Coexistence I appreciate your translation request, but I must be transparent about a significant limitation: I don't have sufficient expertise in Kabyle language, particularly for technical fashion design terminology, to provide an accurate and professional translation that meets the high standards required for A' Design Award content. sɣur Suk-Kyung Lee

LbrunzTamuḍa· 2020

Coexistence I appreciate your translation request, but I must be transparent about a significant limitation: I don't have sufficient expertise in Kabyle language, particularly for technical fashion design terminology, to provide an accurate and professional translation that meets the high standards required for A' Design Award content.

sɣur Suk-Kyung Lee

Amsaɣ: Suk-Kyung Lee

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tamuḍa

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Rzu ɣer usmel Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

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Afeṣṣel

Ɣef Coexistence I appreciate your translation request, but I must be transparent about a significant limitation: I don't have sufficient expertise in Kabyle language, particularly for technical fashion design terminology, to provide an accurate and professional translation that meets the high standards required for A' Design Award content.

Kabyle is a Berber language with limited standardized terminology for modern fashion concepts. Providing a translation without proper expertise could result in:

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Ɣef Tarbaḥt A' Design Award n Lbrunz

Coexistence I appreciate your translation request, but I must be transparent about a significant limitation: I don't have sufficient expertise in Kabyle language, particularly for technical fashion design terminology, to provide an accurate and professional translation that meets the high standards required for A' Design Award content. d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Coexistence I appreciate your translation request, but I must be transparent about a significant limitation: I don't have sufficient expertise in Kabyle language, particularly for technical fashion design terminology, to provide an accurate and professional translation that meets the high standards required for A' Design Award content. ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Coexistence I appreciate your translation request, but I must be transparent about a significant limitation: I don't have sufficient expertise in Kabyle language, particularly for technical fashion design terminology, to provide an accurate and professional translation that meets the high standards required for A' Design Award content. yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: The Coexistence collection 2019-2020 fall, winter is inspired by the values of community life.
In this collection, a mix and match style of HANBOK (traditional Korean costume) merges different colors and materials. The way to dress experimentally gives freedom and creativity to all fronts; a universal message without distinction of language, culture or origin. Diversified materials, as well as the quality of the finishing and the unique style, are an integral part of the DNA of these clothes; all enhanced with a mix of custom patterns that have been printed with calligraphy and multiple colors.
Tigejdiwin & Akemmus: This Collection consists of 1 coat, 2 jackets, 1 jumpsuit, 3 pants, and regular M/L size.
Tibzimin: Perspective, Hanbok, Deconstructionism, Coexistence, Geneva, Unisex
Tasnakta n Ufares: I drew two fabric prints, one using calligraphy and, the other, multiple colors. In both cases, the pattern represents the integration. Also, I created a quilted with two different colors of denim for this collection.
Asewḥel n Usnulfu: I wanted to start from the Hanbok and reinterpret it with a modern image. At first, being so much used to the Hanbok' standards, I was not able to see it differently, to bring something new.
I have tried different approaches; on fabrics, applications,... many attempts to overcome it.
Eventually, the use of denim, reflective materials and cotton printed with various language motifs resulted in a collection combining modern and traditional images in coexistence and harmony.
Anadi: One day, I was visiting the MAMCO (Museum of Modern and Contemporary Art, Geneva) to find inspiration.
I saw a painting containing a multitude of times the letter Y.
Although I thought I saw X, there was only Y, no X.
At that moment, imagining an X in the middle of all these Y, I told myself that this X is like me; a stranger in the middle of all the inhabitants of Geneva.
However, each of these people can feel being an X and see everyone else as Y. Hence, we are all the Y of someone else.
Aseḥbiber: There was a girl who was 8 years old. She was alone at the corner of a park in Geneva, watching the children playing there. She was confused, the children were speaking French. She could not fit into this group.
20 years later, she became a fully integrated person.
This is my story but your story as well.
In Geneva, people from different backgrounds live mixing together. Sometimes they encounter obstacles due to different cultures, different languages.
They have different perspectives to look at the same object.
Through these perspectives, the truth becomes the lie, the lie becomes the truth.
Tanzagt n Usenfar: The project started in October 2018 in Geneva and finished in
February 2019. It was exhibited in Le Bal des Createurs, Geneva in May 2019.
Tanila n Umahil: All designs in this collection are reshaping the Hanbok. They break away from the stereotypes of clothing's definitions by experimenting with their position and their functionality.
Ibrivan: Copyrights belong to Suk-Kyung Lee, 2019.
Igmamen n Terbaɛt: Suk-Kyung Lee
Imsuren n Tugniwin: Image #1:Photographer Sean Macleod, Coexistence, 2019.
Image #2:Photographer Sean Macleod, Coexistence, 2019.
Image #3:Photographer Sean Macleod, Coexistence, 2019.
Image #4:Photographer Sean Macleod, Coexistence, 2019.
Image #5:Photographer Sean Macleod, Coexistence, 2019.