Along the Streams of Light Primary Function: Aɣawas n daxel n uxxam n učči sɣur Hao Chun Chang

Along the Streams of Light Primary Function: Aɣawas n daxel n uxxam n učči sɣur Hao Chun Chang d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LfeṭṭaAgensu· 2022

Along the Streams of Light Primary Function: Aɣawas n daxel n uxxam n učči

sɣur Hao Chun Chang

Amsaɣ: Plaindesign

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Agensu

14,429

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #137130

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Along the Streams of Light Primary Function: Aɣawas n daxel n uxxam n učči

Book Text: Deg webrid n yifalen n tafat d aɣawas n daxel n yiwen n uxxam n učči akurí n 265 n lmitrat mrebbaɛ deg Taichung, Taiwan. Amkan-agi yesdukkul azru d usɣar s yini aqehwi d ureɣ. Isekkilen, izirigen d tuɣdaḍin ur nemsaḍ ttarran tamuɣli n leɛnaya. Tigzumin n tafat yeknan d wamek yettbeddil ukessar seg usɣar ɣer wezru ttɛawanent akin agmaḍ gar temnaḍin. Anaḍ d azgen-yeldi yerna yebna s ṭṭabla n bar, ihi akala n usewway yeqqim ittwali seg yigelmimen n uzegzaw. Uzegzaw yesɛan izirigen d yigelmimen ɛlayen ssekcamen tafat n wass ma yella lḥerma yettwaḥerz.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Along the Streams of Light Primary Function: Aɣawas n daxel n uxxam n učči d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Along the Streams of Light Primary Function: Aɣawas n daxel n uxxam n učči ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Integrating the restaurant's visual identity and the combination of the color palette, features of stone and wood, the harmonious environment is created to be with a great balance between bulkiness and gentleness.
Tigejdiwin & Akemmus: This project is 265 square meters.
Tibzimin: Interior Design, Restaurant, Modern, Korean, Wooden
Tasnakta n Ufares: The half-circle plaza in front of the facade of the restaurant and the tilted staircases with embedded light strips contribute to a sense of earnestness. The quotation-mark-shaped wooden frame and the diamond shape pattern on the door panel with diverse use of colors create an exotic feeling that eventually attracts visual focus and attention. In addition, the reeded glass panel is applied to maintain privacy while ensuring the introduction of natural lighting.
Asewḥel n Usnulfu: The great-sized floor-to-ceiling glass panels and the shading ensure immense introduction of sunlight while maintaining the privacy for the customers to feel comfortable eating. The illumination of the space is improved while it does not become too harsh to the eye. The overall open-floor plan and the translucency increases the use of electricity during the day.
Anadi: The embedded light strips in the kitchen and dining areas serve to divide and to guide the flow subconsciously. The kitchen is designed to be semi-open-plan with a bar counter arrangement. Through the transparent glass panels, customers can easily look into the kitchen for the smoked barbeque display and the cooking process. The suspended shelving allows convenient arrangement of utensils that gives a sense of neatness to the restaurant.
Aseḥbiber: The naming of the restaurant "Ribbon" symbolizes a festive atmosphere on special days and holidays. With use of patterns, lines, irregular cuts, and rhythmic combination, the designer creates a sense of ceremony with a great amount of natural lighting that expands the visual perception with consistency. The precise yet fluid interior lighting design adds elegance to the ambience in shades of brown and gray.
Tanzagt n Usenfar: This project is finished in October 2020 in Taichung, Taiwan.
Tanila n Umahil: Entering the restaurant, one can immediately sense that the designer reinterprets and repackages the Korean cuisine with a modern technique and semi-industrial style. A consistent design language with diverse changes of lighting and volumes are the main elements that weaved into the gene of the space. The curved light strips and the flooring transitions between wooden and stone materials both contribute to an intuitive sense of spatial transition.