ʻO Outside In Hale na Seyedjalil Mousavi he mea lanakila hanohano loa o ka 2025 A' Design Award Keleawe ma ka Māhele Hoʻokūkū Hoʻolālā Hale, Kūkulu a me Hōʻuluʻulu.

KeleaweHoʻolālā Hale· 2025

Outside In Hale

na Seyedjalil Mousavi

Mea Kūʻai: Moradi Family

Mea Lanakila A' Design Award Keleawe ma ka Māhele Hoʻolālā Hale

9,885

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #171962

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Outside In Hale

He hale ʻo Outside In i hoʻohālike hou ai i ke kahua pā kahiko o Iran no ke noho kūlanakauhale hou. I kūkulu ʻia ma ka ʻāina he 220 mika ʻāpana, ua hoʻonohonoho ʻia ka hale ʻekolu papahele a puni i kahi pahu aniani waena i hoʻopuni ʻia me nā mea kanu, kahi i lilo i wahi noho i loko o ka makahiki holoʻokoʻa. Hoʻonui ʻia ke kahua pā ma ke kūpono a me ka moe, e hoʻopili ana i nā papahele i loko o kahi hoʻonohonoho pālua. Ua uhi ʻia ka alo hale me ka pōhaku Abbas Abad, he pōhaku kohu ka papahele, he lāʻau maoli nā puka, a kōkua nā puka aniani uhi wela i ka mālama ikehu. Hoʻomaikaʻi ke ʻano hoʻonohonoho i ka mālamalama lā a me ke ea kaomi i loko o kēia hale liʻiliʻi.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Keleawe

Ua lanakila ka hoʻolālā Outside In Hale i ka A' Design Award Keleawe, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kūʻokoʻa i ʻike ʻia ma o ka hana noʻeau, ka akamai a me ka makakoho. He mau hana mākaukau a hana noʻeau kupaianaha nā lanakila Keleawe e hōʻoia ana i ka ʻike nui, ka noʻonoʻo a me ka maʻalea o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Outside In Hale he mea i mahalo nui ʻia, hoʻohiwahiwa ʻia a aloha ʻia, he ʻoihana a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Keleawe e hoʻohui ana i nā hana maikaʻi loa o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana, a maikaʻi no kona nānā ʻana i nā kikoʻī. Hoʻokō maikaʻi ka hoʻolālā Outside In Hale i nā pono, hoʻopā i ka makemake, hoʻohiwahiwa i nā manaʻo a huki i ka makemake e ʻike.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The project reimagines the traditional Iranian courtyard in modern architecture, focusing on livability and connection to open spaces. On a 220 sqm plot with urban constraints, the design integrates a central glass cube surrounded by greenery, serving as a year-round living space. The yard extends vertically and horizontally, linking floors and incorporating a duplex layout. This Outside in approach revitalizes the courtyard as a central functional element in compact urban homes.
Nā Ana a me ka Hoʻopili: This 23,000 mm deep, 10,000 mm wide, and 14,200 mm high house spans three floors above the ground level. Occupying 230 square meters, 70percent of the space is dedicated to the building's volume, while the remaining area integrates a yard that seamlessly extends throughout the entire project, blending indoor and outdoor spaces harmoniously.
Nā Lepili: Architecture, House, MAoffice, Courtyard Revival, Indoor-Outdoor Integration, Livable Courtyard, Outside-In House,
ʻEnehana Hana: The project features natural and durable materials, blending tradition with modernity. The facade is clad in Abbas Abad Stone, while Marble Stone flooring adds elegance. Natural wood doors provide warmth, and thermal break windows ensure energy efficiency, combining aesthetic appeal with functional sustainability.
Pilikia Hoʻolālā: This project redefines the traditional Iranian courtyard as a functional, year-round living space in modern urban homes. Using a central glass cube surrounded by greenery, it blends indoor and outdoor areas while maximizing natural light and ventilation. The design extends the courtyard vertically and horizontally, creating an open, interconnected layout. By reviving the courtyard’s role as a dynamic core, the project merges tradition with contemporary needs, improving functionality, aesthetics, and nature integration in compact urban living.
Noiʻi: The research for this project focused on the historical context of houses in Hamedan, Iran, alongside the specific needs of the owners and the site conditions. As the design falls within the architectural category, it prioritized practical and contextual insights over formal academic research, ensuring a tailored and culturally resonant approach.
Hoʻoulu Manaʻo: The design inspiration stems from redefining the traditional Iranian courtyard as a central livable space in modern urban homes. Facing constraints like limited land and urban requirements, the project integrates a central glass cube surrounded by greenery, blending indoor and outdoor spaces. This Outside in approach revitalizes the courtyard, making it a functional, year-round living area while maintaining connection to nature and the sky.
Ka Lōʻihi o ka Papahana: This project spanned nearly two years, commencing in early 2020 and concluding in mid-2022. The design phase began in March 2020, with construction starting in September 2020. The final touches were completed by June 2022, marking the end of a meticulous process that balanced historical inspiration, client needs, and innovative architectural solutions.
Kaʻina Hana: This project operates by redefining the traditional courtyard as a dynamic, multi-functional space. It transforms through a central glass cube surrounded by greenery, connecting indoor and outdoor areas vertically and horizontally. Interaction is enhanced by seamless transitions between floors, courtyards, and living spaces. Key frames include the glass cube, central void, and green walls, which optimize light, ventilation, and year-round usability. By integrating nature and modern design, it achieves better functionality, livability, and energy efficiency, outperforming conventional layouts through its innovative Outside in approach.
Nā Lālā Hui: Seyed Jalil Mousavi
Akam Katoorani
Sepehr Edalati Morafah
Atefe Safakish
Alireza Moradi Meshkin
Nā Kuleana Kiʻi: All design credits for this project belong to MA office, where our team crafted the concept and execution. photographs capturing the essence of the design are credited to the Mohammad Hassan Ettefagh.