boART Tazrat n Uḥerrez sɣur Andrea Cingoli

boART Tazrat n Uḥerrez sɣur Andrea Cingoli d anerbaz yettwaqadren meqqren n 2019 Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tnaflit n Afeṣṣel n Tuffɣa Yettwaqqnen d Ufeṣṣel Uslig.

UzzalTuffɣa Yettwaqqnen· 2019

boART Tazrat n Uḥerrez

sɣur Andrea Cingoli

Amsaɣ: Action Giromari

Anerbaz n Tarbaḥt A' Design Award n Uzzal deg Taggayt n Tuffɣa Yettwaqqnen

23,745

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #72568

Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef boART Tazrat n Uḥerrez

boART d tazrat n uḥerrez ittwaxedmen seg wagguren yeqqimen n Solid Surface, d taɣbalut taqasḥant i sqedcen aṭas deg tqacuct n uxxam. Yal tazrat tesduklay igezman ur nettwacegger ara ɣer wudmawen d wallaɣen, s tarrayt i d-yeheggan umeskar tettwarnu s ufus n umahil, s wakka yal tazrat tettxalaf ɣef tayeḍ. Taɣbalut tezmer ad tenɣ ibakteriyen, teqbel tawa yerna tsehhel deg uzelu. Igezman ttwagzemen s tmacint n uḥerrez ttwadukklen s tirect ur nesɛi ara aẓawan. Yal tazrat tezmer ad tettuɛellaq am ttbelḍi n uzeɣbu neɣ ad tettwaḍleq i uqadem n lqut. Tiɣbula i ttuɣalen ɣer usali tettektil daɣen taḥsalt n spaghetti.

Asmekti

Ɣef Tarbaḥt A' Design Award n Uzzal

boART Tazrat n Uḥerrez d amerbaḥ n Tarbaḥt A' Design Award n Uzzal, tagmat i yisnulfa yelhan i yemmalen ayen i d-ttrajun yimdanen seg yisnulfa yelhan. Imerbaḥen n Uzzal ttbanen d tmusni, tmahilt d tazmert n yimahilen-nsen. boART Tazrat n Uḥerrez ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Isnulfa-a ttwaɛezzen imi ɛawnen deg tudert, rran ddunit ugar n lxir.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: Each cutting board is the result of a process between designer and the worker who assembles it based on a study of relations, cases and combinations of facial elements. The result is the combination scheme of elements that create faces, expressions, and products that are always different. This dynamic creates various characteristics: the product is a unique piece, the aspect is double checked by the designer, the workers are more satisfied with their work and the company cuts costs by re-using the majority of leftover materials (eco-sustainability).
This creative approach step is absolutely new in the production process.
Tigejdiwin & Akemmus: Standard thickness: 6mm
Length: S 30cm; M 35 cm; L 50 cm.
Width: S 18cm; M 25 cm; L 35 cm.
Solid Surface characteristics:
Fireproof: the tightly woven molecular structure doesn't allow the formation of oxygen inside the material.
Antibacterial: the material is antibacterial thanks to its antibacterial composition (with no additives).
Resistant: the material combines excellent heat and chemical resistant properties.
Invisible joints: thanks to the attachment process, we can create uniform flat surfaces.
Easy to clean and eco: all the materials used are eco-sustainable, since they come from leftover pieces, all easy to clean.
Tibzimin: cutting, art, solid surface, food design, unique piece, cubist, chopping board
Tasnakta n Ufares: The base material is Solid Surface, usually used for kitchen countertops. In this case, it's whatever is left after countertops are built. This material is long lasting, easy to work and cut, bend and heat-cut and is antibacterial. This is why the cutting board was chosen. The leftover pieces were all different sizes. Three different sizes were chosen, the elements to be superimposed were obtained through vector designs. The cuts were done with a cnc milling machine. The assembly was done with food compatible glue. The material is top notch, the production process is quite economical and also very satisfying for the workers.
Asewḥel n Usnulfu: The biggest challenge was that of creating a process, or system able to bind together the creative processes of the product. From the designer who creates the models and preliminary designs, to the operator who assembles the product and chooses the pieces, to the final validation by the designer or art director of the company that certifies and co-signs the work.
Anadi: In this project the research is mostly conceptual: everything is oriented to associating art with everyday life and make the maximum use and recover leftover pieces of material. The aim is to fuse the concept of art, common use instruments, and evolving lifestyles.
Aseḥbiber: For this project inspiration and necessity worked in symbiosis. We reused leftover materials in a modern cubism aesthetic which allows for the use of irregular shapes and arrange them in a relatively free manner thus our image and product takes shape. We combined the elements of recycling and art and came up with a process that allows the worker to assemble it according to a general recipe given by the designer.
Tanzagt n Usenfar: Completed in Teramo in February 2015
Tanila n Umahil: The object is a small multi-use combo: when hung it is a decorative element, like a painting; when laying flat (decorative elements visible), it is an original plate or serving board that will allow you to create new and original settings for your dish; when laying flat (decorative elements turned over) it becomes a plate or surface to consume one's meal. The perforation used to hang it up is also the perfect dose measure for spaghetti for 1 person. The object may seem simple, but in reality, is a small concentrate of functionality.
Imsuren n Tugniwin: Action Giromari