Guanshan Maha Ampiavaka ny Marika nataon'i Hong Jia Min

Ny endrika Guanshan Maha Ampiavaka ny Marika nataon'i Hong Jia Min dia mpandresy sarobidy amin'ny 2025 A' Design Award Vy amin'ny Sokajin'ny Fifanintsanana Famolavolana Grafika, Sary ary Fifandraisana Ara-tsary.

VyGrafika· 2025

Guanshan Maha Ampiavaka ny Marika

nataon'i Hong Jia Min

Mpanjifa: Jijia Brand Creative Studio

Mpandresy A' Design Award Vy amin'ny Sokajy Grafika

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Mpandresy Loka Voamarina

Hanamarina ny Sata Loka ho an'ny #172951

Jereo ao amin'ny A' Design Award Fanambarana ho an'ny Mpanao Gazety Marika Loka

Loko

Ny Endrika

Momba ny Guanshan Maha Ampiavaka ny Marika

Guanshan dia maha ampiavaka ny marika (brand identity) noforonina ho an'ny mpivarotra dite ronono. Ny famolavolana dia mampiasa ny litera sinoa ho fototra ary manavao ny firafitry ny sora-tanana klerikaly nentim-paharazana, kanefa mbola mitazona ny toe-tsainy klasika. Miorina amin'ny kanto momba ny zavatra atsinanana, ny maha ampiavaka azy dia mampifangaro ny endriky ny solaitra ranomainty (ink wash fans) sy ny fitaovana fanaovan-dite. Ny lohahevitra ivon'ny sary dia mampiseho solaitra iray sy kaopy dite mifamatotra amin'ny firafitra iray, ka mamorona dikany roa sosona. Ny tsipika nataon'ny borosy ranomainty dia manondro ny rafitra volotara boribory nentim-paharazana an'ny solaitra, ary ny endriky ny kaopy kosa dia nalaina avy amin'ny lovia dite Jianzhan.

Ny Fankasitrahana

Momba ny A' Design Award Vy

Nandresy ny A' Design Award Vy ny famolavolana Guanshan Maha Ampiavaka ny Marika, fankasitrahana malaza omena ny famolavolana tsara izay mahafeno ny fepetra ara-barotra sy ara-indostria andrasana amin'ny famoronana natao tsara. Ny mpandresy Vy dia mampiseho fahaiza-manao lehibe, fahaizana manokana ambony, fahatakarana manam-pahaizana ary fahaizana mamorona an'ireo mpamorona azy. Andrasana ho famoronana ankasitrahana be, ankafizina ary tiana izay azo ampiharina sady vaovao ny famolavolana Guanshan Maha Ampiavaka ny Marika. Ity famolavolana nandresy ny A' Design Award Vy ity dia mampiray ny fomba fanao tsara indrindra amin'ny indostria ary manana toetra ara-teknika mahomby mifandray amin'ny fahalalana sy ny talenta. Ny famolavolana Guanshan Maha Ampiavaka ny Marika dia hajaina noho ny fitandremany ary natao hanome fanatsarana ny kalitaon'ny fiainana izay manampy hahatonga ny tontolo ho toerana tsara kokoa.

Ao Ambadiky ny Endrika

Fitaovana ho an'ny Mpanao Gazety

Fankasitrahana, mpikambana ao amin'ny ekipa ary antsipiriany teknika nomen'ny mpanao endrika.

Toetra Manokana: Anchored in the philosophy of teahouse as home, we construct a contemporary sanctuary for tea connoisseurs. Our brews extract primal essences from ancient tea groves, harmonized with mountain springs and melted snow to reveal terroir authenticity. Spaces crystallize tea mountains textures and light interplay, crafting immersive nomadic tea sanctuaries that engage all senses.
Refy & Fonosana: The brand multi series tea collections employ phytographic design extracting each teas botanical essence and marrying it with Chinese aesthetic principles. This methodology crystallizes into Neo Chinese packaging that embodies product specific visual identities.
Marika: Oriental, Creativity, Tea , Ink Painting, Chinese
Teknolojia Famokarana: The creative process prioritizes onomastic morphology deriving visual forms directly from the brands nomenclature while integrating product typology. This methodology undergoes cultural synthesis through strategic collisions between contemporary creativity and Chinese heritage elements, generating innovative semiotic expressions rooted in commercial context.
Fanamby Endrika: The project requires the seamless integration of multiple elements to simultaneously communicate the brand core identity, embody Oriental aesthetics, and ensure versatile application across diverse scenarios.
Fikarohana: We reconfigure tea rituals through Ceramic Deconstructionism transposing bamboo brazier fans mechanical logic into ergonomic curves, translating ink bleeds into tactile gradients on vessel surfaces. Packaging evolves into Tactile Typology archives where material stratigraphy chronicles tea history, Neo Chinese design manifests as Parametric Archaeology methodology.
Aingam-panahy: Rooted in Chinese tea ware aesthetics, the concept reimagines Song Dynasty tea house imagery through calligraphic brushwork. Capturing the symbiotic relationship between luzan brazier fans and tea utensils, Ink tonalities outline the fan silhouette, its flowing strokes organically morphing into modern teacups streamlined forms. This visual philosophy of holding a fan while contemplating tea manifests through design.
Faharetan'ny Tetikasa: Located in Dongguan, Guangdong Province, China, this project was designed in October 2024.
Fizotr'asa: Carve the eraser into desired shapes, saturate its sculpted surfaces with ink, then employ this unconventional tool as a brush substitute. Through rhythmic imprinting and calculated pressure variations on paper, the rubber matrix undergoes iterative experimentation. Each impression accumulates ink dynamics angular edges deposit geometric patterns while worn facets create mist like gradients.
Patanta: Copyrights belong to Hong Jia Min, 2024.
Mpikambana ao amin'ny Ekipa: Hong Jia Min
Loharanon-tsary: Hong Jia Min