A Dream Asebded n Tafat ɣef Tfelwit sɣur Naai-Jung Shih

A Dream Asebded n Tafat ɣef Tfelwit sɣur Naai-Jung Shih d anerbaz yettwaqadren meqqren n 2017 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Teẓuri Tafessast d Usbeddi n Teẓuri.

LbrunzTaẓuri Tafessast· 2017

A Dream Asebded n Tafat ɣef Tfelwit

sɣur Naai-Jung Shih

Amsaɣ: Naai-Jung Shih

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Taẓuri Tafessast

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Initen

Afeṣṣel

Ɣef A Dream Asebded n Tafat ɣef Tfelwit

Anemhal yessexṣar belli targit ulac azumet-is yerna d tamceggeɛt. Yewɛer ad tettwaṭṭef, maca tettban d tameɣtut. Yesneflay asebded-a i uskan n timsal n uɣanib agejdan deg tregit. Yal aferdis azegzaw yettekki deg yiwet n tegrumma n tregit yettɛebbun. Yesers akk asnefli ɣef lsas amceggeɛ s yiwen n uɣbalu n tafat yettɛeddayen ɣer ufella akken ad yili war azumet am akken yettɛewwam deg udil.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

A Dream Asebded n Tafat ɣef Tfelwit d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. A Dream Asebded n Tafat ɣef Tfelwit ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. A Dream Asebded n Tafat ɣef Tfelwit yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: A dream is weightless and transparent. It can hardly be caught, and yet it is so realistic. The entire setting is placed on a transparent base with a light source projects upward to make it feel weightless like floating in the air. The installation is also a metaphor of the surrealistic nature of a dream. Each curved linear form contributes to a part of a propagating dream.
Tigejdiwin & Akemmus: 80*70*35 cm
Tibzimin: lighting installation, dynamic form, metaphor
Tasnakta n Ufares: The design needs a free-form linear member to mimic the blurred boundary of a metaphor. The member needs to be functioned like a canvas for a dreamer to paint upon. The color should be white. After a series of brainstorming searches, a hanger seems a perfect choice.
The installation is hand-chained. Several tests were conducted to the possible connectors, such as steel cables, abs RP filaments, and general ropes. Cable was a good choice at the first place because it held each hanger in position. But it is not transparent. Eventually a transparent 3 mm plastic string was used and surprisingly it held each member in position under tension.
Asewḥel n Usnulfu: A pair of linear form is interlocked with two holes on each component for connection. There should be four cables and eight connections when the head and end of the installation meets each other. A new method is developed to layout all four cables on the same path and to chain all the components in one single cable as a closed loop. The development of a close loop has a significant meaning, since a dream seems does not have a specific starting point or ending point.
Anadi: This is the third design of a series sincerely devotions. Each design contributes a profound study of orders, for elements and light sources. The first two were conducted in a linear form to contrast the body curvature and the end section. The composition of different shapes was also applied. The last one selected a loop to represent an order of form.
Aseḥbiber: The inspiration came from the metaphor of a dream.
Tanzagt n Usenfar: This project took about one month and was made in Taipei, Taiwan.
Tanila n Umahil: This light installation is designed to put on a table with the top part slightly lower than eye level. By following the profile, a person can traverse the entire setting inside and outside, up and down, or from any orientation. The relative location between the box and the installation is changeable.
Imsuren n Tugniwin: all by Naai Jung Shih