ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Ximena Ureta ᱨᱮᱱᱟᱜ The Dance of Nature Wine Label

Ximena Ureta ᱨᱮᱱᱟᱜ The Dance of Nature Wine Label ᱫᱚ ᱯᱮᱠᱮᱡᱤᱝ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2024 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱞᱚᱦᱟᱯᱮᱠᱮᱡᱤᱝ· 2024

The Dance of Nature Wine Label

Ximena Ureta ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Fedrigoni Self-Adhesives

ᱯᱮᱠᱮᱡᱤᱝ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

8,004

ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#156071 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

The Dance of Nature Wine Label ᱵᱟᱵᱚᱛ ᱛᱮ

ᱡᱟᱹᱱ ᱨᱮᱭᱟᱜ ᱥᱮᱨᱮᱧ (The Dance of Nature) ᱮᱱᱮᱢ ᱲᱚ ᱆ ᱴᱟ ᱞᱮᱴᱤᱱ ᱟᱢᱮᱨᱤᱠᱟ ᱨᱮᱭᱟᱜ ᱡᱟᱭᱜᱟ ᱠᱷᱚᱱ ᱆ ᱡᱟᱛ ᱣᱟᱭᱤᱱ (wine) ᱞᱟᱹᱜᱤᱛ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱ ᱣᱟᱭᱤᱱ ᱞᱮᱵᱮᱞ (wine label) ᱠᱚ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱥᱮᱴ ᱠᱟᱱᱟᱭ। ᱱᱚᱶᱟ ᱞᱮᱵᱮᱞ ᱠᱚ ᱛᱟᱦᱮᱸᱱ ᱠᱟᱜᱚᱡ ᱨᱮᱭᱟᱜ (pre-consumer) ᱟᱨ ᱵᱟᱫ ᱠᱟᱜᱚᱡ ᱨᱮᱭᱟᱜ (post-consumer) ᱨᱮᱥᱟ ᱠᱷᱚᱱ ᱵᱮᱱᱟᱣ ᱠᱟᱱ ᱨᱤᱥᱟᱭᱠᱚᱞ (recycled) ᱟᱡ-ᱴᱚᱸᱜ (self-adhesive) ᱠᱟᱜᱚᱡ ᱨᱮ ᱪᱷᱟᱯᱟ ᱠᱟᱱᱟ। ᱢᱤᱫ ᱢᱤᱫ ᱞᱮᱵᱮᱞ ᱨᱮ ᱢᱤᱫ ᱠᱚᱴᱷᱟ ᱡᱚᱛᱚ ᱡᱟᱭᱜᱟ ᱩᱫᱩᱠ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱱ ᱨᱮ ᱡᱤᱭᱟᱹᱛᱩᱨᱤ ᱠᱚ ᱟᱨ ᱡᱟᱱᱟᱢ ᱨᱮᱭᱟᱜ ᱡᱤᱱᱤᱥ ᱠᱚ ᱢᱤᱫ ᱛᱮ ᱫᱟᱰᱮ ᱠᱟᱛᱮ ᱛᱟᱦᱮᱸ ᱟᱠᱟᱱᱟ। ᱢᱮᱨᱞᱚᱴ (merlot) ᱞᱟᱹᱜᱤᱛ ᱱᱤᱞ ᱚᱠᱛᱚ (blue hour) ᱪᱤᱛᱟᱨ ᱮᱱᱟ, ᱟᱨ ᱢᱟᱞᱵᱮᱠ (malbec) ᱞᱟᱹᱜᱤᱛ ᱥᱚᱱᱟ ᱚᱠᱛᱚ (golden hour) ᱪᱤᱛᱟᱨ ᱮᱱᱟ। ᱱᱚᱶᱟ ᱠᱟᱹᱢᱤ ᱫᱟᱲᱮ ᱨᱮᱭᱟᱜ ᱨᱚᱝ ᱠᱚ (plant pigments) ᱠᱷᱚᱱ ᱵᱮᱱᱟᱣ ᱟᱠᱟᱱ ᱣᱟᱴᱚᱨᱠᱚᱞᱚᱨ (watercolors) ᱛᱮ ᱪᱤᱛᱟᱨ ᱮᱱᱟ, ᱟᱨ ᱴᱟᱭᱯᱚᱜᱨᱟᱯᱷᱤ (typography) ᱛᱮ ᱛᱤᱛᱤᱨᱤ ᱛᱮ ᱚᱠᱟ ᱮᱱᱟ। ᱱᱚᱶᱟ ᱞᱮᱵᱮᱞ ᱠᱚ ᱣᱟᱭᱤᱱᱟᱨᱤ (wineries) ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ (packaging designer) ᱠᱚ ᱞᱟᱹᱜᱤᱛ ᱠᱟᱜᱚᱡ ᱥᱟᱢᱯᱟᱞ (paper sample) ᱛᱟᱦᱮᱸ ᱜᱮ ᱠᱟᱹᱢᱤ ᱮᱫᱟ।

ᱢᱟᱱᱟᱱ

A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

The Dance of Nature Wine Label ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Dance of Nature Wine Label ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Fedrigoni is a leading company in the manufacturing of self-adhesive papers. This work will be part of a sample for customers who are interested in the technical and aesthetic behavior of recycled papers using Tintoretto Gesso Recycled paper.
An imaginary landscape was created where there is an ecosystem with a harmonious relationship between living beings and non-living elements. A packaging for four varieties originated in four Latin American destinations.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Tintoretto Gesso Recycled paper, pure recycled paper with ECF pulp, and 100% recycled fibers from pre-consumer and post-consumer waste, marked with felt on both sides, with a special treatment that ensures high opacity under moisture conditions (H+O). Front certified FSC.
Printed on self-adhesive Tintoretto Gesso Recycled H+O WS FSC paper.
All labels are designed for Bordeaux bottles with dimensions of 12.5 cm by 12.5 cm and a conicity of 0.3 mm.
ᱴᱮᱜ ᱠᱚ
Wine label, wine, design, Chilean design, Ximena Ureta, Chilean wine, label, wine labels, Chilean designer, Fedrigoni, Chile.
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
The Dance of Nature was printed on an HP Indigo digital 6,900 using hexachrome (CMYK, plus violet and orange), and its finishing applications were done using the Digicon Machine. Folia Kurz gold 428 and pearlized Folia were utilized.
The process included die-cutting, mechanical embossing, and semi-gloss UV varnish.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The challenge was to achieve a creative and sustainable design. All materials used in this artwork were carefully chosen. The watercolors used were made with natural pigments of plant origin.
The Fabriano paper is 100% ECF (Elemental Chlorine Free) pulp, FSC certified originating from responsibly managed forests, and applying environmentally friendly standards.
The brushes were created with organic materials, bark, dry leaves, which nature naturally sheds as part of its recycling process.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Since the paleolithic and neolithic periods, there are traces of cave paintings. In antiquity, natural pigments have been used for ceremonies, rituals, or wars. These pigments may be of mineral origin such as clay, lime, or soil, and organic such as vegetables, fruits, or plants. As part of the research, there was experimentation with bougainvillea, coffee, beetroot, curry, and spinach pigments. The pigment extraction is carried out using a stone mortar, until obtaining a highly concentrated pigment.
ᱯᱨᱮᱨᱚᱱᱟ
A landscape was created in four different ways. For the merlot, the blue hour was painted. This is the moment when the sky is tinted with an intense blue color, just after sunset or moments before sunrise. For the malbec, the golden hour was interpreted. This is when the sun is low and nearing the horizon, as well as moments before sunrise.
For the blend, several different colors were used, in the same way that a winemaker creates a wine such as this.
The typographies were created by hand.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
This sample was introduced January 2023 at an event in Chile, but has been presented in several countries around the world.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
This packaging is part of a sample for vineyards, wineries, and spirits companies, as well as for packaging designers.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
All rights reseved Ximena Ureta.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Art Direction and Design: Ximena Ureta
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1, #2, #3, #4, #5 Jorge Brantmayer.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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