Night Of Celebration Igishushanyo cy'Ibirahuri na Derya Geylani Vurusan

Umushinga Night Of Celebration Igishushanyo cy'Ibirahuri wa Derya Geylani Vurusan ni uwatsinze igihembo cyubahwa cyane 2025 Igihembo cya A' Design Award cya Buronze mu Cyiciro cy'Ihiganwa cya Ubuhanzi Bwiza.

BuronzeUbuhanzi Bwiza· 2025

Night Of Celebration Igishushanyo cy'Ibirahuri

na Derya Geylani Vurusan

Umukiriya: Derya Geylani

Uwatsinze Igihembo cya A' Design Award cya Buronze mu Cyiciro cya Ubuhanzi Bwiza

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Uwatsinze Igihembo Yemejwe

Emeza Uko Igihembo Gihagaze ku #170130

Sura Urubuga Reba kuri A' Design Award Itangazo ry'Ikinyamakuru Ikimenyetso cy'Igihembo

Amabara

Imigereranyo

Ibyerekeye Night Of Celebration Igishushanyo cy'Ibirahuri

Ijoro ry'Umunsi Mukuru ni igishushanyo cy'ibirahuri gishyirwa ku rukuta. Uru murimo uhuza ibikombe by'ibirahuri bya kera n'imiterere y'ibirahuri byuzuye ubwisanzure. Ikarito y'igikombe cya kera yashyizwe hejuru y'umubiri washyushywe, isiga ikimenyetso cyuzuyemo ku buso. Ibirahuri bishyushye bigaragara nkaho biva mu bikombe, bigaragaza gukomeza kw'umuco mu gihe. Nyuma yo gukonja, imiterere yaciwe kandi yasukuwe, hanyuma ishyirwaho ibisubizo byihariye kugira ngo bigire ingaruka y'imitako y'imikungugu, hanyuma yongera gutetswa. Igicuruzwa cyarangiye gifite ingano ya milimetero 430 ku 200 ku 500.

Ishimwe

Ibyerekeye Igihembo cya A' Design Award cya Buronze

Night Of Celebration Igishushanyo cy'Ibirahuri ni uwegukanye Igihembo cya A' Design Award cya Buronze, ishimwe ry'agaciro gakomeye ritangwa ku bishushanyo by'indashyikirwa birangwa no guhanga, ubwenge n'ubushishozi. Abegukanye Buronze ni ibihangano bifite ubuhanga bwinshi kandi bihanga cyane, bishimangira uburambe, ubwenge n'ubushobozi bw'ababihanze. Night Of Celebration Igishushanyo cy'Ibirahuri biteganyijwe ko izaba ikintu cyubahwa, gishimwa kandi gikundwa, gifite ubunyamwuga n'udushya. Iki gishushanyo cyegukanye Buronze gikoresha uburyo bwiza mu buhanzi, ubumenyi, ubushushanyo n'ikoranabuhanga kandi kirarenze mu gutaha ku tuntu duto. Night Of Celebration Igishushanyo cy'Ibirahuri ishimisha ibyo dukeneye, ikora ku byifuzo byacu, itwara amarangamutima yacu kandi ikurura amatsiko yacu.

Inyuma y'Imigereranyo

Dosiye y'Itangazamakuru

Amazina y'abagize uruhare, abagize itsinda n'amakuru y'ubuhanga byatanzwe n'umuhanzi.

Ibintu Bidasanzwe: It is a unique work of art in which antique glass goblets representing the past and hot glass that seems to be pouring from them are embedded in a blown form. A section of the body prepared with the hot glass blowing technique was heated and the mold of the antique goblet was pressed onto the heated section and the negative of the antique goblet was obtained on the glass body.
Ibipimo n'Ipaki: 430 mm x 200 mm x 500 mm
Ibibazo Fatizo: Glass, Art, Contemporary Glass, Glass Sculpture
Ikoranabuhanga ryo Guteza Imbere: The mold of the antique glass to be used in the work is pressed on the form that is blown freely with the hot glass blowing technique and a concave projection is created on the surface of the form. Then the blown form is taken to the cooling oven. After it cools, the cutting and polishing process is carried out and the surface is painted with a special solution for the pearl effect and the baking process is carried out again. Finally, the processed form is glued together with the antique glass and the splash form and exhibited by hanging on the wall.
Ikibazo cy'Ishusho: The challenging aspect of creating the artwork lies in the precision and control required during the glassblowing process. The glass must be carefully heated to the right temperature to ensure it is malleable but not too soft. Pressing the antique goblet mold onto the heated glass requires impeccable timing and accuracy, as even the slightest variation in temperature or pressure can affect the final imprint. Achieving a perfect negative of the antique goblet on the glass body demands skillful craftsmanship and a deep understanding of both the material and the technique.
Ubushakashatsi: The design research for this project is experimental and exploratory in nature. The primary objective was to blend historical craftsmanship with contemporary glassblowing techniques. The methodology involved analyzing traditional glass-making methods, followed by practical experimentation to merge antique forms with modern designs. Data was collected through trial and error, observing the effects of temperature, pressure, and mold shaping. Insights revealed a fusion of past and present can evoke emotional and cultural connections. This research impacts design by encouraging innovation within traditional craftsmanship, influencing both artistic and commercial fields by preserving heritage while embracing modernity.
Ibyatumye Habaho: In the work titled Night of Celebration, I have drawn upon the inspiration from my earlier series, An, seeking to transform and elevate this concept by imbuing each blown form with the ethereal qualities of clouds, inspired by the sky. The underlying inspiration for A Night of Celebration is a desire to bridge the gap between past and present through the timeless medium of glass. The antique goblets symbolize a connection to history, evoking memories of past celebrations, rituals, and the craftsmanship of earlier generations. The molten glass flowing from these historical objects signifies the ongoing continuity of tradition, while simultaneously embracing the fluidity and transformation inherent in the present. This work reflects my exploration of the interplay between time, history, and material, resulting in a piece that harmoniously blends the old with the new, rooted in the past yet infused with contemporary relevance.
Igihe cy'Umushinga: The making process started in November 2024 and finished in December 2024. and exhibited in Contemporary Istanbul Art Fair Turkey
Uburyo bw'Imikorere: This object operates through a delicate glassblowing process, where molten glass is carefully shaped and molded. Its transformation occurs as the glass cools and solidifies, capturing the imprint of antique goblets. The interaction happens as the heated glass is pressed against the mold, creating unique imprints. Key frames include the heating, shaping, and cooling stages. The meticulous control of temperature and pressure ensures a precise result, enhancing both the craftsmanship and the visual impact of the piece.
Patente: Copyrights belong to Derya Geylani Vurusan
Abagize Itsinda: Artist: Derya Geylani Vuruşan
Abafotoye: Photographer of the Main Image and Optional images is Derya Geylani Vurusan