Stjepko Rosin ᱨᱮᱱᱟᱜ Architectural Traces ᱥᱮᱶᱚᱲ

Stjepko Rosin ᱨᱮᱱᱟᱜ Architectural Traces ᱥᱮᱶᱚᱲ ᱫᱚ ᱪᱷᱟᱯᱟ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱞᱚᱦᱟᱪᱷᱟᱯᱟ· 2022

Architectural Traces ᱥᱮᱶᱚᱲ

Stjepko Rosin ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Naklada Boskovic

ᱪᱷᱟᱯᱟ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#126347 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Architectural Traces ᱥᱮᱶᱚᱲ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱚᱨᱠᱤᱴᱮᱠᱪᱟᱨᱟᱞ ᱴᱨᱮᱥᱤᱡ᱾ ᱱᱚᱶᱟ ᱢᱤᱫ ᱥᱮᱶᱚᱲ ᱠᱟᱱᱟ ᱚᱠᱟ ᱢᱤᱫ ᱰᱟᱞᱢᱮᱥᱤᱭᱟᱱ ᱟᱨᱠᱤᱴᱮᱠᱴ ᱨᱮᱱᱟᱜ ᱠᱟᱹᱢᱤ ᱵᱟᱵᱚᱛ ᱚᱲᱟᱜ ᱠᱟᱱᱟ᱾ ᱠᱚᱵᱷᱚᱨ ᱨᱮ ᱢᱤᱫ ᱳᱲᱟᱜ ᱮᱴᱠᱮᱴ ᱢᱮᱱᱟᱜᱼᱟ ᱚᱠᱟ ᱥᱟᱦᱴᱟ ᱠᱷᱚᱱ ᱧᱮᱞ ᱞᱮᱠᱷᱟᱱ ᱳᱲᱟᱜ ᱠᱚᱵᱷᱚᱨ ᱡᱮᱢᱚᱱ ᱟᱨᱚᱢᱟᱱ ᱴᱟᱭᱞᱥ ᱠᱚ ᱥᱚᱛᱮ ᱵᱮᱱᱟᱣ ᱠᱟᱱᱟ᱾ ᱴᱷᱮᱴᱟᱜ ᱠᱷᱚᱱ ᱧᱮᱞ ᱞᱮᱠᱷᱟᱱ, ᱱᱚᱶᱟ ᱯᱮᱴᱮᱨᱱ ᱟᱨᱠᱤᱴᱮᱠᱴ ᱨᱮᱱᱟᱜ ᱡᱤᱴᱟᱦᱟᱲ ᱨᱮᱭᱟᱜ ᱥᱟᱹᱨᱤ ᱢᱮᱜᱱᱮᱴᱤᱠ ᱨᱮᱡᱚᱱᱮᱱᱥ ᱥᱠᱮᱱ ᱨᱮᱱᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱠᱚ ᱞᱮᱠᱟ ᱩᱫᱩᱜ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱳᱯᱴᱤᱠᱟᱞ ᱤᱞᱩᱡᱚᱱ ᱡᱟᱦᱟᱱ ᱨᱮᱱᱟᱜ ᱚᱲᱟᱜ ᱠᱚ ᱮᱛᱦᱚᱵ ᱛᱟᱭᱚᱢ ᱠᱟᱱᱟ, ᱩᱱᱠᱚᱨᱮᱱ ᱩᱴᱩᱭ ᱟᱨ ᱫᱩᱠᱷ ᱥᱟᱹᱨᱤ ᱛᱮ ᱢᱮᱛᱟᱣ ᱠᱟᱱᱟ᱾ ᱥᱮᱶᱚᱲ ᱨᱮᱭᱟᱜ ᱢᱟᱯ ᱠᱚ ᱠᱟᱱᱟ ᱒᱗᱐ ᱢᱤᱢᱤ ᱵᱟᱭ ᱒᱗᱐ ᱢᱤᱢᱤ ᱵᱟᱭ ᱓᱕ ᱢᱤᱢᱤ, ᱟᱨ ᱩᱱᱤ ᱳᱯᱷᱥᱮᱴ ᱠᱟᱜᱚᱡ ᱨᱮ ᱪᱷᱟᱯᱟ ᱠᱟᱱᱟ ᱠᱚᱲᱟᱹ ᱥᱤᱞᱟᱭ ᱵᱟᱭᱤᱸᱰᱤᱝ ᱛᱮ, ᱟᱨ ᱵᱟᱦᱨᱮ ᱨᱮᱭᱟᱜ ᱠᱚᱵᱷᱚᱨ ᱵᱟᱭ ᱢᱮᱱᱟᱜᱼᱟ᱾ ᱵᱮᱵᱚᱦᱟᱨ ᱦᱚᱸᱭᱚᱜ ᱠᱟᱱᱟ ᱚᱠᱛᱚ ᱠᱚᱵᱷᱚᱨ ᱢᱤᱫ ᱠᱷᱩᱞᱟᱹ ᱥᱟᱺᱜᱮ ᱳᱵᱞᱤᱠ ᱟᱹᱭᱫᱤ ᱨᱮ ᱛᱟᱦᱮᱸ ᱠᱟᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Architectural Traces ᱥᱮᱶᱚᱲ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Architectural Traces ᱥᱮᱶᱚᱲ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: Looking from a distance at the sloping side of the cover, we recognize a roof with typical Dalmatian Roman tiles. It is created by the optical illusion of images of the actual Magnetic resonance of the architect's spine, which can be seen when we approach the book. They reveal the hidden and painful reality of a responsible Dalmatian architect, the one behind the buildings we admire.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: Dimensions are 270 mm x 270 mm x 35 mm
ᱴᱮᱜ ᱠᱚ: Book, Architecture, Spine, Traces, Dalmatian, Roman
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: The format of the book was chosen as the one that corresponds to the difference in proportions and quality content of the publication, not too large for the convenience of leafing. It is printed on quality offset paper, hard, stitched binding without the outer paper wrapper.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: The challenge was how to show the life of an architect who is not easy. To show it true in a society that has prejudices against responsible architects and that perceives architecture in the wrong way. Show that not all architects are the same.
ᱜᱚᱵᱮᱥᱚᱱᱟ: Almost a lifelong experience, living in the same household with an architect, talking many times about architecture, I witnessed many successes but also injustice, misunderstanding, pressure, threats, sleepless nights, and consequently health problems.
ᱯᱨᱮᱨᱚᱱᱟ: The Dalmatian architecture disappears under the trends. The authors of the book, called Architectural Traces, describe the works of a renowned Dalmatian architect Jerko Rosin, as modest, considerate, rational, responsible for the area, without unnecessary trendy views. And on the spine that has not bent in front of insatiable investors, which are consistency, stress, and years spent in a chair, I notice some different architectural, more painful, traces.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: The project started in October 2019 in Split and finished in January 2020 in Split, and was exhibited in Hotel Park congress hall in January 2020.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: The book is not designed flat. Although it communicates even when closed, it comes to full expression during use, when opening the book, when the cover comes into its open oblique position.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: Image #1: Photographer Stjepko Rosin, 2021
Image #2: Photographer Stjepko Rosin, 2021
Image #3: Photographer Stjepko Rosin, 2021
Image #4: Photographer Stjepko Rosin, 2021
Image #5: Photographer Stjepko Rosin, 2021