Qian Zhen ᱨᱮᱱᱟᱜ The Joy Of Swimming Fish I appreciate your request, but I must be transparent about a significant limitation: I cannot provide an accurate, professional-quality translation into Santali for this technical design content. ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2025 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2025
The Joy Of Swimming Fish I appreciate your request, but I must be transparent about a significant limitation: I cannot provide an accurate, professional-quality translation into Santali for this technical design content.
Qian Zhen ᱞᱮᱠᱟᱛᱮ
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#171233 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
The Joy Of Swimming Fish I appreciate your request, but I must be transparent about a significant limitation: I cannot provide an accurate, professional-quality translation into Santali for this technical design content. ᱵᱟᱵᱚᱛ ᱛᱮ
Santali is an Austroasiatic language with its own script (Ol Chiki) and specialized linguistic structure. Technical design terminology, philosophical concepts, and exhibition space vocabulary would require expert knowledge of both contemporary Santali usage and design terminology that I cannot guarantee to provide accurately.
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
The Joy Of Swimming Fish I appreciate your request, but I must be transparent about a significant limitation: I cannot provide an accurate, professional-quality translation into Santali for this technical design content. ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Joy Of Swimming Fish I appreciate your request, but I must be transparent about a significant limitation: I cannot provide an accurate, professional-quality translation into Santali for this technical design content. ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- The exhibition space design of "The Joy of Swimming Fish" matches the space design with the poetic and logical debate and the thinking mode with romantic style in the ancient Chinese philosophy story "Pond Dialogue",It extracts "the joy of swimming fish" as the concept of the space design. The uniqueness of the exhibition space lies in its profound cultural heritage and the perfect integration of modern design.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The design is situated within a rectangular glass structure, aimed at highlighting the curved characteristics of the interior space and enhancing its breathability. The building comprises a first floor and a second floor, with dimensions of 21.5 meters in length, 8.2 meters in height, and 13.3 meters in width.Site area：285.95 sqm
- ᱴᱮᱜ ᱠᱚ
- Fluidity, Pond Dialogue, Space, Philosophical Thought,Nature
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- By employing flowing curves and dynamic spatial structures, the design aims to simulate the state of fish swimming freely in water, creating a lively and poetic atmosphere.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The challenge lies in how to express the essence of the story, depict the debate process between Zhuangzi and Huizi, while also ensuring the practicality of the space.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- When I am in this space, how can I perceive the joy of the fish, both as the fish swimming below and as the observer above, thus achieving a moment of unity between myself and the surroundings?
- ᱯᱨᱮᱨᱚᱱᱟ
- Huizi said,'You are not a fish; how do you know what constitutes the enjoyment of fishes?' Zhuangzi rejoined, 'You are not I. How do you know that I do not know what constitutes the enjoyment of fishes?'
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in October 2021 in Shanghai and finished in June 2023.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- In the concept of "the joy of swimming fish," the verb "swim" not only refers to the activity of the fish but also connects the interaction and communication between the two observers. This allows visitors to not only appreciate the art but also to profoundly reflect on the relationship between humanity and nature, as well as the individual and society, symbolizing the harmony between nature and life. By integrating the Eastern philosophical concepts of harmony between humanity and nature, and dialectical unity, it creates an environment that embodies both aesthetic and educational significance.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- For copyrights: "Copyrights belong to Qian Zhen, 2021."
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- All Images Photographer :Qian Zhen
ᱥᱯᱚᱱᱥᱚᱨᱰ
Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ
ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾
ᱟᱨᱦᱚᱸ ᱠᱷᱚᱡ ᱢᱮ
ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
