Mto & Large ᱨᱮᱱᱟᱜ Cest Lavie Villa ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ (ᱨᱮᱥᱤᱰᱮᱱᱥᱤᱭᱟᱞ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ) ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2026
Cest Lavie Villa ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ (ᱨᱮᱥᱤᱰᱮᱱᱥᱤᱭᱟᱞ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ)
Mto & Large ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Mto & Large
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#177037 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Cest Lavie Villa ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ (ᱨᱮᱥᱤᱰᱮᱱᱥᱤᱭᱟᱞ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ) ᱵᱟᱵᱚᱛ ᱛᱮ
ᱥᱮᱥᱴ ᱞᱟᱣᱤ ᱵᱷᱤᱞᱟ ᱫᱚ ᱪᱤᱱ ᱫᱤᱥᱚᱢ ᱨᱮᱭᱟᱜ ᱪᱮᱝᱫᱩ ᱥᱟᱦᱚᱨ ᱨᱮᱭᱟᱜ ᱡᱤᱱᱡᱤᱭᱟᱝ ᱡᱤᱞᱟ ᱨᱮ ᱢᱮᱱᱟᱜ ᱢᱤᱫ ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱫᱚ ᱔᱗᱘ ᱵᱚᱨᱜᱚ ᱢᱤᱴᱚᱨ ᱦᱟᱵᱤᱡ ᱯᱟᱥᱱᱟᱣ ᱟᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱟᱲᱟᱜ ᱵᱮᱜᱚᱨ ᱢᱟᱨᱥᱟᱞ ᱨᱮᱭᱟᱜ ᱵᱤᱪᱟᱨ ᱛᱮ ᱪᱤᱱ ᱟᱨ ᱯᱚᱪᱷᱤᱢ ᱫᱤᱥᱚᱢ ᱨᱮᱭᱟᱜ ᱨᱚᱠᱚᱢ ᱡᱚᱲᱟᱣ ᱟᱠᱟᱫᱟ᱾ ᱡᱟᱭᱜᱟᱭᱟᱜ ᱡᱤᱱᱤᱥ ᱡᱮᱞᱮᱠᱟ ᱥᱩ ᱠᱟᱹᱴᱷᱟᱹ ᱠᱟᱹᱢᱤ ᱨᱮᱭᱟᱜ ᱵᱩᱱᱟᱹᱭ ᱟᱨ ᱥᱤᱪᱩᱣᱟᱱ ᱚᱯᱮᱨᱟ ᱢᱩᱠᱷᱟ ᱨᱮᱭᱟᱜ ᱨᱚᱝ ᱠᱚ ᱫᱚ ᱱᱟᱦᱟᱜ ᱵᱮᱲᱟ ᱨᱮᱭᱟᱜ ᱯᱷᱨᱟᱱᱥᱤᱥᱤ ᱨᱚᱠᱚᱢ ᱥᱟᱶ ᱛᱮ ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ᱾ ᱚᱛ ᱠᱷᱚᱱ ᱪᱟᱸᱫᱚᱞ ᱦᱟᱵᱤᱡ ᱡᱷᱤᱡᱠᱤ ᱠᱚ ᱫᱚ ᱠᱚᱴᱷᱟ ᱠᱚᱨᱮᱭᱟᱜ ᱥᱤᱢᱟᱹ ᱠᱚ ᱡᱷᱤᱡ ᱚᱪᱚᱭᱮᱫᱟ ᱟᱨ ᱡᱤᱭᱚᱱ ᱢᱟᱨᱥᱟᱞ ᱵᱷᱤᱛᱨᱤ ᱛᱮ ᱵᱚᱞᱚ ᱚᱪᱚᱭᱮᱫᱟ᱾ ᱟᱭᱢᱟ ᱠᱟᱹᱢᱤ ᱨᱮᱭᱟᱜ ᱱᱤᱡᱚᱨᱟᱜ ᱡᱟᱭᱜᱟ ᱠᱚ ᱫᱚ ᱮᱴᱟᱜ ᱮᱴᱟᱜ ᱛᱟᱦᱮᱸᱱ ᱨᱮᱭᱟᱜ ᱚᱵᱚᱥᱛᱟ ᱞᱮᱠᱟ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ᱾ ᱠᱟᱞᱟ ᱡᱤᱱᱤᱥ ᱟᱨ ᱠᱟᱸᱛᱷ ᱨᱮᱭᱟᱜ ᱪᱤᱛᱟᱹᱨ ᱠᱚ ᱫᱚ ᱢᱟᱨᱮ ᱨᱚᱝ ᱟᱨ ᱫᱚᱦᱲᱟ ᱵᱮᱵᱷᱟᱨᱟᱜ ᱡᱤᱱᱤᱥ ᱛᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Cest Lavie Villa ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ (ᱨᱮᱥᱤᱰᱮᱱᱥᱤᱭᱟᱞ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ) ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Cest Lavie Villa ᱚᱲᱟᱜ ᱨᱮᱭᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ (ᱨᱮᱥᱤᱰᱮᱱᱥᱤᱭᱟᱞ ᱤᱱᱴᱤᱨᱤᱭᱚᱨ ᱰᱤᱡᱟᱭᱤᱱ) ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Compared with designs of the same type, this project has three advantages. First, Chinese and Western cultures integrate through the aesthetics of material forms and natural light. Second, it absorbs the local cultural atmosphere and forms a unique park-city lifestyle scene that conforms to the project's positioning. Third, it adopts environmentally friendly materials to further refine the production of installation materials.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The project covers an interior area of 478 square meters, located in Jinjiang District, Chengdu. The space integrates floor-to-ceiling windows that open the boundaries of the rooms, multifunctional private areas for diverse usage, and custom art installations crafted from eco-friendly and recycled materials.
- ᱴᱮᱜ ᱠᱚ
- Boundless Light, Shu Embroidery, Sichuan Opera, Chengdu Culture, Chinese and Western fusion, French Romance, Sustainable Design, Recycled Materials, Interior Space, Art Integration
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The project emphasizes environmental protection in material use. Art installations and wall paintings were crafted using aged pigments and recycled waste materials. Environmentally friendly materials were applied in the production of installation elements. The design effect relies on the interplay of material properties and natural light rather than special technologies.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The main challenge was introducing a high-risk eclectic style into China's real estate market while meeting a tight schedule for remote construction. Implementation of art installations faced technical difficulties, and wall paintings raised differing interpretations among stakeholders. These were overcome through close collaboration, timely communication, and the designer's personal revisions using aged pigments and recycled materials.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- This project is located in Jinjiang District, Chengdu, Sichuan Province. As an emerging commercial city, Chengdu also boasts profound local cultural heritage. The project integrates the texture of Shu Embroidery stitches and the color relationships of Sichuan Opera Face-Changing masks, and combines them with the theme of "Boundless Light" to present itself through contemporary artistic approaches.
- ᱯᱨᱮᱨᱚᱱᱟ
- Drawing inspiration from the integration of Chengdu's local culture and international aesthetics, this design extracts local elements such as Shu Embroidery and the color palettes of Sichuan Opera Face-Changing. It uses the element of light to adorn the shape of the interior space and its decorations, ultimately presenting an eclectic style infused with contemporary French romance.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in January 2025 and finished in August 2025 in China.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The space operates as a poetic residence where light shapes atmosphere and guides movement. Floor-to-ceiling windows erase boundaries, creating openness, while multifunctional areas adapt to different living scenarios. Users interact with shifting light, textures, and cultural references, experiencing an immersive blend of art and life that enhances both function and emotional resonance.
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Photographer 4U Studio-Zou Fenghan, Cest Lavie Villa, 2025.
Image #2: Photographer 4U Studio-Zou Fenghan, Cest Lavie Villa, 2025.
Image #3: Photographer 4U Studio-Zou Fenghan, Cest Lavie Villa, 2025.
Image #4: Photographer 4U Studio-Zou Fenghan, Cest Lavie Villa, 2025.
Image #5: Photographer 4U Studio-Zou Fenghan, Cest Lavie Villa, 2025.
ᱥᱯᱚᱱᱥᱚᱨᱰ
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ᱥᱟᱹᱜᱟᱹᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ
ᱢᱤᱫ ᱞᱮᱠᱟ ᱠᱮᱴᱮᱜᱚᱨᱤ ᱠᱷᱚᱱ ᱟᱨᱦᱚᱸ ᱯᱩᱨᱥᱠᱟᱨ ᱧᱟᱢᱟᱠᱟᱱ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱧᱮᱞ ᱢᱮ, ᱡᱚᱜᱭᱟᱛᱟ ᱧᱮᱞ ᱛᱮ ᱵᱟᱪᱷᱟᱣ ᱟᱠᱟᱱᱟ᱾
