ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Studio Kaz ᱨᱮᱱᱟᱜ The Chakai उदुक़ तालाक़

Studio Kaz ᱨᱮᱱᱟᱜ The Chakai उदुक़ तालाक़ ᱫᱚ ᱥᱚᱛᱷᱟᱯᱚᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱥᱚᱛᱷᱟᱯᱚᱱ· 2025

The Chakai उदुक़ तालाक़

Studio Kaz ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Studio Kaz

ᱥᱚᱛᱷᱟᱯᱚᱱ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#168696 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

The Chakai उदुक़ तालाक़ ᱵᱟᱵᱚᱛ ᱛᱮ

Tango Chirimen, जाहाँ रे प्रोजेक्शन मैपिंग आकाड़ाक़को चित्रोक़ दो बोसोम केदाए, मोन सिमाना लेक़ाते बेभाड़ लेन ताहेँना। नोवा बोहोक़ पातोल रिजुड़ रे, चेड़ो होड़ाक़ चालाओक़ लेक़ा, हावा कुरुमुटु लेक़ाते दो पेरेज़ गुलुइया आर रिजुड़ रे सेन्सोर लगाओ काते रिजुड़ चालाओक़ सांवे इन्टरैक्टिव ताहेँते जवाब एमा। मातिरे बेभाड़ हुइ जिनिस दो सन्दोड़ आकाड़ गुटुल प्लाइवुड़ काना, जाहाँ रे रश घास, जाहाँ दो साधारोणते खोटोव़ लेन ताहेँ काना चेड़ाक़ तातामी बुनुन जन्तोर रे बोलो दोहो बाङ चेड़े, जानाक़को प्लाइवुड़ रे चोपोड़ केदा।

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

The Chakai उदुक़ तालाक़ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Chakai उदुक़ तालाक़ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Tango Chirimen, soaked in images projected by projection mapping, is used as a psychological barrier. The extremely thin fabric sways with the slightest air movement, and sensors embedded in the fabric react interactively to the movement of the fabric. The floor is made of an original material called "IGUSA-faced plywood", made by gluing rush grass that would have been discarded because it was too long to fit into a tatami loom onto plywood.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
MATERIAL
Tango Chirimen
IGUSA-faced plywood
DIMENSIONS
width 3,138.5mm
depth 3,138.5mm
height 2,075mm
TECHNICAL
projection mapping
ᱴᱮᱜ ᱠᱚ
chakai, chashitsu, Igusa-faced plywood, Tango Chirimen, projection mapping
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
We used Tango Chirimen imbued with projection-mapped images as a boundary. Sensors embedded in the tango crepe detect the slightest swaying of the cloth and respond interactively The floor is made of decorative plywood made from rush grass from the wada family in kumamoto, which could not fit into the tatami loom because it was not long enough and had to be disposed of.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The internal factors
1. Identifying the essence of the tea ceremony.
2. Knowing the history and components of the tea room.
3. Understanding and mastering the tea ceremony itself.
the external factors
1. Adjusting the signals from the sensors embedded in the fabric to reflect them in the program of projection mapping .
2. The technique of kneading rush grass onto plywood.
3. Adapting to an experiential exhibition space.
4.Use sustainable materials and methods consciously.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The spirit of the tea ceremony is the spirit of "omotenashi" (hospitality). The purpose of the tea ceremony is not to drink tea, but to “entertain” the guest through the act of drinking tea. For this purpose, everything in the tea room, from the entrance, to the alcove, hanging scrolls, flowers, incense, clothing, and various manners, are mobilized to provide hospitality.
ᱯᱨᱮᱨᱚᱱᱟ
The tea ceremony is not only a ritual of tea, but also a way to entertain guests with tea. The guest is also a part of the creation of the tea ceremony.
We design the tea ceremony room for this mentality.
The rule we decided on was to use Japanese materials but not to assemble them in a Japanese way. The tea ceremony room is constructed of veneer plywood made of rush, the material used for tatami, and a cloth soaked with images that change interactively to create a psychological boundaries.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
This project took place from October 18, 2024 to October 27, 2024 in Tokyo, Japan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Sensors embedded in the tango crepe detect and quantify the shaking of the cloth, and by incorporating these values into video and music programs, the images and sounds can be changed interactively.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Patented:
Patent : No.7359351
Patent Holder : Kyoto Prefectural Institute for Textile, Machinery and Metal
Year : 2023
Jurisdiction : Japan
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
video production : Miyuki Chikahiro Akari Kawase
graphic design : Junco Wada
interior design : Coichi Wada
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
image #No1:Photographer/Nacása & Partners Inc.
image #No2:Photographer/Nacása & Partners Inc.
image #No3:Photographer/Bunsei Matsuura
image #No4:Photographer/Bunsei Matsuura
image #No5:Photographer/Nacása & Partners Inc.
video:SWAG.inc
music:STUDIO KAZ co,.ltd.

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