Ny endrika Qin Andiana Poster nataon'i Kaidi Mao dia mpandresy sarobidy amin'ny 2021 A' Design Award Varahina amin'ny Sokajin'ny Fifanintsanana Famolavolana Grafika, Sary ary Fifandraisana Ara-tsary.

VarahinaGrafika· 2021

Qin Andiana Poster

nataon'i Kaidi Mao

Mpanjifa: Kaidi Mao

Mpandresy A' Design Award Varahina amin'ny Sokajy Grafika

9,015

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #124488

Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Qin Andiana Poster

Qin dia andiana poster izay mamerina mandika ny fomban-drazana sinoa amin'ny sary an-tanety (landscape painting) amin'ny alalan'ny haino aman-jery nomerika (digital media). Ny anarana Qin dia avy amin'ny teny sinoa midika hoe miparitaka na mitsiky miditra, ary ny endri-tsoratra dia manambatra ny mariky ny rano sy ny fo. Ny sary dia manomboka amin'ny sary photographie ary avy eo dia asiana fitaovana nomerika toy ny Photoshop, Cinema 4D ary Procreate. Ny andiana sary dia novokarina amin'ny habe roa karazana ary azo aseho amin'ny lasitra na amin'ny efijery, ao amin'ny galeria na ao an-trano. Ny tanjona dia ny hampiseho ny fomba fijerin'ny Taoisma momba ny natiora ho an'ny mpanatrehana iraisam-pirenena.

Ny Fankasitrahana

Momba ny A' Design Award Varahina

Nandresy ny A' Design Award Varahina ny famolavolana Qin Andiana Poster, fankasitrahana malaza be omena ny famolavolana miavaka izay mampiavaka ny fahaiza-mamorona, ny fahazotoana ary ny fahamaotinan-tsaina. Ny mpandresy Varahina dia zavatra vita tanana mahay dia mahay ary mamorona mivantana izay manamafy ny traikefa be dia be, ny sarintsaina ary ny fahaizan-kafoy an'ny mpamolavola azy. Andrasana ho zavatra ankasitrahana be, ankafizina ary tiana, mahay amin'ny asa sady vaovao ny famolavolana Qin Andiana Poster. Ity famolavolana nandresy ny A' Design Award Varahina ity dia mitahiry ny fomba fanao tsara indrindra amin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia, ary tsara indrindra amin'ny fitandremana ny antsipirihany. Ny famolavolana Qin Andiana Poster dia mahafa-po ny filana tsara, mikasika ny faniriana, mahasarika ny fihetseham-po ary misarika ny fahalianana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: Kaidi Mao's examination of the aesthetic and intellectual tradition of Chinese landscape painting has enabled him to understand the connection between classical Chinese painters and their natural environments. To explore such painting's relationship to nature in a contemporary context, Mao has used today's technology to produce digital images inspired by the traditions of China.
Refy & Fonosana: There are two sizes for this poster series: 24 inches x 36 inches, and 24 inches x 30 inches
Marika: Art, poster, Taoism, culture, landscape, painting
Teknolojia Famokarana: The initial images are from photography, then digitally created using tools like Photoshop, Cinema 4D and Procreate.
Fanamby Endrika: The biggest challenge of this project is to visually communicate this East Asian worldview to international viewer, especially under the current political environment.
Fikarohana: This project is a pictorial reinterpretation of Chinese painters' use of nature to communicate the Taoist notion that the whole planet is permeated by invisible Tao, "the Way of the cosmos, which is evident in nature." Mao has titled this project Qin. Qin, comes from the Chinese word, which means "to permeate", "to seep into". This project allows different cultures, concepts and methods to seep together. The character Qin consists of two parts: the left represents water, and the right represents the heart. Heart can be interpreted as the depth of one's feelings, and when combined with water, expresses something that comes from one's innermost being. Qin explores the aesthetic depth with which Chinese culture responds to, reveres, and honors the natural environment by reexamining pictorial traditions using contemporary digital image production. It also serves as an expression of the connection felt by a producer of such imagery with the underlying concept of Tao that inexpressibly permeates universal being in the Chinese tradition.
Aingam-panahy: As a designer from China living in the United States, I have sought to integrate my training in contemporary design with my personal and cultural identity. This has come through an examination of different media and technological approaches. This process has led me to a series of digitally produced design pieces that examine my own Chinese pictorial tradition. These works have also allowed me an alternative approach to understanding The Natural within my practice.
Faharetan'ny Tetikasa: The project started in September 2019, finished in May 2020 in Los Angeles.
Fizotr'asa: These posters/graphic arts can be displayed physically and digitally, in a gallery setting or in a home setting.