Hight To Hight Asuqel Uzeɣbu n Uɣerbaz n Wuzzu sɣur Wensong Wang

Hight To Hight Asuqel Uzeɣbu n Uɣerbaz n Wuzzu sɣur Wensong Wang d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2025

Hight To Hight Asuqel Uzeɣbu n Uɣerbaz n Wuzzu

sɣur Wensong Wang

Amsaɣ: Wensong Wang

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

10,176

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #168159

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Hight To Hight Asuqel Uzeɣbu n Uɣerbaz n Wuzzu

Hight To Hight d asuqel uzeɣbu n uqerru akked ucɛer yellan di temdint n Shenzhen. Asuqel-agi yesɛemmed ɣef yidles n Usammer n Turuft akked usnas d tewzin n tsekla n Uɛumani. Iɣarbazen d ukaram ttwaxedmen s tewsit n cimenṭu s ususru n tdesign. Idlisen n tesga n lemri sseɣzafen adeg u sfaqqusen tafat d tili yettbeddilen. Iɣarbazen n tewwurt tiqubbanin ttwazizden s izirig n wuzzal iṣeḥḥan. Adeg yebḍa ɣer tlata n temnaḍin: tamnaḍt n usjaḥu n rriḥa, tamnaḍt n ubar i tmagit tanmettit, akked texxamt n yidles. Tafat taqburt tettarra ambiance yeḥman kan ur nesɛi lɣella.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Hight To Hight Asuqel Uzeɣbu n Uɣerbaz n Wuzzu d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Hight To Hight Asuqel Uzeɣbu n Uɣerbaz n Wuzzu ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Hight To Hight Asuqel Uzeɣbu n Uɣerbaz n Wuzzu yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The project is tailored for a discerning and upscale group, creating a space that combines beauty, health, and art. The design integrates the essence of Southern European culture and religious art through decorative elements and lighting effects, creating an environment that is both aesthetically pleasing and interactive, offering users a place where they can relax and immerse themselves in cultural richness, bringing emotional value that is like a time travel experience.
Tigejdiwin & Akemmus: The first phase is 153 square meters, and the second phase is 46 square meters.
Tibzimin: Commercial Space Design, Multifunctional Application Space, Beauty, Health, and Art, Re experiential Cultural Sensory Exploration, Ottoman Architectural Style
Tasnakta n Ufares: Walls and floors feature distressed cement art tiles, crafting a blend of ancient relic and modern aesthetics by delicate texture. Glass mirror surfaces on walls reflect the surrounding environment, creating dynamic light and shadow variations while enhancing the openness and transparency of the space. Arched door frames are accented with sleek metal lines, elevating the overall quality and ensuring harmony throughout the space, exuding a timeless and sacred splendor.
Asewḥel n Usnulfu: The challenge lies in balancing aesthetic design and functional area requirements. Based on usage needs, the space is meticulously divided into three distinctive zones: an aroma healing area, a bar socializing area, and a cultural time gallery. To enhance the overall artistic atmosphere and cultural depth, extensive use of cement art tiles, religious art ornaments and motifs from Southern European civilizations imbue the entire space with a mysterious and elegant texture.
Anadi: Throughout the project, designers delved into spatial art aesthetics and European architectural styles, merging and innovating these elements to create an experiential space that integrates functionality, aesthetics, and emotional expressions, imbued with a sense of sacred vitality and historical culture. In this space, users can enjoy services across areas and resonate with the ancient, sacred, and timeless ambiance reminiscent of Southern European culture spanning thousands of years.
Aseḥbiber: Designers not only draw inspiration from thousands of years of Southern European history and culture but also skillfully introduce the symmetry and proportion characteristic of Ottoman architectural influences, creating spaces that are rich in cultural depth while exuding modernity. This approach delivers multilayered impact on the visual and emotional experiences of the users.
Tanzagt n Usenfar: Initiated in March 2022 with creative design efforts in Shenzhen, the project was completed in October 2022 and presented to the market and media.
Tanila n Umahil: Upon entering, users are immediately enveloped by an epic and mysterious life force, as if a time traveling journey. From the entrance to each functional area, smooth flow naturally guides users through zones. Coupled with lighting designs inspired by cinematic art direction, every step is a feast for both the eyes and the soul. Vintage lighting penetrates exquisite decorative details, creating a warm and mysterious ambience and leading users into a world with stories and artistic charm.
Igmamen n Terbaɛt: Wensong Wang