Ching Lin Yu ᱨᱮᱱᱟᱜ Restrained Hidden ᱟᱣᱟᱥ ᱨᱮ ᱛᱷᱟᱠᱟ ᱠᱚᱴᱷᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2022 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2022
Restrained Hidden ᱟᱣᱟᱥ ᱨᱮ ᱛᱷᱟᱠᱟ ᱠᱚᱴᱷᱟ ᱰᱤᱡᱟᱭᱤᱱ
Ching Lin Yu ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Ching Yi Interior Design Co., Ltd.
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#127322 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Restrained Hidden ᱟᱣᱟᱥ ᱨᱮ ᱛᱷᱟᱠᱟ ᱠᱚᱴᱷᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
ᱨᱮᱥᱴᱨᱮᱱᱰ ᱦᱤᱰᱮᱱ ᱮᱱᱟ ᱢᱤᱫ ᱛᱷᱟᱠᱟ ᱠᱚᱴᱷᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱡᱟᱦᱟᱧ ᱛᱟᱭᱣᱟᱱ ᱨᱮ ᱯᱩᱨᱟᱹᱣ ᱦᱩᱭᱮᱱᱟ. ᱱᱚᱶᱟ ᱯᱞᱟᱱ ᱫᱚ ᱮᱴᱟᱜ ᱠᱚᱴᱷᱟ ᱨᱮᱭᱟᱜ ᱪᱮᱛᱟᱱ ᱠᱷᱚᱱ ᱮᱛᱦᱚᱵ ᱯᱤᱝ ᱚᱠᱛᱚ ᱠᱟᱢᱤ ᱮᱫᱟᱭ, ᱡᱟᱦᱟᱱ ᱨᱮ ᱚᱴᱟᱨ ᱡᱟᱭᱜᱟ, ᱫᱟᱦᱟᱨ ᱨᱩᱢ, ᱫᱚᱲᱚ ᱡᱟᱭᱜᱟ, ᱡᱚᱢ ᱡᱟᱭᱜᱟ ᱟᱨ ᱨᱟᱸᱫᱦᱟ ᱮᱴ ᱛᱟᱦᱮᱸᱱᱟ, ᱟᱨᱦᱚᱸ ᱵᱟᱨ ᱰᱟᱦᱟᱨ ᱨᱩᱢ, ᱵᱟᱨ ᱥᱳᱪ ᱛᱟᱦᱮᱸᱱᱟ ᱟᱨ ᱢᱤᱫ ᱯᱟᱲᱦᱟᱣ ᱡᱟᱭᱜᱟ ᱦᱚᱸ ᱢᱮᱱᱟᱜ ᱠᱟᱱᱟ। ᱨᱩᱠᱷᱩᱲ, ᱦᱮᱸᱫᱮ ᱟᱨ ᱯᱩᱭᱞᱩ ᱨᱚᱝ ᱠᱚ ᱫᱚ ᱢᱩᱲᱩᱛ ᱨᱚᱝ ᱯᱟᱴᱮᱴ ᱨᱩᱯ ᱛᱮ ᱵᱮᱵᱷᱟᱨ ᱦᱩᱭᱮᱱᱟ। ᱯᱚᱸᱰᱟ ᱱᱤᱞ ᱠᱮᱵᱤᱱᱮᱴ ᱠᱚ, ᱢᱮᱴ ᱢᱟᱨᱵᱤᱞ ᱯᱟᱛᱷᱚᱨ ᱠᱚ, ᱨᱩᱯᱟ ᱠᱚ ᱟᱨ ᱠᱟᱸᱪ ᱡᱤᱱᱤᱥ ᱠᱚ ᱮᱢ ᱟᱠᱟᱫᱟ ᱢᱤᱫ ᱥᱟᱱᱛᱟᱹᱠ ᱟᱨ ᱡᱟᱠᱟᱛ ᱛᱟᱫᱮᱭᱟᱜ ᱟᱹᱨᱟᱶ। ᱤᱴᱟᱠᱟᱨᱟᱦᱟ ᱠᱩᱪᱟᱞ ᱦᱮᱸᱫᱮ ᱤᱴ ᱠᱚ, ᱠᱟᱴ ᱨᱮᱭᱟᱜ ᱪᱮᱛᱟᱱ ᱟᱨ ᱠᱩᱲᱤ ᱟᱹᱲᱟ ᱤᱴ ᱠᱚ ᱚᱠᱟ ᱪᱮᱛᱟᱱ ᱞᱟᱹᱜᱤᱫ ᱢᱤᱲᱩᱭᱟᱛᱮ ᱵᱮᱵᱷᱟᱨ ᱦᱩᱭᱮᱱᱟ। ᱟᱲᱟᱸᱜᱚᱛᱮ ᱠᱚ ᱪᱟᱠᱟᱛ ᱟᱨ ᱥᱤᱝ ᱨᱮᱭᱟᱜ ᱪᱟᱠᱟᱛ ᱫᱚ ᱚᱰᱚᱠ ᱨᱮᱭᱟᱜ ᱜᱷᱟᱲᱟᱭ ᱠᱚ ᱥᱟᱯᱲᱟᱣ ᱮᱫᱟᱭ, ᱟᱨ ᱢᱤᱫ ᱴᱷᱟᱶᱜᱟ ᱚᱠᱛᱚ ᱚᱰᱚᱠ ᱨᱮᱭᱟᱜ ᱩᱥᱟᱹᱨ ᱫᱚ ᱰᱷᱟᱸᱪᱟ ᱨᱮᱭᱟᱜ ᱢᱳᱴᱟᱹ ᱠᱚ ᱠᱚᱢ ᱚᱰᱚᱠ ᱮᱫᱟᱭ।
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Restrained Hidden ᱟᱣᱟᱥ ᱨᱮ ᱛᱷᱟᱠᱟ ᱠᱚᱴᱷᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Restrained Hidden ᱟᱣᱟᱥ ᱨᱮ ᱛᱷᱟᱠᱟ ᱠᱚᱴᱷᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- To transform the qualities into the specific spatial design, the designer applied three low-limit colors of grey, black, and white as the base of the plan; matte elements such as light-blue cabinets, marble stones, bright features such as mirrors and glasses have all decorated the space with a few sense of luxurious. At last, the application of layer changing of lights and shadows outlined the depth of field for the overall scene.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The indoor area is 46 ping. The designing area included the entryway, the living room, the reading area, the dining room, and the kitchen of the public area; the private area consists of the master bedroom and bathroom, the secondary bedroom and bathroom, and the study.
- ᱴᱮᱜ ᱠᱚ
- modern style, authentic taste, purely visual design, steady and elegant qualities
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Modeled mirrors, special paints, baking paints, marble stones, grey mirrors, system panels, hexagonal bricks, wooden floorings, big planks
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- To eliminate the massive beam of the public area, the designer applied a divided linear that is clean and neat to digest the given pressure. Considering the location arrangement of the pipelines and air conditioners, the designer used consistent ceiling height to soften the structure beams after precise measurement. At the same time, hexagonal bricks, wooden floorings, and big planks are paired for the flooring selection, another ingenuity the designer came up with to balance the visual sense of the ceiling and the flooring.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- Special paints and indirect lightings are used to outline the depth of field, while vivid hexagonal bricks are used as the flooring to transform emotions erase the busyness and tiredness of the owners. Antique-like marble stones are applied as the theme of the public area; the designer hoped to deliver a borderless frame through the restrained colors of marble stones. Meanwhile, the television wall used painted lattices and bright blue cabinets to echo the marble stones, detailing the smooth yet low-profile sense of the space.
- ᱯᱨᱮᱨᱚᱱᱟ
- The designer extracted the client keenness to modern style as the central design concept using the depths of the ins and outs and the harmonic combinations between different materials; a few low-key luxury items are also added to bring out the client elegant and steady true self. The space sets off from the hexagonal bricks; it is then paired with special paints, greyscale paints, matte marble stones, and other odd elements, and natural daylight and indirect lightings to build up a transparent, bright, low-limit yet rich living space.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project finished in February 2021 in Taiwan.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- A space not only echoes the aesthetic sense for living, but its traffic flow also has a significant impact on the users living styles. The designer applied an open-end method to the public area, connecting the entryway, the living room, the reading area, the kitchen, and other sectors to deliver a living attitude that the structure will not define. Inspirations for reading and writing could be born at the kitchen island, while meetings could be held at the reading area.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Ching-Lin Yu, Jian-Hong Luo
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Ching Yi Interior Design Co., Ltd.
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
