Davood BoroojeniによるVilla Gilbam 住宅は、建築・建物・構造物デザインコンペティションカテゴリーにおける非常に権威ある2022 A' Design Award 銅賞の優れた受賞作品です。

銅建築· 2022

Villa Gilbam 住宅

デザイナー： Davood Boroojeni

クライアント: Davood Boroojeni Office

建築カテゴリーのA' Design Award 銅賞受賞者

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デザイン

Villa Gilbam 住宅について

ヴィラ・ギルバムは、イラン北部シアハカル地方の山の斜面に建つ住宅である。敷地面積は約750平方メートルで、東から西へ約10パーセントの勾配がある。住宅は敷地の東側、かつて既存建物が建っていた約8メートル×15メートルの同じ矩形の範囲内に建てられており、地面との接触は最小限に抑えられている。中核部分から地上階と2階のレベルで2つのキャンティレバー（片持ち）ボリュームが張り出し、地面に触れることなく伸びている。3つのボリュームは角度をつけて配置され、周囲の山々を望む共有の中央空間を形成している。

受賞

A' Design Award 銅賞について

Villa Gilbam 住宅は、創造性、独創性、鋭い洞察力で際立つ傑出したデザインに授与される、高い権威をもつ評価である A' Design Award 銅賞の受賞作品です。銅賞の受賞作品は、十分に巧みで印象的なほど創造的な工芸品であり、デザイナーの豊富な経験、想像力、機知を裏づけています。Villa Gilbam 住宅は、高く評価され、称賛され、愛される品であり、顕著にプロフェッショナルで革新的であることが期待されます。この A' Design Award 銅賞を受賞したデザインは、芸術・科学・デザイン・技術のベストプラクティスを取り入れており、細部への配慮に優れています。Villa Gilbam 住宅は、ニーズを見事に満たし、欲求に触れ、感情を魅了し、好奇心を引きつけます。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: In the plan of Villa Gilbam, solutions have been found for issues, including the location that the villa should be established there, the impacts of climate and neighborhood on its design, and the desired quality of the shared space.
寸法とパッケージ: Due to the fact that climate and neighborhood were not the limiting factors for the location of the villa, the east of the land, which used to be a place of another building in the past, was allocated for this purpose. With the aim of minimizing intrusion and seizure of the area, the connection surface of the villa to the land was limited to the same rectangle of the old building with dimensions of about 8 × 15 meters. To meet the demands of the employer, which required 350 square meters, two console volumes were added to the initial core of the project at ground level and the first floor without connecting to the ground.
製造技術: The project land with an approximate area of 750 square meters is located on the slopes of one of the mountains in northern Iran in the Siahkal region. The land with an unknown geometry has a slope of about 10% from east to west. In the east of the land, and in a rectangle section measuring 8 × 15 meters, intrusion and seizure were seen; as if this rectangle had been a place of a building in the past. The project’s employer has needed a place with an area of 350 square meters.
デザインの課題: The two console volumes at the height have slid over each other in such a way that neither of them obstructs the proper light of the south and the proper view of the north and south for each other. The console volume located on the ground floor level is in the south and the first level console volume is located in the north. Suitable light from the south passes over the southern volume and reaches the northern volume. Also, the northern volume has a good view of the southern mountains. Below the northern volume is empty and the southern volume overlooks the northern landscape.
The angle of the three volumes of the villa relative to each other was adjusted in a way to create a shared space in the heart of the building. This space has a perfect and extraordinary view of the surrounding mountains.
リサーチ: The current project design is a quantitative and qualitative one. The most important goals are achieving proper functioning, creating the desired spatial quality, resuscitation of the middle courtyard as patterns of indigenous architecture, and reducing energy and construction material consumption. To achieve the goals of the project Field observation, study of the needs of the client, study of historical texts, the study of architectural standards, technical characteristic observation Of materials, the study of regional climate have been considered.
インスピレーション: Factors such as the desired spatial quality, local architecture, climate, and exposed usage of materials have been considered in the project design. We believe that the beautiful innovative useful architecture of Villa Gilbam is the result of using the above-mentioned factors in the project simultaneously.
The angle of the three volumes of the villa relative to each other was adjusted in a way to create a shared space in the heart of the building. This space has a perfect and extraordinary view of the surrounding mountains.
プロジェクト期間: The design of the project started in June 2016 and finished in December 2016 in Tehran.
オペレーションフロー: One of our primary design goals was material disclosure. We believe that the use of exposed materials not only creates an indigenous feeling in the spaces but also causes less damage to the environment.
チームメンバー: Principal Architects: Davood Boroojeni - Saba Ammari
CG Artist: Peyman Nozari
画像クレジット: Image #1: Illustrator Peyman Nozari, 2021.
Image #2: Illustrator Peyman Nozari, 2021.
Image #3: Illustrator Peyman Nozari, 2021.
Image #4: Illustrator Peyman Nozari, 2021.
Image #5: Illustrator Peyman Nozari, 2021.