ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Chengwen Tang ᱨᱮᱱᱟᱜ JP House ᱚᱲᱟᱜ ᱯᱷᱞᱮᱴ

Chengwen Tang ᱨᱮᱱᱟᱜ JP House ᱚᱲᱟᱜ ᱯᱷᱞᱮᱴ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2020

JP House ᱚᱲᱟᱜ ᱯᱷᱞᱮᱴ

Chengwen Tang ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Catherine Yang

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#88729 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

JP House ᱚᱲᱟᱜ ᱯᱷᱞᱮᱴ ᱵᱟᱵᱚᱛ ᱛᱮ

ᱠᱚᱢ ᱠᱷᱚᱱ ᱠᱚᱢ ᱰᱤᱡᱟᱭᱤᱱ ᱥᱟᱶᱛᱮ, ᱜᱟᱦᱠᱤ ᱫᱚ ᱥᱟᱫᱷᱟᱨᱚᱱ ᱟᱨ ᱯᱷᱚᱨᱢᱟᱞ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱷᱚᱱ ᱥᱟᱦᱟᱸ ᱵᱟᱲᱟᱭ ᱠᱟᱛᱮ ᱠᱚ ᱢᱮᱱ ᱞᱮᱫ ᱛᱟᱦᱮᱸᱫ, ᱚᱱᱟᱛᱮ ᱵᱤᱞᱰᱤᱝ ᱥᱯᱨᱤᱝᱠᱞᱚᱨ ᱯᱟᱭᱤᱯ ᱟᱨᱵᱟᱝ ᱠᱚᱨᱴᱮᱱ ᱵᱚᱠᱥ ᱫᱚᱦᱚ ᱞᱟᱹᱜᱤᱫ ᱥᱤᱞᱤᱝ ᱨᱮ ᱪᱮᱫ ᱠᱟᱹᱢᱤ ᱵᱟᱭ ᱠᱩᱥᱤᱭᱟᱜ ᱠᱟᱱ ᱛᱟᱦᱮᱸᱫ᱾ ᱚᱱᱟᱛᱮ ᱠᱚᱢ ᱠᱷᱚᱱ ᱠᱚᱢ ᱛᱷᱤᱢ ᱨᱮ, ᱤᱱᱰᱟᱥᱴᱨᱤᱭᱟᱞ ᱞᱚᱯᱷᱴ ᱥᱴᱟᱭᱤᱞ ᱫᱚ ᱥᱟᱱᱟᱢ ᱦᱚᱲ ᱡᱟᱜᱟ ᱨᱮᱭᱟᱜ ᱟᱥᱚᱞ ᱩᱥᱩᱞ ᱫᱚ ᱫᱚᱦᱚ ᱫᱟᱲᱮ ᱟᱠᱟᱜᱼᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

JP House ᱚᱲᱟᱜ ᱯᱷᱞᱮᱴ ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ JP House ᱚᱲᱟᱜ ᱯᱷᱞᱮᱴ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
Apart from the minimalist approach, the client also requested to break away from the mundane and the formal design, therefore did not intend to have deliberate ceiling work to conceal all the building sprinkler piping, or curtain box. Therefore under the minimalist theme, the elegant exposed Industrial Loft Style has managed to preserve the original spatial height in the public domain.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
Area: Interior of 78 square meters, with balcony of 10.1 square meters
Interior Layout: 2 bedrooms, living room, dining room, 2 bathrooms and a walk-in closet
ᱴᱮᱜ ᱠᱚ
Lotos plaster, Italian pastellone floor, Community, earth color tone
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Main building materials: Lotos plaster, Italian pastellone floor(Seamless lime and cement finish floor, KD painted timber veneer board, frosted glass, and metal .
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
In terms of the placements of sofa, end-table and work desk, the designer sought to simplify, and to abandon complex elements, as well as to blur the edges amongst the three, all of which formed a flexible triangular configuration, looking spacious yet not chaotic at all. Therefore, TV rack has become a revolving TV post, and the simple rack system was deployed to replace cabinet volume.
ᱯᱨᱮᱨᱚᱱᱟ
Inspired by the large book collection of the client before arriving at the concept of Deconstruction of Books, as books comprise of texts, and the inherent quality of Chinese texts are formed by ink strokes, therefore by displaying the beauty of ink strokes, it articulates the key aesthetic values such as virtual, real, loose, and intense, by traversing the entire minimalist space with black dots, lines and surfaces.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in October 2018 and finished in January 2019 n New Taipei city,Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The designer has been inspired by the large book collection of the client before arriving at the concept of Deconstruction of Books, as books comprise of texts, and the inherent quality of Chinese texts are formed by ink strokes, therefore by displaying the beauty of ink strokes, it articulates the key aesthetic values such as virtual, real, loose, and intense, by traversing the entire minimalist space with black dots, lines and surfaces.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to Sophysouldesign.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Cheng-Wen Tang
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photographer:Kyleyu photo studio

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Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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