For Georges Rousse Igihembo na Hasong Lee

Umushinga For Georges Rousse Igihembo wa Hasong Lee ni uwatsinze igihembo cyubahwa cyane 2020 Igihembo cya A' Design Award cya Ifeza mu Cyiciro cy'Ihiganwa cya Igishushanyo cy'Ibihembo.

IfezaIgishushanyo cy'Ibihembo· 2020

For Georges Rousse Igihembo

na Hasong Lee

Umukiriya: Hasong Lee

Uwatsinze Igihembo cya A' Design Award cya Ifeza mu Cyiciro cya Igishushanyo cy'Ibihembo

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #104814

Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye For Georges Rousse Igihembo

Kubera Georges Rousse ni igihembo cyakozwe nk'icyubahiro cy'umufotozi w'Umufaransa. Iki gihembo ni igishushanyo cy'ibipimo bitatu gishingiye kuri anamorphosis, ingaruka y'amaso aho ishusho isa n'iyononekaye iyo urebye ku mpande nyinshi. Iyo urebye ahantu hamwe hihariye, indege zizigamye zikaba zihuza kandi zikagaragaza uruziga rwaringaniye rufite ibyuho by'amabara. Iyi shusho yateguwe hifashishijwe porogaramu ya mudasobwa y'ibipimo bitatu. Amabati ya cupro-nickel n'ifeza yaciwe, azigamwa kandi asudirwa, hanyuma ashyirwaho amabara akoresheje ubushyuhe kugira ngo hakorwe itandukaniro riri hagati y'umukara n'umweru. Iki gihembo gifite ubugari bwa milimetero 115 na 137 na 154.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Ifeza

For Georges Rousse Igihembo ni uwegukanye Igihembo cya A' Design Award cya Ifeza, ishimwe ridasanzwe ry'agaciro gakomeye ritangwa ku bishushanyo byo ku rwego rwo hejuru, byiza kandi bikora ku mutima. Abegukanye Ifeza ni ibihangano by'ubuhanga bukomeye kandi bifite guhanga kwinshi, bigaragaza ubuhanga bwimbitse, impano n'ubushishozi bw'ababihanze. For Georges Rousse Igihembo biteganyijwe ko izaba igihangano cy'icyitegererezo, gifite ubunyamwuga bukomeye n'udushya twimbitse. Iki gishushanyo cyegukanye Ifeza ni igihangano kizwi kandi gishimwa, gifasha kugura imbibi z'ubuhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga. For Georges Rousse Igihembo ni igihangano benshi bifuza, gikangura ibyifuzo, gitanga amarangamutima meza kandi gitera igitangaza.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: It is a trophy for French photographer Georges Rousse. Forms were made by imaging his stories and works. Based on this, I produced a trophy figure that is a three-dimensional impossible that showed the intended form and image at one point. I expressed the interior space that is his work in a structural form with a sense of space. Also if you look at the trophy from a point in time, you can see a two-dimensional circle with holes in different colors. It is an indirect message to rousse.
Ibipimo n'Ipaki: 115 mm x 137 mm x 154 mm
I produced a trophy figure that is a three-dimensional impossible that showed the intended form and image at one point. My work has a visual illusion of Anamorphosis. This seems to distort or distort the appearance of the object depicted in the picture from a normal point of view. However, when viewed from a specific location or angle specified by the artist, the distortion disappears and the figure in the picture appears normal.
Ibibazo Fatizo: Anamorphosis, Memorial, Symbolism, Sculptures, Trophy
Ikoranabuhanga ryo Guteza Imbere: The form is produced through a computer 3D program. The metal plate is cut using a saw or a laser. It uses the technique of folding or soldering metal to fit the drawing. I use cupro-nickel and 925silver as materials. This is because when the form is finally completed and the body is colored through heat, the contrast between black and white can be seen. Then we can clearly see the picture of the form or surface I intended at a specific point in time of the finished work.
Ikibazo cy'Ishusho: Usually, the visual expression of Anamorphosis is only seen in large spaces for us. This is because the larger the space, the more effective the visual expression.
In order to show this through a small objet, I expressed it in three dimensions by combining the visual expression of IMPOSSIBLE FIGURE such as Penrose’s triangle as we know it. At one point, the three-dimensional sculpture of the trophy will show you impossible figure through Anamorphosis. That shape isn’t make sense.
Ubushakashatsi: This work is a trophy to commemorate the Georges Rousse, which gave me a lot of enlightenment in using visual expressions, giving me the direction of formative work with memoriality and symbolism. In the future, I will continue to explore and pioneer the technique of creating sculptures in which the external and visual moldings and the inner and memorial and symbolic meanings of each are harmonious. Research on making these sculptures will advance my trophies, ornaments, and various objets.
Ibyatumye Habaho: Among many techniques of metal crafting, there is a technique of digging a groove in a metal plate, folding it at a certain angle, and then soldering between them. I like geometric shapes and I naturally became interested in the technique and I used it to produce many works. During this process, the metal plates were folded in and out to create interesting shapes. At this point, I came up with the idea that I could see the shape I wanted from a certain angle. The three-dimensionally folded metal plated can show the planar shape I intended from only one angle, which gave me curiosity and curiosity, and gave me visual fun. With this expression of Anamorphosis, jewelry like a brooch was later vanished with lacquer on the shape of the angle I intended.
Igihe cy'Umushinga: The project started in Seoul in September 2017 and ended in late December 2017 in Seoul. First, the work was exhibited at the Gold Museum in New Taipei, Taiwan from June to October 2018. And secondly, before I graduated from the graduate school, this work was exhibited in the school gallery.
Uburyo bw'Imikorere: My work has a visual illusion of Anamorphosis. This seems to distort or distort the appearance of the object depicted in the picture from a normal point of view. However, when viewed from a specific location or angle specified by the artist, the distortion disappears and the figure in the picture appears normal. Viewers feel visually confused by observing these distortions. It also creates strong concentration in them, creates tension, and leads them to doubt their views.
Abagize Itsinda: Hasong Lee
Abafotoye: Image ALL: Photographer&Craftsman Myeongwook Heo, For Georges Rousse, 2018
Main Image is Image #1. Optional Image is Image #2, Image #3 and Image #4.