Near Figure Asalay sɣur Meng Zhao d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Tansekta, Lebni d Teɣssa.

LbrunzTansekta· 2026

Near Figure Asalay

sɣur Meng Zhao

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tansekta

8,979

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #173036

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Near Figure Asalay

Near Figure d asalay yettwaḥeddren i temdint n Helsinki, di Finland. Lebni-agi yesnirim addad yellan gar talɣiwin yettwassnen d tid ur nettwassen ara. Talɣiwin ssawaḍent-d anamek n yiswi, maca ttɣimint ur frint ara, dɣa tigzi tettban-d s leɛqel mi ara ttinigen inerza deg yimukan. Sin yiberdan n tikli yemgaraden myezgin gar-asen s ubeddel n talɣa taseklant n lebni. Asalay yesɛa timeẓliwin yeldin, tizeɣwin n uskan, akafi, tiɣseṛt n beṛṛa akked yimukan n urmud. Asimyu azegzaw akked wesɣar yettuɛawden yesnernayen aḥraz n uzɣal yerna ssenqasen deg usuffeɣ n karbun. Tajumma taḥerfit n lebni tewweḍ 6400 n lmitrat imkuẓen.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Near Figure Asalay d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Near Figure Asalay ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Near Figure Asalay yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The Museum in Finland explores the concept of "Near Figure" in architecture, an idea that engages with the critical state between identifiable and unidentifiable forms. This project delves into the tension of architectural progression, capturing a transitional phase where space and form exist in a state of both static and dynamic potential. Through this exploration, the museum represents an evolving symbol of the future of architectural trends.
Tigejdiwin & Akemmus: Gross floor area: 6400 square meters Project type: Museum, Exhibits, Pavilions
Tibzimin: Museum, Near Figure, Exhibition, Helsinki, Finland, monumental building, city landmark, public space
Tasnakta n Ufares: The material choice of concrete plays a central role. Its malleability offers the flexibility to express the tension between clarity and abstraction, making it an ideal medium to embody the critical state of architectural form. Concrete allows for the fluidity of shape transitions, highlighting the project's exploration of thresholds and the notion of purpose in design. The combination of recycled wood with green concrete improve the building's insulation and effectively reduces carbon emissions
Asewḥel n Usnulfu: The biggest challenge is exploring the meaning in Architecture. The project invested the big shape/form/figure with an air of purposefulness and will. Since modernism as a global hegemonic attitude was shaken and then definitively overcome by the forces of pomo and decon and the digital revolution, there has been a crisis in the belief that questions such as: How does architecture communicate? What is legible? The notion that meaning is possible or desirable in architecture has been challenged.
Anadi: The punchline to the project is something called a "near figure." Something with a shape, form or figure that conveys an uncanny sense of purpose, but is unable to be satisfactorily resolved into anything identifiable that could become singular and ultimately repressive. Trying to catch the sense of Progressiveness from mathematic geometry-cube. A series of transformation help to discover the threshold of Progressiveness of Legibility. Figure out the minimal and maximum transition of near figure
Aseḥbiber: The "Near Figure" concept, where shapes and forms convey a sense of purpose but are deliberately left in a state that resists complete resolution. This ambiguity allows for a new type of legibility-one that emerges gradually as the viewer engages with the structure. Through the concept, the museum pushes the boundaries of contemporary architecture. It symbolizes a shift in architectural thinking towards a more conceptual, evolving expressions of purpose and identity in architecture.
Tanzagt n Usenfar: The project located in Helsinki Finland
Tanila n Umahil: Two independent and directionally distinct circulation paths are interwoven through the transformation of the architectural form. The building's primary functions include open galleries, exhibition halls, cafe, exterior platforms, and activity areas. Within the public spaces, formal variations and deformations create enclosed functional zones such as offices, kitchen, private dining rooms, lounges, and intimate exhibition rooms.
Imsuren n Tugniwin: Designer: Meng Zhao Graphic: Meng Zhao