Nomad Asaru Awezlan s Uḥerrek n Tugniwin sɣur Yetong Xin and Muwen Li d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Usaru, Avidyu d Usmussu.
LfeṭṭaAsaru· 2025
Nomad Asaru Awezlan s Uḥerrek n Tugniwin
Amsaɣ: Reraner
Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Asaru
Anerbaz n Urraz Yettwasenqden
Senqed Addad n Urraz i #164631Afeṣṣel
Ɣef Nomad Asaru Awezlan s Uḥerrek n Tugniwin
Nomad d asaru awezlan s uḥerrek n tugniwin n tsenselkimt tussnant ɣef yimal n teẓgi n unẓar n Amaẓun. Asaru-agi yeskan-d tamdint yettembiwilen i izemren ad tawi tiqbilin n Amaẓun ɣer yimukan imaynuten anda zemren ad idiren mi ara amkan ur yezmir ara ad yerfed tudert n wemdan. Timacinin di Nomad ḥerzent taɣessa tatiknikant maca bnant s waṭas seg wammuden n ugama deg umkan n wuzzal. Abrid-agi i d-yekkan seg ugama yessewḥal asemmiḍ n tmacinin timensayin yerna yefka-d i temdint aḥulfu n tudert. Uneggura d storyboards ttwaxedmen d imezwura, syen tedfer-d talɣa, aḥerrek n tugniwin, rendering akked compositing. Yettwaseqdec motion capture i yiwudam.
Asmekti
Ɣef Tarbaḥt A' Design Award n Lfeṭṭa
Nomad Asaru Awezlan s Uḥerrek n Tugniwin d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Nomad Asaru Awezlan s Uḥerrek n Tugniwin ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.
Deffir n ufeṣṣel
Tagrurt n tɣamsa
Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.
- Taɣara Tasuft
- The mechanical design in the video has a unique style: while it retains a mechanical structure, it primarily uses natural materials instead of metal. Through this nature inspired mechanical approach, the design aims to portray a human city that values nature, reflecting a vision for future cities—harmony between humans and the environment. This design breaks away from the coldness of traditional machinery, giving it a sense of vitality that resonates with the audience and enhances their immersive experience.
- Tigejdiwin & Akemmus
- 4K Video. Screened on a large display.
- Tibzimin
- animation, nature, scifi, emotion, future
- Tasnakta n Ufares
- First created design sketches and storyboards in Photoshop, then modeled in Blender. Used Cinema4D for scene building, animation, rendering, and simulations, and finally composited everything in After Effects. The character movements were captured using motion capture technology.
- Asewḥel n Usnulfu
- The challenge was how to create a worldview that respects nature in the context of a high tech future. Many futuristic films, such as those with cyberpunk aesthetics, often depict highly mechanized cities, which conflict with the message of nature conservation the project aimed to convey. To address this issue, multiple discussions were held, ultimately leading to the adoption of a biomimetic approach, designing a city that embodies advanced technology while coexisting harmoniously with nature.
- Anadi
- This project originated from MIT Media Lab's City Science Group research on Amazonian tribes, focusing on the Amazon rainforest's decline due to human activity. Collaborating with scholars and urban designers, the team explored the tribes' beliefs, such as shamanism and totems. Their findings suggest that future Amazonian tribes may continue to respect nature and build cities that harmonize with the environment, shaping the film's worldview and production.
- Aseḥbiber
- This scifi animation short was created in 2023, with a focus on environmental protection. By 2024, due to urban expansion, the forest cover in the eastern Amazon had decreased by 31 percent. This inspired the project to reflect on how humans should coexist harmoniously with nature in the future. The concept envisioned a city capable of moving freely; when a location can no longer sustain human activity, it would transport the Amazonian tribes to new habitable areas, achieving a dynamic balance of natural resources.
- Tanzagt n Usenfar
- The project started in September 2023 in MIT Media Lab in Boston and finished in January 2024, and was exhibited in Brooklyn Film Festival, D ARCH Film Festival, A plus D museum in Los Angeles, and METAXIS plus PROMPT Festival in Budapest in 2024.
- Tanila n Umahil
- This animation uses a widescreen cinematic aspect ratio, and the music is highly aesthetic. It is best suited for viewing in a completely dark environment, such as a cinema, with a large screen or projector. The audience will experience an immersive and ultimate audiovisual experience.
- Igmamen n Terbaɛt
- Co Author: Muwen Li
Music: Yicheng Zhu
Music: Zuochu Liu
Sound Design: JoNine Liu
Voice: Gabriela Bila Advincula
Yettwaxellṣen
Snirem Seld Designers.org
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