Samiqman pasay
Naai-Jung Shih nisqap A Dream Mesa Patapi K'anchay Churay diseñon

Naai-Jung Shih nisqap A Dream Mesa Patapi K'anchay Churay diseñonqa Sumak Ruray Kamay Atipanakuy T'aqapi 2017 A' Design Award Burunsi Premiu nisqap ancha chaniyuq atipaqninmi.


BurunsiSumak Ruray· 2017

A Dream Mesa Patapi K'anchay Churay

Naai-Jung Shih rurasqa

Mañakuq: Naai-Jung Shih

Sumak Ruray T'aqapi A' Design Award Burunsi Premiu Atipaq

17,411

Llinphikuna

Diseñomanta

A Dream Mesa Patapi K'anchay Churay nisqamanta

Ruwaqmi yuyashan musquyqa ch'usaq hinaspa ch'uya kasqanta. Mana hapinapaqñachu, ichaqa ancha cheqaq hinam rikukun. Paymi kay instalacionta ruwan musquypa surreal kayninta rikuchinapaq metafora hina. Sapa k'uchu rakinmi musquy mast'arikuyninmanta huk rakintataq qun. Tukuy ruraytataq ch'uya patapi churan, ukmanta pataman k'anchaq kantiwan, wayrapi phawaq hina ch'usaq kayta musyachinanpaq.

Riqsichiy

A' Design Award Burunsi Premiu nisqamanta

A Dream Mesa Patapi K'anchay Churay A' Design Award Burunsi Premiu mishak kan, jatun yupaychay, kayta mana shuk shina, mushuk yuyaypi, yuyaypi shinallatak chaskik kaypi riksishka diseñukunaman kun. Burunsi mishak kashkakunaka ruray ushayta charik shinallatak mancharina mushuk rurashkakunami, paykunata rurakkunapak achka yachayta, yuyayta shinallatak ruray ushayta rikuchinku. A Dream Mesa Patapi K'anchay Churay sinchi yupaychashka, kuyashka shinallatak riksishka shuk ruray kanata munanku, ruray yuyaywan shinallatak mushuk yuyaywan. Kay Burunsi Premiu japishka diseñuka arti, siensia, diseñu shinallatak tekinolojíapi ashtawan alli ruraykunata tantachin shinallatak ima ukumanta rikuypi sumak kan. A Dream Mesa Patapi K'anchay Churay mañaykunata alli paktachin, munaykunata llankan, shunkuta kuyachin shinallatak yachayta munayta kallarichin.

Diseño Qhipanpi

Prensa Kit

Diseñadorpa quska créditos, llamk'aq runakunapas técnico willaykuna.

Sapaq Kayninkunamanta
A dream is weightless and transparent. It can hardly be caught, and yet it is so realistic. The entire setting is placed on a transparent base with a light source projects upward to make it feel weightless like floating in the air. The installation is also a metaphor of the surrealistic nature of a dream. Each curved linear form contributes to a part of a propagating dream.
Tupukuna & P'istuy
80*70*35 cm
Etiquetakuna
lighting installation, dynamic form, metaphor
Ruway Tecnología
The design needs a free-form linear member to mimic the blurred boundary of a metaphor. The member needs to be functioned like a canvas for a dreamer to paint upon. The color should be white. After a series of brainstorming searches, a hanger seems a perfect choice.
The installation is hand-chained. Several tests were conducted to the possible connectors, such as steel cables, abs RP filaments, and general ropes. Cable was a good choice at the first place because it held each hanger in position. But it is not transparent. Eventually a transparent 3 mm plastic string was used and surprisingly it held each member in position under tension.
Diseño Sasachakuy
A pair of linear form is interlocked with two holes on each component for connection. There should be four cables and eight connections when the head and end of the installation meets each other. A new method is developed to layout all four cables on the same path and to chain all the components in one single cable as a closed loop. The development of a close loop has a significant meaning, since a dream seems does not have a specific starting point or ending point.
T'aqwiy
This is the third design of a series sincerely devotions. Each design contributes a profound study of orders, for elements and light sources. The first two were conducted in a linear form to contrast the body curvature and the end section. The composition of different shapes was also applied. The last one selected a loop to represent an order of form.
Kallpachay
The inspiration came from the metaphor of a dream.
Llamk'ay Pacha
This project took about one month and was made in Taipei, Taiwan.
Purichiy Puriy
This light installation is designed to put on a table with the top part slightly lower than eye level. By following the profile, a person can traverse the entire setting inside and outside, up and down, or from any orientation. The relative location between the box and the installation is changeable.
Siq'i Hayñikuna
all by Naai Jung Shih

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