Rock Jewelry Agens n Ihariwen n Ddheb sɣur Qingfan Zhang

Rock Jewelry Agens n Ihariwen n Ddheb sɣur Qingfan Zhang d anerbaz yettwaqadren meqqren n 2020 Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Tnaflit n Afeṣṣel n Ugensu, Taddart n Uzenz d Uskan.

LbrunzAgensu· 2020

Rock Jewelry Agens n Ihariwen n Ddheb

sɣur Qingfan Zhang

Amsaɣ: Atelier ZZ

Anerbaz n Tarbaḥt A' Design Award n Lbrunz deg Taggayt n Agensu

9,748

Anerbaz n Urraz Yettwasenqden

Senqed Addad n Urraz i #98375

Wali deg A' Design Award Tabḍert n tɣamsa Tanecḍa n wammud

Initen

Afeṣṣel

Ɣef Rock Jewelry Agens n Ihariwen n Ddheb

Rock Jewelry d agens n ihariwen n ddheb yesɛan 57 iẓra iɛemṛawen. Aslugen-ines yettwarra ɣef temsalt n wemkan n usnas d tlugniwt n izemzam. Abrid yekcem-d seg beṛṛa yerna yesba, ihi imsagaren-nsen ttḥulfun-d s tezmert n tudert n yiɣerban n weẓru anaruz. Tibbura tiɣzafin tuffirin ttusersen deg iɣerban n weɣzu i d-ilaqen s ummur, ttalin daxel u ttḥeṣṣiren s abrid, aya yettmuqel deg texxamt n uɣella s tewwurt tanemhalt n weẓru amjujeg. Ilugan n weɣzu ttwaxedmen s tesga n weɣzu i wakken ad ṭṭfen ɣef lqanun n leḥmala n tmes. Ilfaḍen n uluminyum yettwaslen d tafat n tiliff-tili sswan tazuli.

Asmekti

Ɣef Tarbaḥt A' Design Award n Lbrunz

Rock Jewelry Agens n Ihariwen n Ddheb d amerbaḥ n Tarbaḥt A' Design Award n Lbrunz, tagmat ɛlayen i yisnulfa yelhan, yeṭṭafaren tinawt, tamusni d tezmert. Imerbaḥen n Lbrunz d isnulfa yelhan, ttbanen d timusniwin n tmusni n yimahilen-nsen. Rock Jewelry Agens n Ihariwen n Ddheb ad yili d asnulfu yettwaɛezzen, yelhan, amaynut. Rock Jewelry Agens n Ihariwen n Ddheb yettemlil ɣef yimawlan, yettwaɛezzen s tmahilt-is.

Deffir n ufeṣṣel

Tagrurt n tɣamsa

Ismawen n terbaɛt, iferdisen itiknikanen akked telɣut i d-yefka umeṣṣufeɣ.

Taɣara Tasuft: In this case, the treasure trove of private negotiation and jewelry is at the heart of space and concept. Corresponding to the treasure house, designers designed a path that entered from the outside and slowly extended. The guests who walked in will experience the natural power of the rock stone walls, and circumnavigate the boulders and visit the horizontal long window display cabinets in the wooden grille walls.
Tigejdiwin & Akemmus: The project covers a total of 57 square meters. The long windows gradually climb and narrow. The guest finally bypassed the sharp corner of the stone house, walked through the tea room, opened the weathering steel sliding door, entered the treasure house and watched the jewelry.
Tibzimin: Interior, Commercial, Jewelry Store, Rock, Modern, Elegant, Simple, Stable, Rough, Original
Tasnakta n Ufares: Due to the fire protection requirements of the mall, designers use wood veneer laminates to make cabinets. The ceiling uses perforated aluminum panels to solve the problem of air conditioning return air. The ceiling is shaped by splicing, and the fiber optic lights are used at the holes, and the stars are dotted to set off the stone wall effect.
Asewḥel n Usnulfu: Due to the uneven thickness of the original customized stone, there is a great risk for the bearing of the shopping mall floor. After some discussion, the designers learned that there is another method, which can cut many knives intensively behind it, and then knock off the pieces on the back that are cut into the grate shape to reduce the thickness.
Anadi: Under the influence of large industry, modern mining is not the concept of human mining in the past. Generally, the whole mining, cutting and polishing the smooth surface in the factory, has lost the initial rough trace and impression when people contact with nature. Designers hope to restore this rough and original feeling in the store space.
Aseḥbiber: Gemstones are naturally mined and very valuable. In the process of human exploration and utilization of nature, there are hardships, accidents, and opportunities everywhere. There are two design concepts, one based on business strategy and the other based on architectural space and material logic. Designers' focus is on how to make decorative interiors the language of architectural spaces and materials from an architect's perspective.
Tanzagt n Usenfar: The project started in January 2019 in Beijing and finished in July 2019 in Beijing.
Tanila n Umahil: In order to meet the needs of external guests, the stone house opened two gaps to the entrance and two cracks on the wall. At night, the outside lights dimmed, and the slits cut out sharp light.
Ibrivan: Copyrights belong to Qingfan Zhang, 2019.
Igmamen n Terbaɛt: Bo Zhang
Qingfan Zhang
Imsuren n Tugniwin: Image #1: Photographer Haiting Sun, Negotiation Area, 2019.
Image #2: Photographer Haiting Sun, Negotiation Area 2, 2019.
Image #3: Photographer Haiting Sun, Corridor, 2019.
Image #4: Photographer Haiting Sun, Corridor 2, 2019.
Image #5: Photographer Haiting Sun, Display Area, 2019.