Esfahan Tetezan-tongotra nataon'i Mohammad Rahimizadeh and Shaqayeq Nemati

Ny endrika Esfahan Tetezan-tongotra nataon'i Mohammad Rahimizadeh and Shaqayeq Nemati dia mpandresy sarobidy amin'ny 2022 A' Design Award Varahina amin'ny Sokajin'ny Fifanintsanana Famolavolana Maritrano, Trano ary Rafitra.

VarahinaMaritrano· 2022

Esfahan Tetezan-tongotra

nataon'i Mohammad Rahimizadeh and Shaqayeq Nemati

Mpanjifa: Kalbod Studio

Mpandresy A' Design Award Varahina amin'ny Sokajy Maritrano

21,690

Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #137566

Tsidiho ny Tranonkala Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Esfahan Tetezan-tongotra

Ny Esfahan dia tetezan-tongotra natao ho an'ny toerana iray any Isfahan, Iran. Ny tetezana dia mampitohy ivon-tsehatry ny varotra teknolojia amin'ny zaridainan'ny tranombakoka ary manompo ny oniversite, ny foibem-pikarohana ary ny indostria manodidina. Ny efitrano fampirantiana, ny kianja afovoany ary ny toerana fitsaharana dia napetraka manaraka ny lalana, ka io fiampitana io dia mihatra koa ho toerana ho an'ny besinimaro. Ny endriny dia mifantoka amin'ireo tetezana ara-tantaran'i Isfahan, anisan'izany ny tetezana Khajoo. Nampiasaina ny fitovian-taratra, ka ny lafiny anoloana sy ny endriny eo amin'ny rano dia miforona ho lamina iray tanteraka. Ny habaka anatiny dia malefaka ary afaka mampiantrano fampiasana samihafa.

Ny Fankasitrahana

Momba ny A' Design Award Varahina

Nandresy ny A' Design Award Varahina ny famolavolana Esfahan Tetezan-tongotra, fankasitrahana malaza be omena ny famolavolana miavaka izay mampiavaka ny fahaiza-mamorona, ny fahazotoana ary ny fahamaotinan-tsaina. Ny mpandresy Varahina dia zavatra vita tanana mahay dia mahay ary mamorona mivantana izay manamafy ny traikefa be dia be, ny sarintsaina ary ny fahaizan-kafoy an'ny mpamolavola azy. Andrasana ho zavatra ankasitrahana be, ankafizina ary tiana, mahay amin'ny asa sady vaovao ny famolavolana Esfahan Tetezan-tongotra. Ity famolavolana nandresy ny A' Design Award Varahina ity dia mitahiry ny fomba fanao tsara indrindra amin'ny zavakanto, ny siansa, ny famolavolana ary ny teknolojia, ary tsara indrindra amin'ny fitandremana ny antsipirihany. Ny famolavolana Esfahan Tetezan-tongotra dia mahafa-po ny filana tsara, mikasika ny faniriana, mahasarika ny fihetseham-po ary misarika ny fahalianana.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: Due to the location of the site in terms of proximity to universities and various industries and science and technology towns and educational and research institutions and proximity to the fourth ring of Isfahan and location on the main route Isfahan-Tehran and Isfahan Najafabad axis has made it possible to establish scientific research. And meet the mutual needs between the area of technology trade and innovation with educational institutions and industries.
Refy & Fonosana: 1. Creating an exhibition space
2. Inclusiveness of bridge space
3. The symbolism of the bridge
4. Spending leisure time for students and visitors
5. Create landscape spaces sometimes
6. Flexibility of different bridge spaces
7. Utilizing traditional architectural patterns to preserve the landscape of the city
Marika: Technology , bridge , Exhibition , Recreational , tourism , iran
Teknolojia Famokarana: In the design of the bridge, reflective symmetry has been used, so that by reflecting the facade on the river surface, a complete pattern is created, such as the inner covering of the dome of Sheikh Lotfollah Mosque.
In the project, by considering different spaces in the bridge, an attempt has been made to design maximum dynamic and flexible spaces so that the user, in addition to using exhibition spaces at different times, can enjoy various spaces such as the central courtyard.
The central courtyards are located in front of the exhibition doors to help the exhibition with different spatial qualities when needed.
Fanamby Endrika: In the urban plan, the location of functional points is not specified according to the needs of students and professors around the University of Technology.
In addition to the relationship between the two academic districts, the urban element must also be considered
The quality of flexible urban space with gallery spaces has been considered by designers in project design.
The project design has arranged different spaces next to each other so that it can perform its adjacent functions properly. Decisions to select and organize uses will also be flexible depending on the circumstances.
Fikarohana: Due to the location of the site and close to the fourth ring of Isfahan and the traffic of students of Khomeini Shahr and Najafabad industrial and free universities and managers of various industries, as well as being located on the main route Isfahan-Tehran from the route and proximity to industrial factories and educational centers and institutions We are trying to design the communication route between the Technology Trade Center and the Museum Garden in a German way in order to attract people, investors and students in the field of technology.
Aingam-panahy: In designing the bridge, we have tried to use not only the Iranian people but also the international level, considering the historical bridges of Isfahan province, especially the Khajoo bridge, which spoke as a symbol of culture and technology between Isfahan bridges. It also has different functions and flexibility of the bridge with climatic and user conditions, which is one of the goals of this project. As a result, the project design process proceeds in such a way .
Faharetan'ny Tetikasa: esfahan - iran
Fizotr'asa: According to the surveys conducted in the bridges of Isfahan province, the communication routes have not only been a passageway for pedestrians, but also have pauses, gatherings and occasional views, as well as people spending their free time. Thirty-three bridges had three pauses at the beginning and end of the bridge called Saqakhaneh and in the middle of the bridge with the title of Manzar Gahi (Shahneshin Room).
In the architecture of the bridges, symbols and arches such as gable arches and song arches have been used, which were structurally correct.
Mpikambana ao amin'ny Ekipa: Mohamad Rahimizadeh - Shaghayegh Nemati - Atefeh Zolfagharifar -