Colorise Asbeddi n Tẓuri sɣur Nargiza Usmanova

Colorise Asbeddi n Tẓuri sɣur Nargiza Usmanova d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Teẓuri Tafessast d Usbeddi n Teẓuri.

LfeṭṭaTaẓuri Tafessast· 2026

Colorise Asbeddi n Tẓuri

sɣur Nargiza Usmanova

Amsaɣ: Erin Mills Town Centre

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Taẓuri Tafessast

29,091

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #180690

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Colorise Asbeddi n Tẓuri

Colorise d asbeddi n tẓuri i d-yettwaxedmen i lɛinṣer n yiwen n wammas n tnezzut. Sin d mraw n yisekla n plexiglass ifrawanen s teɣzi d yiniten yemgaraden, ttaken-d yiwen n unẓad asnefli yeddukklen. Isekla-a ttwaxedmen s uslaɣ n yifelwiyen n plexiglass yettwagezmen uqbel s uslaɣ n akrilik, iwakken ad d-yeffeɣ yixef zeddigen war ma d-banen leǧǧerat n uslaɣ. Yal asekla yers ɣef llsas n ubiṭun yersen deg waman ur nelqiq ara. Tafat n wass d waman yettembiwilen zeggren-d seg yiglimen yesɛan initen, sxelqen-d timeẓra i yettbeddilen. Inebgawen ttḥulfun i ubeddel n yiniten mi ara ddun kan i lɛinṣer.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Colorise Asbeddi n Tẓuri d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Colorise Asbeddi n Tẓuri ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Colorise is an artistic installation designed as a colourful accent composition for the mall’s fountain. Twelve transparent plexiglass posts of varied heights and hues create a unified yet dynamic sculptural rhythm. Its distinction lies in the controlled interaction of light, water, and translucency, generating evolving optical effects. The work’s precision, material clarity, and spatial harmony distinguish it as an immersive, technically considered intervention.
Tigejdiwin & Akemmus: Width 5000 mm x Depth 3500 mm x Height 2500 mm
Tibzimin: Art installation, Visual arts, Plexiglass, Urban art, Reflections
Tasnakta n Ufares: Preparation began off site: the most technically demanding stage was assembling the posts themselves, carefully bonding pre cut plexiglass panels to achieve durable, clean edges without visible glue marks. Each post was thoughtfully positioned to preserve balance and flow.
The project statistics:
8 Plexiglass sheets, 8x4 ft
24 Concrete slabs
48 Bolts + nuts
96 Washers
Сolor transparent/translucent film and acrylic cement
Asewḥel n Usnulfu: The installation was completed during a public holiday, allowing the team to work in a quiet, empty mall. Preparation began off-site with custom concrete bases, carefully painted and drilled to support each acrylic post. The most technically demanding stage was assembling the posts themselves, carefully bonding pre cut plexiglass panels to achieve durable, clean edges without visible glue marks. On site, the elements were placed and aligned inside the shallow fountain using protective footwear. Each post was thoughtfully positioned to preserve balance and flow, resulting in a refined presentation that naturally complements the surrounding architecture.
Anadi: The project is based on qualitative design research aimed at understanding how light, colour, and spatial rhythm influence public perception. Methods included site observation, material testing, and daylight studies. Data was gathered through visual analysis and small scale prototypes. Public interaction at the fountain served as an informal participant study. Results showed that transparent colour elements heighten engagement and slow visitor movement. Insights demonstrated how simple optical shifts can foster connection in shared spaces, informing future public environment design with accessibility in mind.
Aseḥbiber: Colorise is inspired by the study of diversity, individuality, and collective harmony. Each acrylic post symbolizes a distinct presence, informed by research into colour perception and spatial interaction. The shifting reflections produced by daylight and water guided the project’s technical development, shaping a work that translates human interconnectedness into a precise, light responsive installation.
Tanzagt n Usenfar: The project started in February 2025 in Toronto and finished in May 2025, and was exhibited at Erin Mills Town Centre in Mississauga from the end of May 2025 until July 2025.
Tanila n Umahil: Visitors experience Colorise simply by moving around the fountain. As daylight shifts, the transparent posts catch and scatter colour, creating new reflections from every angle. The installation does not require activation; its transformation occurs naturally through changes in light and water movement. This constant variation invites viewers to slow down, observe, and engage with an environment that subtly evolves throughout the day.
Ibrivan: Copyrights belong to Nargiza Usmanova, 2025.
Imsuren n Tugniwin: Image #1: Photographer Maxim Zinchuk, Colorise, 2025.
Image #2: Photographer Maxim Zinchuk, Colorise, 2025.
Image #3: Photographer Maxim Zinchuk, Colorise, 2025.
Image #4: Photographer Maxim Zinchuk, Colorise, 2025.
Image #5: Photographer Maxim Zinchuk, Colorise, 2025.