Manga Taẓellumt n uqqim sɣur Enrique Minguez Ros

Manga Taẓellumt n uqqim sɣur Enrique Minguez Ros d anerbaz yettwaqadren meqqren n 2022 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Iferrasen n Wurti d Berra.

UzzalIferrasen n Berra· 2022

Manga Taẓellumt n uqqim

sɣur Enrique Minguez Ros

Amsaɣ: QZ Urban Furniture

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Iferrasen n Berra

35,203

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #140197

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Manga Taẓellumt n uqqim

Iferdisen iɣerfanen ttekkin deg ufkan i temdinin n teɣzi n wemdan, tamagit, d unamek azwaɣ. Tikti n usefru n Manga Bench tebda-d seg unnar aɣerman, adeg i deg tettwafses, s useqdec n tetiknulujit d yilefsan yettwassnen deg tesniggezt taɣermant. Tettwasuddes s tudert taɣermant, tezmer ad d-tekker iḥulfan deg twunak tiɣerfanin d tigamsanin. Tizeɣt n yijerriḍen d tgrumma gar yifassen n Manga Bench seǧhident aẓeggaɣ d tirmisin yettwassnen n ubiddi n tjejjigt d ulubini. Mi ur tettwaqim ara, tifulinin-is timembadin tifenziwin ssexdament-tt d aferdis asklan.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Manga Taẓellumt n uqqim d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Manga Taẓellumt n uqqim ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: A bench of elegant simplicity with organic shapes.
The purity of the lines and the roundness between planes of the Manga Bench, reinforces the brightness and textures typical of fiberglass and concrete.
When the bench is not occupied, its soft undulating shapes make it a sculptural element.
Minimalist in design, its comfortable ergonomic profile and soft undulations invite contemplation and serenity.
Tigejdiwin & Akemmus: The measurements are 300 x 82 x 76 cm. The seat base is 44 cm from the ground.
Tibzimin: Marine life, Sculptural, Fiberglass, Sustainability, Minimalist, Ergonomic
Tasnakta n Ufares: The materials used in the Manga Bench are committed to sustainability and the development of pioneering technologies (fiberglass, fiber-reinforced concrete or mechanical recycling of plastic R-PET). Environmentally friendly materials with a real component of sustainability, circularity and safety.
Using technology and materials typical of nautical engineering, the Manga Bench has taken into account its environmental impact during all the stages of its existence: extraction of raw materials, production, distribution, use, reuse, recycling and waste management.
Asewḥel n Usnulfu: The main challenge was the design of a large urban element with dynamic undulating forms.
The big obstacle, given its size, was to demould the piece, so it was necessary to redraw the initial sketch.
In a second phase, the thickness of the planned fiberglass layer was reduced and the upper part of the backrest was reinforced with fiberglass mesh.
Today, thanks to the technology and materials used in nautical engineering, the production of fibreglass benches is very simple.
Anadi: The research is based on the design of an urban element that contributes to giving cities a human scale, identity and collective meaning.
The aim was to create a piece based on marine life and the maritime context, using nautical engineering technologies and materials, so a model and a mould were developed to obtain the designed piece.
The Manga bench has been made of fiberglass. A material that is capable of awakening emotions both in urban environments and in natural areas.
Aseḥbiber: The design idea for the Manga Bench starts from the maritime context, a place for which it has been designed, using technology and materials typical of nautical engineering.
Inspired by marine life, it is capable of awakening emotions in urban and natural environments.
Tanzagt n Usenfar: The project started in September 2019 and finished in June 2020 in Cartagena (Spain). It was exhibited in the port of Cartagena (2020) and Colegio Oficial de Arquitectos de Murcia (COAMU), Murcia, (Spain) in 2022.
Tanila n Umahil: This piece not only fulfils the function of a seat but also provides an aesthetic value when it is placed in the urban space: seafronts, ports, squares, streets and boulevards.
Ibrivan: Patented. 08/2020/621. Enrique Mínguez Ros. 2020. Intellectual property.
Igmamen n Terbaɛt: Enrique Mínguez Ros and Enrique Mínguez Martínez
Imsuren n Tugniwin: Image #1: Photographer David Frutos, Manga Bench, 2020.
Image #2: Photographer David Frutos, Manga Bench, 2020.
Image #3: Photographer David Frutos, Manga Bench, 2020.
Image #4: Photographer David Frutos, Manga Bench, 2020.
Image #2: Photographer David Frutos, Manga Bench, 2020.