Po Chuan Kao ᱨᱮᱱᱟᱜ 12 Degrees ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2026 A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱞᱚᱦᱟᱵᱷᱤᱛᱨᱤ· 2026
12 Degrees ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ
Po Chuan Kao ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: ACG Design International
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#182090 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
12 Degrees ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱵᱟᱵᱚᱛ ᱛᱮ
12 ᱰᱤᱜᱨᱤᱡ ᱫᱚ ᱯᱮᱭᱟ ᱡᱟᱯᱤᱫ ᱠᱩᱴᱷᱤ ᱢᱮᱱᱟᱜ ᱟᱯᱟᱨᱴᱢᱮᱱᱴ, ᱚᱠᱟ ᱫᱚ ᱛᱟᱞᱟ ᱠᱷᱚᱱ ᱩᱛᱟᱹᱨ ᱢᱟᱦᱟᱞᱟ ᱨᱮ ᱢᱮᱱᱟᱜᱼᱟ, ᱚᱱᱟ ᱨᱮᱱᱟᱜ ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ᱾ ᱪᱷᱟᱫ (ᱥᱤᱞᱤᱝ) ᱠᱚ ᱵᱟᱨ ᱥᱮᱫ ᱛᱮ ᱩᱛᱷᱟᱹᱣ ᱟᱠᱟᱱᱟ ᱟᱨ ᱢᱮᱥᱟ ᱟᱠᱟᱱᱟ, ᱚᱱᱟ ᱛᱮ ᱵᱤᱢ ᱠᱚ ᱩᱠᱩ ᱟᱠᱟᱱᱟ ᱟᱨ ᱥᱤᱧᱚᱛ ᱢᱟᱨᱥᱟᱞ ᱡᱟᱹᱥᱛᱤ ᱵᱷᱤᱛᱨᱤ ᱦᱟᱹᱵᱤᱡ ᱵᱚᱞᱚ ᱮᱫᱟ᱾ ᱰᱷᱮᱨᱮᱡ ᱟᱠᱟᱱ ᱪᱷᱟᱴᱠᱟ ᱠᱚ ᱖ ᱠᱷᱚᱱ ᱑᱒ ᱰᱤᱜᱨᱤ ᱵᱷᱤᱛᱨᱤ ᱫᱚᱦᱚ ᱟᱠᱟᱱᱟ᱾ ᱴᱮᱞᱤᱵᱷᱤᱡᱚᱱ ᱠᱟᱸᱛᱷ ᱦᱚᱸ ᱚᱱᱠᱟ ᱜᱮ ᱰᱷᱮᱨᱮᱡ ᱟᱠᱟᱱᱟ ᱟᱨ ᱥᱮᱸᱜᱮᱞ ᱪᱩᱞᱦᱟ (ᱯᱷᱟᱭᱟᱨᱯᱞᱮᱥ) ᱨᱮᱱᱟᱜ ᱱᱟᱠᱥᱟ ᱢᱮᱱᱟᱜᱼᱟ, ᱚᱠᱟ ᱫᱚ ᱨᱮᱭᱟᱲ ᱨᱚᱝ ᱠᱚ ᱞᱚᱞᱚ ᱮᱫᱟ᱾ ᱟᱭᱞᱮᱸᱰ ᱞᱮᱠᱟᱱ ᱞᱮᱟᱩᱴ ᱫᱚ ᱛᱟᱦᱮᱸᱱ ᱟᱨ ᱡᱚᱢ ᱡᱟᱭᱜᱟ ᱠᱚ ᱴᱷᱟᱹᱣᱠᱟ ᱮᱫᱟ, ᱢᱮᱱᱠᱷᱟᱱ ᱥᱮᱸᱫᱽᱨᱟ ᱦᱚᱨ ᱠᱚ ᱠᱷᱩᱞᱟᱹ ᱜᱮ ᱫᱚᱦᱚ ᱮᱫᱟ᱾ ᱤᱧᱡᱤᱱᱤᱭᱟᱨᱰ ᱥᱴᱚᱱ ᱟᱨ ᱴᱮᱢᱯᱟᱨᱰ ᱜᱞᱟᱥ ᱡᱤᱱᱤᱥ ᱠᱚ ᱠᱮᱴᱮᱡ ᱟᱨ ᱥᱟᱯᱷᱟ ᱧᱮᱞᱚᱜ (ᱴᱨᱟᱱᱥᱯᱟᱨᱮᱱᱥᱤ) ᱢᱤᱫ ᱛᱮ ᱢᱮᱥᱟ ᱮᱫᱟ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
12 Degrees ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ A' Design Award ᱞᱚᱦᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ 12 Degrees ᱚᱲᱟᱜ ᱵᱷᱤᱛᱨᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- '12 Degrees' features dual-directional ascending ceiling planes that intersect, concealing beams while directing daylight deeper into the space. The TV wall tilts in alignment, integrating a fireplace motif that warms the cool palette. The social area uses a dual-division 'island' layout, defining living and dining zones while preserving negative space. Engineered stone and tempered glass furnishings combine solidity with transparency, enhancing visual flow and spatial flexibility.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The residence retains its original three-bedroom layout, with adjustments refining the master bedroom and dressing room for improved flow. Boundaries between social and private areas remain clear, and two guest rooms accommodate visitors. Subtle elevation changes and ceiling integration expand the horizontal scale of the social area, enhancing visual depth and supporting larger gatherings without altering the overall room count.
- ᱴᱮᱜ ᱠᱚ
- Sloped Planes, Angles, Open Plan, Island-Like Circulation, Modern Design, Eco-Friendly Materials
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- The social area is composed of silver-gray and soft white tones. Imported special paints, Italian tiles, and metal panels layer subtle gradations. Large floor tiles reduce joint lines, reinforcing spatial purity. In private area, the color palette shifts to deep graphite black. Low- saturation coatings envelop the master bedroom and dressing room, forming strong contrast. Light acts as a colorist-cool by day, warm at night.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- The challenge lay in enlarging the perceived scale of the social area without altering the layout, while integrating complex existing beams and ductwork. The sloped planes required precise control within 6 to 12 degrees, dynamic yet balanced. Even slight deviation would alter spatial perception. Repeated calibration at the junctions between ceiling and elevations ensured alignment between visual focus and lighting placement. Each adjustment sought equilibrium between order and tension.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- '12 Degrees' transforms angled ceilings into spatial syntax, guiding sightlines from social to private areas while integrating beams and ductwork. Dual-sided daylight and city views enhance openness. An island-like layout positions the sofa, kitchen island, and table as independent yet responsive elements. White sloped planes draw light inward, creating the sensation of moving aboard a vessel. Night lighting and fireplace glow trace contours, blending black and white rhythms.
- ᱯᱨᱮᱨᱚᱱᱟ
- Located on a mid-to-high floor with expansive views and abundant daylight, the residence sought transformation without overturning the existing layout. Titled '12 Degrees,' the project introduces slanted planes ranging from 6 to 12 degrees as visual catalysts within the space. The angle becomes more than a physical inclination; it represents a shift in perspective. When one is willing to tilt away from the established horizontal line, light and possibility begin to flow.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project finished in Taiwan.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- The owner's most immediate impression is a sense of freedom. In the social area, the long table becomes the center of gatherings, seating easily adjusted while circulation remains unobstructed. In the private area, expansive sloped surfaces and floor-to-ceiling windows create a calm backdrop, with sightlines shifting alongside natural light. The space accommodates both lively social moments and quiet contemplation, like a flexible stage where daily rhythms adapt to the angle of inclination.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Po Chuan Kao
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- ACG Design International
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