別嘅 A' Design Award 鐵獎 得獎者

11,452

色彩

設計

關於 Carimbo 郵票

標識其所有者和他的作品並帶到各處的郵票。最初,其目的是找到一種接近離線世界的方法。有點像名片,只有更高檔,更便宜且更環保。因此,選擇郵票(carimbo)。一個簽名。它的內部代表了Igor令人困惑和美麗的創作過程,而圓形框架則將其包裹起來具有流動性並賦予了它目的。兩者結合在一起,形成了墨水可以流過的紋理,為他的個人品牌提供了完美的支持。最後,Minion Pro優雅地編寫了聯繫信息。

榮譽認可

關於A' Design Award 鐵獎

Carimbo 郵票是 A' Design Award 鐵獎得主,這是授予滿足人們對設計精良的創作所期待的專業與工業要求的優良設計的聲望認可。鐵獎得主展現出其創作者的高超技藝、高度專業化、專家級的理解力和創造能力。預計Carimbo 郵票將成為一件備受推崇、令人欽佩且被珍愛的創作,既實用又創新。這件贏得 A' Design Award 鐵獎的設計整合了行業最佳實踐,並擁有與專業知識和才華相結合的稱職技術特性。Carimbo 郵票因其嚴謹而受到尊重,旨在提供有助於讓世界變得更美好的生活品質改善。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性
A stamp to identify its owner and his work and take it everywhere. The inner part represents Igor's confusing and beautiful creative process, while the round frame wraps it up in fluidity and gives it purpose. These two combined build a texture the ink can flow through, providing the perfect support to his personal brand. At last, Minion Pro gracefully writes the contact information.
尺寸同包裝
Measuring 38,1 x 38,1 mm (1,5 x 1,5 in), this stamp was made to fit anywhere, from Post-its to envelopes, and yet bear appropriate readability. It's a point to attract the eye and it's a circle to seize space.
標籤
stamp, carimbo, paper, tinta, design, signature, custom made, business card, ink, rubber stamp
生產技術
Tools used for the completion of the project itself include Adobe Illustrator, Adobe Bridge, a MacBook Pro and a Wacom Intuos tablet. Later, Adobe Photoshop, a Nikon D3200 and some Nikkor lenses were additionally used for the presentation construction.
設計挑戰
One of the most challenging aspects was whether a design so intricate could be done. The question was about it being either feasible or just a bleed-prone design. It should produce sufficient clarity, not only to its ornaments but to type these supported. However, the crucial point was the availability of suppliers that could deliver the stamp. Manual etching was not a practical option, so finding a capable rubber-stamp maker was key. Those aspects, once met, proved Carimbo possible.
研究
The functioning and visual language behind stamps were under careful observation. It was to understand how they work and their characteristics. Research demonstrated how some designs often aid inherent stamping limitations. By using ornaments perhaps too complex for such a limited medium, they become canvases for misprints. The outcome is a unique textured combination of deliberate features and pure chance. This reasoning informs engraving attributes, e.g. contrast, as it did this project's.
靈感
The stamp is a signature. That's the sentence that best summarizes this project. At first, the intention was to find a way of approaching the offline world. Something like a business card, only classier, cheaper and environment friendly. So a stamp (carimbo) was the choice. A stamp to identify its owner and his work and take it everywhere. A signature.
項目時長
The project began in about August 2014 in Caruaru. Occasional sketching and research filled the following five to six months leading into 2015. The final design was, then, worked on, tested, its corresponding rubber stamp ordered. Photos were taken, assets were made. A month or so later, Carimbo was published in March 2015.
操作流程
You make sure the rubber stamp is clean, as not to yield unwanted artifacts. Dab it on an ink pad a few times, on several spots to get a thorough spread. To remove any excess and so avoid bleeds, do it over briefly right before stamping. Now press it on a clean flat paper surface. Apply even pressure across the mount in a gentle but firm manner. Wait, then pull the stamp up with a swift motion. Tilt the handle with caution towards one direction, if a specific part of the print lacks legibility.
專利
Copyrights belong to Igor Pinheiro, 2015.
圖片來源
Image #1: Art Director Igor Pinheiro, Last Slide, 2015.
Image #2: Art Director Igor Pinheiro, Paper, 2015.
Image #3: Art Director Igor Pinheiro, Stamp 2, 2015.
Image #4: Art Director Igor Pinheiro, Frame, 2015.
Image #5: Art Director Igor Pinheiro, Stamp, 2015.

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