Embrace The Poetry Of Self Taqendurt sɣur Ji Yibo

Embrace The Poetry Of Self Taqendurt sɣur Ji Yibo d anerbaz yettwaqadren meqqren n 2025 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Tmuḍa, Iselsa d Iceṭṭiḍen.

UzzalTamuḍa· 2025

Embrace The Poetry Of Self Taqendurt

sɣur Ji Yibo

Amsaɣ: Nanjing University of the Arts

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tamuḍa

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Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #169049

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Embrace The Poetry Of Self Taqendurt

Aḍfeṛ Tsizfa n Yiman-ik d asegmi n licelsa n tilawin i yebnan ɣef tqendurt. Talɣa n tqemjet tunṣibt n yergazen tettwaseddu ɣer tqendurt tunṭift, syen isteqsi n uneṛni s tlata n tesnasin (three dimensional cutting) yettwasseqdac akken ad mmten sin n ugensuyen. Tisnasin n licelsa ttwafeṣlent syen ttwabnant tikelt-nniḍen akken ad ttwaslen tlisa gar licelsa n yergazen d wid n tilawin. Aɣawas d asegmi yiwen i izemren ad yettwales s waṭas n tarrayin. Tawuri d wudem ttwarnan-d di teɣmert-nniḍen kan. Asegmi-agi issefki ɣef timmust n tlawit akked yisali n umkan gar licelsa d lǧețța.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Embrace The Poetry Of Self Taqendurt d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Embrace The Poetry Of Self Taqendurt ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The delicate fabric subtly conveys the graceful curves of a woman while also carrying strong gender symbols. This collection deconstructs and reconstructs clothing structures, using three-dimensional cutting and deconstruction techniques to spatially reshape traditionally gendered garments such as men's shirts and suits, blurring the boundaries of gender and creating a limitless interactive space between clothing and the body.
Tigejdiwin & Akemmus: 25cm*2cm*80cm
Tibzimin: Apparel, Clothes, Fashion, Dress, Woman
Tasnakta n Ufares: In terms of structure design, the transformation and fusion of the garment's three-dimensional structure change its functionality. By embedding the structure of a traditional men's shirt into a feminine dress, the designer employed three-dimensional cutting to enhance its integration, making it versatile and practical, offering "one garment with multiple styles." At the same time, the functional and aesthetic qualities of the clothing merge seamlessly, providing women with a broader range of styling possibilities.
Asewḥel n Usnulfu: Balancing fit and comfort can be challenging, as different body types have varying needs. Choosing fabrics that meet aesthetic, comfort, and functionality requirements is essential. Cost control is another difficulty, as high-quality materials and intricate craftsmanship can increase expenses. Additionally, the complexity of designs may affect production efficiency. Rapid changes in market trends require quick responses to keep up with fashion. Sustainability poses challenges as eco-friendly materials and processes often come with higher costs and limited technology. These difficulties demand that designers find the best balance between creativity, aesthetics, technology, and market demands.
Anadi: Ergonomic analysis to optimize fit and comfort; material technology research to select breathable, waterproof, and antibacterial functional fabrics; fashion trend analysis to integrate market demands with stylish elements; craftsmanship and structural optimization to enhance tailoring techniques and durability; eco-friendly and sustainable design using recycled materials and environmentally friendly processes; and smart wearable technology with features such as temperature control and health monitoring. These research approaches ensure that clothing achieves the best balance of comfort, functionality, aesthetics, and sustainability.
Aseḥbiber: The Embrace the Poetry of Self collection is inspired by a profound reflection on female identity and the spatial structure of the body. As a staple in women's daily wardrobes, the dress symbolizes both fashion and femininity.
Tanzagt n Usenfar: The project started in September 2016 in Nanjing and finished in September 2017 in Nanjing, exhibiting in Nanjing University of the Arts.
Tanila n Umahil: In terms of structure design, the transformation and fusion of the garment's three-dimensional structure change its functionality. By embedding the structure of a traditional men's shirt into a feminine dress, the designer employed three-dimensional cutting to enhance its integration, making it versatile and practical, offering "one garment with multiple styles." At the same time, the functional and aesthetic qualities of the clothing merge seamlessly, providing women with a broader range of styling possibilities.
Igmamen n Terbaɛt: Ji Yibo