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Trenta Akersiw n yiɣallen sɣur Ibanez Razzera and Lorenzo Razzera

Trenta Akersiw n yiɣallen sɣur Ibanez Razzera and Lorenzo Razzera d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Tnaflit n Afeṣṣel n Iferrasen.


LfeṭṭaIferrasen· 2026

Trenta Akersiw n yiɣallen

sɣur Ibanez Razzera and Lorenzo Razzera

Amsaɣ: Razzera

Anerbaz n Tarbaḥt A' Design Award n Lfeṭṭa deg Taggayt n Iferrasen

20,330

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #181457

Initen

Afeṣṣel

Ɣef Trenta Akersiw n yiɣallen

Trenta d akersiw n yiɣallen yesɛan tazagurt yezmer ad tettwaseggem. Yiwen n umeẓẓan n uzzal deffir yesbadu tlata n tmuɣliwin n weknu, ihi ameqqad-a yenfeɛ i wawal neɣ i westeɛfu. Llsas yettwaxdem s usɣar n Tauri yettwasleɣen i d-yekkan seg uẓeṭṭel n tẓegwa, ma d taqcert n daxel tesseqdac akayad n plywood anatumik. Iḥricen n usɣar ttwamsalen s tmacinin CNC n tseddi tameqqrant, ma d aglim agaman yessaburen akersiw yettwaxdem s ufus. Iḥricen n uzzal ṭṭfen taduli s trisiti tastatikit. Ijerriden imezluganen ur nḥebbes ara akked uzray aleggaɣ ttaken i ukersiw-a talɣa n tmenḍawt. Yiwen n uṭṭuman i t-icudden yesmed tagrumma.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lfeṭṭa

Trenta Akersiw n yiɣallen d amerbaḥ n Tarbaḥt A' Design Award n Lfeṭṭa, tagmat ɛlayen i yisnulfa yelhan, yeḥlan s waṭas. Imerbaḥen n Lfeṭṭa d isnulfa yelhan akk, yesɛan tmusni d tazmert. Trenta Akersiw n yiɣallen ad yili d asnulfu amaynut, yelhan, ad yeǧǧ ddunit tennuɣ.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft
The design stands out for its innovative backrest adjustment system, offering three distinct comfort levels via a metallic mechanism on the rear. Its aesthetic is marked by high-complexity wood machining, featuring continuous curved lines and fluid transitions. Reconciling ergonomic excellence with a sculptural form, the chair adapts for both social interaction and deep relaxation, showcasing a sophisticated balance between technology and craftsmanship.
Tigejdiwin & Akemmus
Armchair: Width 790mm x Depth 1040mm x Height 860mm. Ottoman (Puff): Width 620mm x Depth 500mm x Height 370mm. Primary Materials: Tauri Wood, Natural Leather, and Carbon Steel. The design integrates an internal anatomical plywood shell and a stained solid wood base.
Tibzimin
Armchair, Trenta, Wood, Organic
Tasnakta n Ufares
The production combines high-precision CNC machining for the wooden components with artisanal upholstery. The base is crafted from reforestation Tauri wood with a stained finish, while the internal structure features anatomical plywood. Metallic parts receive a durable electrostatic coating. This synergy between advanced automation and reforestation wood sourcing ensures structural integrity and environmental responsibility for the high-end market.
Asewḥel n Usnulfu
The main technological challenge was reconciling the organic, fluid lines of the original sketch with the constraints of industrial production. Executing the complex wood machining required significant software optimization and a high degree of technical synergy with the manufacturing chain. Developing the integrated metal adjustment system within a wooden structure also demanded meticulous engineering to maintain structural durability without compromising the sculptural silhouette.
Anadi
This applied research bridges artistic sketching with industrial precision to achieve fluid forms and elevate the regional furniture cluster's potential. Using iterative 3D modeling and CNC optimization via CAD/CAM tools, designers worked with machine programmers and Italian consultants. Results include an innovative reclining system and complex joinery, proving that design complexity and reforestation sourcing drive regional technological growth and luxury business value.
Aseḥbiber
The inspiration stems from the desire to transform wood into a fluid language, where sinuous curves challenge the boundary between creative manual sketches and precision engineering. This project invites the viewer to explore its tridimensional details, offering a sensory journey through natural materials and high-end manufacturing.
Tanzagt n Usenfar
The armchair was developed in 2021 (or late 2020) as part of a commemorative collection in Brazil.
It was officially launched on the market in early 2022. It was one of the highlights at ABIMAD'33 (Brazilian Furniture and High Decoration Accessories Fair), which took place between February 1st and 4th, 2022, in São Paulo.
Tanila n Umahil
The user interacts with the piece through a manual adjustment system located on the backrest. By operating the metallic mechanism, the chair reclines into three specific comfort angles. This feature allows for a personalized experience, transforming the object from a standard armchair into a lounging piece. The transition is smooth and intuitive, emphasizing user-centric design and functional versatility.
Igmamen n Terbaɛt
Ibanez Razzera
Lorenzo Razzera
Imsuren n Tugniwin
Photographer Roberto Majola, Main image, 2022
Photographer Roberto Majola, Optional Image #1, 2022
Photographer Roberto Majola, Optional Image #2, 2022
Photographer Roberto Majola, Optional Image #3, 2022
Photographer Roberto Majola, Optional Image #4, 2022
Video Credits Roberto Majola, 2022

Yettwaxellṣen

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