Tokyo Ṭṭabla n uqimi s waṭas n twuriwin sɣur Joao Teixeira

Tokyo Ṭṭabla n uqimi s waṭas n twuriwin sɣur Joao Teixeira d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Ddheb deg Taggayt n Tnaflit n Afeṣṣel n Iferrasen.

DdhebIferrasen· 2026

Tokyo Ṭṭabla n uqimi s waṭas n twuriwin

sɣur Joao Teixeira

Amsaɣ: Oftwise

Anerbaz n Tarbaḥt A' Design Award n Ddheb deg Taggayt n Iferrasen

40,357

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #181115

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Tokyo Ṭṭabla n uqimi s waṭas n twuriwin

Tokyo d ṭṭabla n uqimi s waṭas n twuriwin i yettwaxedmen i tewwura n yexxamen. Tokyo tesdukkel amkan n uqimi d umkan n usekkin n yerkasen, dɣa irkasen, tiyemmusin d lḥwayeǧ n yal ass zemren ad ttwaḥerzen deg umkan amecṭuḥ. Yiwet n tṭebsit n ufella yennḍen tetbeɛ ajerriḍ n usumta yerna tettawi lḥwayeǧ n yal ass. Ṭṭabla tettwaxdem s ukuntreplaki n yifer n usefsaf FSC yettwaḥerṣen s uɣlaf agamanu n uterki, yettwanejren s tmacint CNC iwakken ad yili wesẓi, yerna tettwafra s zzyut ur nesɛi ssem. Asumta yettwaɣumm s upulister yettuɛawden useqdec. Tokyo tettwaceggeɛ tettwaḍfes, yerna yiwen n wemdan yezmer ad tt-yesserkeb s ɛecra n tmesmarin tinneḍḍayin.

Asmekti

Ɣef Tarbaḥt A' Design Award n Ddheb

Tokyo Ṭṭabla n uqimi s waṭas n twuriwin d amerbaḥ n Tarbaḥt A' Design Award n Ddheb, tagmat tuffirt i yisnulfa n umezwaru yelhan s waṭas. Imerbaḥen n Ddheb d isnulfa d imaynuten d imeqqranen. Tokyo Ṭṭabla n uqimi s waṭas n twuriwin ad d-yefk lqima ur nesɛi amgarad, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Tokyo’s most unique feature is the contrast between its visual lightness and functional versatility. The design pushes the boundaries of manufacturing, featuring curves engineered at the absolute radius limit. This precision creates a singular, flowing silhouette that is incredibly difficult for competitors to replicate. This sophisticated approach opens room for signature details such as its distinctive top tray.
Tigejdiwin & Akemmus: The assembled design has Width 945 mm x Depth 400 mm x Height 465 mm.
The design ships in a flat pack format to improve logistics and can be assembled by a single person in less than 5 minutes by laying out all plywood components and cushion on the floor to connect them by driving a total of 10 screws.
Tibzimin: Multifunctional, Shoe Rack, Bench, Product Design, Furniture Design, Plywood Furniture
Tasnakta n Ufares: The design is manufactured from pressed FSC Birch Plywood with natural Oak veneer. After pressing, each component is CNC milled for precision. All wooden parts are finished with non-toxic oils. Chosen for its sturdiness, birch plywood ensures a long-lasting design that minimizes its eco-footprint. The cushion is upholstered in 100% recycled polyester, a high-performance and easy-to-clean fabric that ensures the bench remains inviting in high-traffic entryways.
Asewḥel n Usnulfu: Beyond aesthetics, the hardest task was making a premium product truly affordable. This required simplifying the construction to keep it sturdy and long-lasting without driving up the price. Logistically, the project bridged manufacturers in Greece and Portugal. Coordinating these stages demanded rigorous precision and seamless remote communication to ensure the plywood and upholstery aligned perfectly. This process proved that cross-border collaboration can yield a refined, cost-effective result.
Anadi: Research involved a behavioral study of urban dwellings with the goal of solving storage challenges in shrinking, high-cost living spaces through multifunctionality. Utilizing observational analysis, the methodology employed user interviews and journey mapping to understand daily routines. The resulting impact maximized utility within small footprints, effectively addressing the economic shift toward compact housing while enhancing social well-being through organized, stress-free environments.
Aseḥbiber: Rooted in human behavior, Tokyo is inspired by the Japanese custom of removing shoes before entering homes, a habit that has become a global standard, especially post pandemic. This piece crosses cultural tradition with modern home needs, reimagining a daily object through an updated lens to suit fast paced lifestyles. Visually influenced by Japanese Torii gates, the design is distinguished by a balanced asymmetry where each component seamlessly flows with aesthetic and functional purpose.
Tanzagt n Usenfar: The project started in November 2023 in Viana do Castelo and finished in February 2025 in Viana do Castelo. It was exhibited in Funchal Biennial of Art and Design in Madeira in March 2025
Tanila n Umahil: Tokyo offers an intuitive user experience through self explanatory functionality. Its thoughtful layout optimizes storage while providing the versatility for users to define their own use case scenarios. Whether organizing footwear, bags, or daily essentials, the design avoids prescriptive use. Instead, it adapts to the individual’s unique lifestyle and spatial needs, ensuring the product evolves with the user. The design nature motivate individuals for new and better habits.
Imsuren n Tugniwin: Image #1: Photographer Pedro Machado, Tokyo, 2025
Image #2: Photographer Pedro Machado, Tokyo, 2025
Image #3: Photographer Pedro Machado, Tokyo, 2025
Image #4: Photographer Pedro Machado, Tokyo, 2025
Image #5: Designer João Teixeira, Tokyo, 2025
Video Credits: Designer João Teixeira, Tokyo, 2025