Attimo Agraw n watay sɣur Mikhail Chistiakov

Attimo Agraw n watay sɣur Mikhail Chistiakov d anerbaz yettwaqadren meqqren n 2021 Tarbaḥt A' Design Award n Ddheb deg Taggayt n Tnaflit n Afeṣṣel n Ifecka n Uswi, Tameṣṭa, Tisit d Usečči.

DdhebIfecka n Tanecwit· 2021

Attimo Agraw n watay

sɣur Mikhail Chistiakov

Amsaɣ: Altavolo

Anerbaz n Tarbaḥt A' Design Award n Ddheb deg Taggayt n Ifecka n Tanecwit

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #110855

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Attimo Agraw n watay

Attimo (anamek-is "taswiɛt") d agraw n watay yettwagen s čini n yighsan aẓuran s yidisan ixfafen. Taẓrigt n talɣa n teɣwatin d taswiɛt n wakud yuɣalen. Anfus-aẓru yettaɣ ɣef tɣawsa taleqqaqt n čini-ya, yerna yesnulfu "tinceḍtin ɣef waman" iteddun ɣef teɣwat. Ihi yal tannalt n unfus d tannalt n wakud yusan d agris. Talɣa-ya tewɛer ur nettwali ara n yiferdisen n tegnit tewɛer aṭas mi ara tt-snulfun s čini. Maca, aseqdec n ttiknikt n unfus d ilem, aṣeggem uqbil n yinukar n tmerniwin, iwwi-d tazmer n tuṭṭfa n tulɣa tameɣtut.

Asmekti

Ɣef Tarbaḥt A' Design Award n Ddheb

Attimo Agraw n watay d amerbaḥ n Tarbaḥt A' Design Award n Ddheb, tagmat tuffirt i yisnulfa n umezwaru yelhan s waṭas. Imerbaḥen n Ddheb d isnulfa d imaynuten d imeqqranen. Attimo Agraw n watay ad d-yefk lqima ur nesɛi amgarad, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: This form was created in an attempt to capture the moment. The handle-stone "falls" on the porcelain and creates circles running across the surface of the object. This frozen picture gives rise to the illusion that the solid material becomes soft and pliable, the same as the original kaolin clay from which the objects were made.Thus, every time in the everyday use of the utilitarian items of the set, we touch the frozen moment.
Tigejdiwin & Akemmus: Teapot 150 x 95 x 165mm 633g 600ml. Sugar bowl 110 x 110 x 80mm 382g 300mll. Cup 72 x 72 x 85mm 210g 220ml
Tibzimin: Tea set, Teapot, Cup, Sugar bowl, Tableware, Porcelain
Tasnakta n Ufares: Bone china. This material was chosen instead of traditional porcelain in order to gain more control over the stability of the shape during the firing process, as well as to reduce the wall thickness and reduce weight.
Asewḥel n Usnulfu: The complex asymmetric shape of service items is difficult to implement in porcelain. It is especially difficult to achieve stable quality when creating a large number of products. However, the choice of bone china as the material, the use of the hollow handle technique, and the proactive correction of deformations during firing, made it possible to achieve an ideal geometry. Thus, the implementation of the points is fully consistent with the concept.
Anadi: An important step in the design research was to find a handle shape that would resemble a stone, but at the same time maintain a balance with technology and ease of use. We also searched for the ratio of the handle size and the wave amplitude on the surface, and its attenuation. The found shape corresponds to the general idea of the project, but at the same time resists deformation during firing.
Aseḥbiber: The philosophy of the present moment.
The beauty of every moment.
Slow movement.
Tanzagt n Usenfar: The project started in 2019 and finished in 2020 in Saint-Petersburg, Russia.
Tanila n Umahil: Unusual for traditional porcelain, the handle has a complex bionic shape with variable thickness. This makes the use of the set items very ergonomic, suitable for different people. At the same time, the handle is a good thermal insulator due to the fact that it is hollow inside.
Imsuren n Tugniwin: Image #1: Photographer Kazakov Petr
Image #2: Photographer Kazakov Petr
Image #3: Photographer Chistiakova Yuliia
Image #4: Photographer Chistiakov Mikhail
Image #5: Photographer Chistiakova Yuliia