Liminalis Tawlaft sɣur Maja Zinczuk d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Tewlaft d Usenfel n Tewlafin.

UzzalTawlaft· 2026

Liminalis Tawlaft

sɣur Maja Zinczuk

Amsaɣ: Maya Zet

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tawlaft

12,753

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #179332

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Liminalis Tawlaft

Asenfaṛ-agi n tewlafin yettnadi ɣef Tewdiyt n Biebrza, yiwet seg wakalen n tmurt ilelluyen ineggura imeqqranen n Tuṛuft. S wagu, tirǧiwin, akked tafat yettbeddilen, taɣessa-agi tettawi tibeddilin tissusmiyin n tmurt yeččuṛen d aman akked lidjaɣ arefsusen n unagraw-agi n tudert. S usdukel n taẓrit n teslutin akked tutlayt n uẓeṛ yettxemmimen, tettnecced ɣer tmuɣli ttḥarraz akked tamexlutt sennig ɣef ubeddel amdawan aqerdan. Tesnas ɣef unẓul, tasusmi, akked wakud, asenfaṛ yettxemmim ɣef tegdazalt tarqaqt gar tugdut, tazekra, akked tili n umdan.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

Liminalis Tawlaft d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. Liminalis Tawlaft ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Biebrza is a photographic series portraying one of Europe's most pristine wetland landscapes. The images explore the interplay of light, mist, and water, emphasizing the rhythm and transience of marsh ecosystems. The project merges documentary clarity with artistic interpretation, creating a quiet narrative about the fragility and timelessness of nature.
Tigejdiwin & Akemmus: Digital photographic series produced in high-resolution RAW format using Alpha 7 III camera, without post-production.
Tibzimin: landscape photography, wetlands, nature conservation, fine art photography, environmental awareness, minimalism, atmosphere, Polish landscape
Tasnakta n Ufares: The project was realized using digital photography techniques focused on natural light.
Asewḥel n Usnulfu: The primary challenge was capturing the essence of an ever-changing landscape while preserving its silence and authenticity. Environmental constraints, weather unpredictability, and ethical considerations related to wildlife protection required patience, adaptability, and a non-invasive approach to image-making.
Anadi: Type of Research: Artistic and observational research.
Research Objectives: To visually document and interpret wetland landscapes.
Methodology: Field observation and photographic exploration.
Data Collection and Tools Used: Digital photography, field notes.
Participants or Experiments: Solo fieldwork.
Results: A cohesive photographic series.
Insights and Impacts: Increased awareness of fragile ecosystems and landscape perception.
Aseḥbiber: The project was inspired by the Biebrza Valley as a rare, almost untouched natural environment. Observations of seasonal changes, shifting light, and water levels formed the conceptual foundation. The series reflects a contemplative approach to landscape photography and a desire to preserve the visual memory of vulnerable wetland ecosystems.
Tanzagt n Usenfar: The project was developed during summer 2025 in the Biebrza Valley, Poland. Photographs were taken across multiple seasons to document environmental changes and atmospheric conditions characteristic of the region.
Tanila n Umahil: The project invites viewers to engage through quiet observation rather than direct interaction. Sequential viewing reveals subtle changes in light, space, and mood, encouraging a slower pace of perception. The images function collectively as a visual narrative, allowing the audience to experience the landscape as a contemplative and immersive environment.
Igmamen n Terbaɛt: Solo project.
Imsuren n Tugniwin: Image #1: Maja Zińczuk, Morning Fog, 2025.
Image #2: Maja Zińczuk, Wetland Horizon, 2025.
Image #3: Maja Zińczuk, Silent Marsh, 2025.
Image #4: Maja Zińczuk, Waterline, 2025.
Image #5: Maja Zińczuk, Dusk Over Biebrza, 2025.