ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Natalia Klisko-Walczak ᱨᱮᱱᱟᱜ Linear Compositions ᱚᱯᱴᱤᱠᱟᱞ ᱫᱚᱠᱟᱱ

Natalia Klisko-Walczak ᱨᱮᱱᱟᱜ Linear Compositions ᱚᱯᱴᱤᱠᱟᱞ ᱫᱚᱠᱟᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022

Linear Compositions ᱚᱯᱴᱤᱠᱟᱞ ᱫᱚᱠᱟᱱ

Natalia Klisko-Walczak ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Natalia Kliśko-Walczak

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#126348 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Linear Compositions ᱚᱯᱴᱤᱠᱟᱞ ᱫᱚᱠᱟᱱ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱱᱤᱭᱟᱹᱢᱤᱭᱟᱹ ᱠᱚᱣᱟᱜ ᱱᱤᱛᱚᱜ ᱢᱮᱱᱟᱜ ᱫᱚᱠᱟᱱ ᱠᱚ ᱠᱷᱚᱱ ᱵᱟᱹᱲᱛᱤ ᱢᱟᱱᱚᱠ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱚᱯᱴᱤᱠᱟᱞ ᱫᱚᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱᱹ ᱥᱚᱡᱷᱮ ᱥᱚᱡᱽ ᱪᱮᱛᱟᱱ ᱨᱮ ᱜᱚᱲᱦᱚᱱ ᱠᱟᱹᱢᱤᱠᱷᱚᱸᱰᱹ ᱚᱦᱬᱮ ᱥᱮᱞᱯᱷ ᱠᱚ ᱡᱟᱦᱟᱸ ᱫᱚ ᱜᱟᱹᱲᱤ ᱥᱚᱡᱚᱢ ᱠᱚ ᱦᱚᱛᱮᱛᱮ ᱵᱚᱸᱫᱽ ᱦᱩᱭᱩᱜᱼᱟ, ᱫᱚ ᱢᱩᱬᱩᱛ ᱠᱟᱱᱟᱹ ᱩᱞᱴᱟᱹ ᱠᱚ ᱥᱟᱶ ᱛᱮᱭᱟᱨ ᱡᱟᱜᱟ: ᱨᱚᱝ, ᱨᱩᱯ ᱟᱨ ᱟᱹᱠᱟᱨᱹ ᱫᱮᱠᱷᱟᱣ, ᱫᱚᱦᱚ, ᱜᱽᱨᱟᱦᱚᱠ ᱯᱚᱨᱟᱢᱚᱨᱥᱚ ᱡᱟᱜᱟ ᱟᱨ ᱠᱤᱨᱤᱧ ᱡᱟᱜᱟ ᱥᱮᱞᱮᱫ ᱢᱮᱱᱟᱜᱼᱟᱹ ᱵᱷᱤᱛᱨᱤ ᱦᱟᱹᱴᱤᱧ ᱵᱟᱹᱱᱩᱜ ᱢᱤᱫ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱜᱟ ᱫᱚ ᱧᱮᱞ ᱠᱟᱛᱮ ᱡᱟᱜᱟ ᱢᱟᱨᱟᱝ ᱧᱮᱞᱚᱜᱼᱟᱹ ᱛᱟᱞᱟ ᱨᱮ ᱠᱚᱢ ᱩᱥᱩᱞ ᱟᱹᱠᱟᱨ, ᱜᱚᱲ ᱠᱚ ᱥᱩᱨ ᱨᱮ ᱡᱤᱞᱤᱧ ᱟᱹᱠᱟᱨ ᱠᱚᱹ ᱵᱷᱮᱯᱮᱫ ᱠᱚ ᱰᱤᱡᱟᱭᱤᱱ ᱡᱟᱜᱟ ᱨᱮ ᱵᱮᱜᱟᱨ ᱪᱤᱱᱦᱟᱹᱯ ᱮᱢᱟᱭᱹ

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Linear Compositions ᱚᱯᱴᱤᱠᱟᱞ ᱫᱚᱠᱟᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Linear Compositions ᱚᱯᱴᱤᱠᱟᱞ ᱫᱚᱠᱟᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The artistic concept assumes building space with a line. Composition, contrast, proportion and detail are important. New interior arrangement. The display forms are located at the walls and consist of illuminated shelves at eye level and below the storage systems. The center has a multifunctional form: a place for customer consultation, a sales section, an exhibition and storage.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
57m2, 9,4x4,8x3,5 m
ᱴᱮᱜ ᱠᱚ
Linear interior, composition, rhythm, optical salon, exhibition, nkw, Natalia Kliśko-Walczak
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The display elements are made of a white semi-matt laminated board and a natural veneer board in the color of Antique Oak. The floor is covered with a vinyl flooring for public utility buildings with medium and high traffic intensity.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
A small space and at the same time prestigious. An interior designer was hired to design an optical design of a higher standard than the investor's existing stores. It was important that about 500 glasses frames were displayed inside.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Research topic: Interior perceived as beautiful.
Purpose of the research: To define what influences the perception of the interior as interesting for the human eye.
Research method: analysis on selected examples.
The conclusions allowed to state that factors such as: rhythm, contrast, structure, proportion, detail influence the reception of an interior as beautiful.
ᱯᱨᱮᱨᱚᱱᱟ
The human eye likes contrast, contrast of colors, textures and forms. The organ of vision determines whether something is beautiful or not. He notices rhythm, dominant, light and shadow. The interior is built with a composition: linear, central, horizontal, vertical, rhythmic. What is important is the contrast between solid and light forms, a combination of contrasting colors, a smooth surface and the structure of the wood. The product is presented "in the light" of the horizontal.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
December 2020 - February 2021
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Human, senses, product. The interior as a whole. Customer and service zones intersect. The interior is perceived by the sense of sight, as is the product for sale that improves eyesight.
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Foto 1/2/3/4/5 Natalia Kliśko-Walczak

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A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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