Kasuga Mochi Lqahwa n Tḥeǧǧaǧin Tijapunit sɣur Shunsuke Ohe

Kasuga Mochi Lqahwa n Tḥeǧǧaǧin Tijapunit sɣur Shunsuke Ohe d anerbaz yettwaqadren meqqren n 2026 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2026

Kasuga Mochi Lqahwa n Tḥeǧǧaǧin Tijapunit

sɣur Shunsuke Ohe

Amsaɣ: Shunsuke Ohe

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

6,732

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #183560

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Kasuga Mochi Lqahwa n Tḥeǧǧaǧin Tijapunit

Kasuga Mochi d lqahwa n tḥeǧǧaǧin tijapunit deg Osaka, deg Japun, i yettwaxedmen i tkebbanit yesɛan ugar n 80 iseggasen n umezruy. Lebni adigan uḍiq yettwafka-yas timmuzɣa iṣfan s uqecwal aberrani amellal s ucebbek n usɣar ibedden. Zdaxel, leḥyuḍ d isqufen sseknen-d taẓuri taḥrurit n usɣar s izirig aglawan, ma d amellal yeddukel d yiniten n usɣar, d uzegzaw aleqqaq akked učinawi n lmerǧan. Akk imassen n uxxam yebnan zdaxel, gar-asen ikersiyen, ṭṭwabel, d lkuntwarat, ttwaxedmen s uɣawas uzzig. Aɣawas n wadeg yeṭṭaf tirza d yizirigen n tmuɣli iwakken ad yeqqim umkan amecṭuḥ d ahnin yerna yesterḥib.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Kasuga Mochi Lqahwa n Tḥeǧǧaǧin Tijapunit d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Kasuga Mochi Lqahwa n Tḥeǧǧaǧin Tijapunit ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Kasuga Mochi Lqahwa n Tḥeǧǧaǧin Tijapunit yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Whilst traditional Japanese confectionery is a delicate expression of Japanese culture, the image of formality and tradition can sometimes take precedence, creating a psychological barrier for younger generations, male customers and those visiting alone. This project sought to carefully break down these invisible barriers and explore a concept for an open and welcoming traditional Japanese confectionery cafe where anyone, regardless of age or gender, can drop in without feeling intimidated.
Tigejdiwin & Akemmus: Site area : 54.4 sqm / Total floor area : 102.6 sqm / Category : Japanese sweets cafe
Tibzimin: wood , tile , flooring , eaves , white , cafe , coral pink , green , Japanese , LUSTYdesign , Shunsuke Ohe
Tasnakta n Ufares: Roof : galvalume steel plate / Eaves : silicate calcium board , metal panel / Exterior walls : ceramic siding, metal panel / Exterior flooring : porcelain tile / Interior ceiling : wood , wall paper / Interior wall : wall paper / Interior flooring : pvc tile
Asewḥel n Usnulfu: Kasuga Mochi balances visual clarity with spatial comfort. Rather than maximising seating, the layout carefully controls circulation, sightlines, waiting areas, and spacing to reduce overlaps in movement and maintain a calm atmosphere within a compact footprint. By reinterpreting tradition through a contemporary lens, the project connects the history and future of a long established confectionery business while making wagashi culture feel more open, familiar, and accessible.
Anadi: The project reinterprets a narrow urban building with limited frontage as a vertical landmark with a clear identity. A predominantly white exterior creates a crisp facade, while vertical wooden latticework and warm materials bring softness and harmony to the streetscape. Inside, white is paired with wood tones, soft green, and coral orange to evoke the lightness and familiarity of Japanese confectionery. Rather than expressing tradition literally, the design presents it through an abstract language suited to contemporary urban life.
Aseḥbiber: Kasuga Mochi is a Japanese confectionery cafe launched by a client company with a history spanning over 80 years. For this long established confectionery shop, the challenge lay in creating a new space that, whilst upholding tradition, would naturally appeal to generations who had previously had little connection with traditional Japanese confectionery, as well as to people with different motivations for visiting.
Tanzagt n Usenfar: Project Duration : From August 2023 to July 2025 Project location : Osaka(Japan)
Tanila n Umahil: One of the project’s defining features is the design of the walls and ceilings, which highlights the delicate horizontal grain of the wood. These elements create depth, rhythm, and a quiet sense of unity throughout the space. All built in furniture was custom designed for the project, and every element, including benches, tables, counters, and planting, was carefully coordinated to express the identity of Kasuga Mochi. The interior was conceived as an integrated whole, giving spatial form to the brand experience.
Imsuren n Tugniwin: NANA TAJIMA by ToLoLo studio