Less is More Takersi sɣur Roberta Rampazzo

Less is More Takersi sɣur Roberta Rampazzo d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Iferrasen.

LfeṭṭaIferrasen· 2022

Less is More Takersi

sɣur Roberta Rampazzo

Amsaɣ: Roberta Rampazzo

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Iferrasen

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #134262

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Less is More Takersi

Ayen i d-yessufɣen tikti n tekersi-agi d agzul n lpandimi i neεedda deg yiseggasen-a ineggura d tmselḥa i d-neǧǧa seg-s. Usqamu yesmal-d yal tikelt tiddetin tinmettiyin, assa afaris isra ad d-yesken iferdisen-agi igejdanen am usuref, ulac n wuffir, d tesmakta ugar n yal tikelt. Taḥersi s waṭas d tiɣessa yerhan ad tt-naweḍ. Akken ad teḥersiḍ ilaq ad tekkseḍ ayen d uffir d wayen ur nesri ara, aya izmer ad yettwag deg tudert d daɣen deg usqamu. Agmuḍ-nni d takersi tamecṭuḥt, tacerreg, d temsakit.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Less is More Takersi d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Less is More Takersi ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The concept of the chair was based on important aspects of a good design, such as comfort, quality, and sustainable values. Nowadays a product needs to represent more than ever these key elements. This concept makes this chair unique along with its minimalist lines.
Tigejdiwin & Akemmus: Width 550 mm x Depth 620 mm x Height 760mm
Tibzimin: Chair, wood, minimalist, simple, comfortable, sustainable
Tasnakta n Ufares: Produced in 2021. It took a few months to develop the prototype and to achieve the best results. The chair is handmade using sustainable wood and has a high-quality level.
Asewḥel n Usnulfu: To reach the expected result, it was necessary to make several adjustments to the prototype. The piece has a backrest with anatomical and organic curves. Both the curvature of the wood and how to adjust the foam and seams were challenging. The goal was to create a piece with a high level of comfort and light lines.
Anadi: We use handmade woodcraft technic, including bending wood.
We also have to research bout seams and finishing.
Aseḥbiber: A summary of the pandemic experienced in recent years and the lessons learned. The design has always represented social aspects and nowadays a product needs to represent more than ever these key elements such as comfort, not excess, and sustainability. This concept was the inspiration for this chair. The lines are minimalist and simple but still invite the user to sit down and enjoy the present moment.
Tanzagt n Usenfar: The project started in April 2021 in Sao Paulo Brazil and finished in October 2021, It was launched in Firma casa, Sao Paulo, Brazil.
Tanila n Umahil: This is a regular use chair.
Imsuren n Tugniwin: Fernanda Nunes