Foam of Desire Tasufeɣt n llebsa sɣur Kaiqi Zhang

Foam of Desire Tasufeɣt n llebsa sɣur Kaiqi Zhang d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ulehhu d Uselsu n Wagama.

LbrunzAfeṣṣel n Ulehhu· 2026

Foam of Desire Tasufeɣt n llebsa

sɣur Kaiqi Zhang

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Afeṣṣel n Ulehhu

13,468

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #178948

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Foam of Desire Tasufeɣt n llebsa

S teẓri ɣef cci d tilemt i d-iglan i tneddumt n usefti n tura, taɣawsa-agi tesseqdac asuneɣ n llebsa i wakken ad d-tessenfu lebɛad i d-yettilin deg wayla. Tettarra-d s tikti tajdidt llebsa n yixulafen n lqern wis ɛecra d sebɛa, tessuneɣ tafrart yeznen ɣer yiwet n ṣṣifa tameqqrant i d-yettarwasen tafekka i tett nneddumat. Aẓayer n uzegzaw aturkwaz, i yettnaɣen d uzeggaɣ ileqqqen akk-d uwraɣ azegzaw amuḍin, d-yessufuɣ yiwen n usemmar i d-ibanen seg ufella maca yesseggugur ɣer daxel. Tugdi-agi tessawal i imwalayen akken ad ɣeqden ɣef wayen i d lebɣi.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Foam of Desire Tasufeɣt n llebsa d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Foam of Desire Tasufeɣt n llebsa ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Foam of Desire Tasufeɣt n llebsa yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Inspired by Epicure Mammon from The Alchemist, this piece reimagines European aristocratic attire from the 17th century to question the concept of decadent luxury. Using a specially engineered moldable fabric, the garment swells into a bloated silhouette reminiscent of bubbles, evoking bodies consumed by desires. Vivid turquoise blue and pink create a visual allure that is both jarring and seductive, with a sugary quality that prompts viewers to reflect on overconsumption and inner emptiness.
Tigejdiwin & Akemmus: approximately 175 centimeters high, 140 centimeters wide and 80 centimeters deep
Tibzimin: Clothing Design, Materializing Desires, Material Experimentation, Visual Metaphor, Irregular Forms, Visual Tension
Tasnakta n Ufares: A specially engineered moldable fabric, adhesive when wet, allows for intuitive hand sculpting of volumetric forms. By laminating foam into the fabric and injecting air, this approach creates irregular organic bubbles with a unique hybrid texture, which is both translucent and semi rigid. When illuminated, these forms look like a second skin, materializing the concept of internal collapse festering beneath a surface of opulence.
Asewḥel n Usnulfu: The key challenge was to lead viewers from visual seduction to psychological unease, and the answer lay in color use. A rational turquoise blue base is invaded by lush pink accents that embody swelling desires, while traces of sickly yellowish green underneath hint at decay and exposure. The contrast between high saturation and low brightness, paired with matte and pearly finishes, creates a tension between a sweet appearance and hidden unease, turning initial allure into disquieting reflection.
Anadi: This work critiques the consumerist era by framing its core maladies: swelling desires and inner voids. Using the structure of seventeenth century aristocratic attire, the piece presents bloated, bubble like forms that symbolize a body consumed by insatiable desires. Jarring color combinations then guide viewers from visual seduction to psychological disquiet, ultimately revealing the spiritual barrenness hidden behind a luxurious facade.
Aseḥbiber: This piece takes its cue from Epicure Mammon, an embodiment of insatiable desires in the play The Alchemist. It deconstructs the symbolic language of seventeenth century aristocratic attire to pose a question about beauty in excess. Each element becomes a visual narrative around the body, speaking of desires that swell, promises that prove false, and the inescapable reality of decay.
Tanzagt n Usenfar: The project commenced in October 2023 in London, United Kingdom. The initial toile was completed in December 2023, and the project concluded in March 2024 with the completion of the final garment.
Tanila n Umahil: This work redefines clothing from a mere covering for the body into an aggressive entity that devours it. The doublet, with its dramatically exaggerated chest and shoulders, achieves a swollen, voluptuous contour that makes inner desires visibly manifest in the flesh. The asymmetrically reshaped ruff collar, when illuminated, casts an encircling shadow, mirroring the confinement in a prison built from greed and vanity.
Igmamen n Terbaɛt: Kaiqi Zhang