ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
PiiN Interior Design ᱨᱮᱱᱟᱜ Beauty of Yinyang Residential Interior Design (ᱵᱟᱹᱲᱴᱤ ᱨᱮᱭᱟᱜ ᱯᱷᱮᱥᱨᱟ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ)

PiiN Interior Design ᱨᱮᱱᱟᱜ Beauty of Yinyang Residential Interior Design (ᱵᱟᱹᱲᱴᱤ ᱨᱮᱭᱟᱜ ᱯᱷᱮᱥᱨᱟ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ) ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2020

Beauty of Yinyang Residential Interior Design (ᱵᱟᱹᱲᱴᱤ ᱨᱮᱭᱟᱜ ᱯᱷᱮᱥᱨᱟ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ)

PiiN Interior Design ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Shan Cun Fu Hong Interior Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ

#88734 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Beauty of Yinyang Residential Interior Design (ᱵᱟᱹᱲᱴᱤ ᱨᱮᱭᱟᱜ ᱯᱷᱮᱥᱨᱟ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ) ᱵᱟᱵᱚᱛ ᱛᱮ

Beauty of Yinyang ᱠᱟᱱᱟ ᱛᱟᱭᱣᱟᱱ ᱨᱮᱭᱟᱜ ᱴᱟᱭᱴᱩᱸᱜ ᱠᱚ 300 ᱥᱠᱩᱭᱟᱨ ᱢᱤᱴᱚᱨ ᱨᱮᱭᱟᱜ ᱵᱟᱹᱲᱴᱤ ᱨᱮᱭᱟᱜ ᱯᱷᱮᱥᱨᱟ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱨᱮ ᱭᱤᱱᱭᱟᱝ ᱨᱮᱭᱟᱜ ᱫᱚᱦᱚᱨᱟ ᱵᱚᱫᱚᱞ, ᱡᱟᱦᱟᱸ ᱪᱤᱱ ᱠᱚ ᱨᱮᱭᱟᱜ ᱠᱩᱲᱤ ᱵᱤᱪᱟᱨ ᱨᱮᱭᱟᱜ ᱢᱩᱞ ᱛᱚᱦᱚᱨ ᱠᱟᱱᱟ, ᱚᱱᱟ ᱮᱴᱚᱦᱚᱵ ᱚᱲᱟᱜ ᱨᱮ ᱵᱮᱵᱷᱟᱨ ᱟᱠᱟᱱᱟ᱾ ᱫᱚᱦᱚᱨᱟ ᱟᱨ ᱨᱮᱠᱷᱟ ᱛᱮᱭᱟᱨ ᱠᱚ ᱛᱤᱱᱟᱹᱜ ᱢᱮᱱᱟᱢ ᱟᱨ ᱥᱩᱠ ᱨᱮᱭᱟᱜ ᱵᱟᱵᱚᱛ ᱛᱮᱭᱟᱨ ᱠᱟᱛᱮ ᱟᱹᱨᱟᱝ ᱟᱠᱟᱫᱟ᱾ ᱢᱤᱫ ᱴᱷᱚ ᱡᱟᱦᱟᱸ ᱡᱚᱢ ᱡᱟᱭᱜᱟ ᱠᱚ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ, ᱚᱱᱟ ᱯᱟᱨᱤᱣᱟᱨ ᱠᱚ ᱚᱠᱟ ᱨᱮ ᱢᱤᱫᱴᱟᱝ ᱡᱚᱢ ᱡᱚᱢᱟ ᱞᱟᱹᱜᱤᱫ ᱡᱟᱣᱨᱟ ᱟᱜᱤᱡ ᱠᱚᱣᱟᱠᱚ, ᱚᱱᱟ ᱴᱩᱰᱟᱹᱭ ᱠᱟᱛᱮ ᱮᱴᱚᱦᱚᱵ ᱟᱠᱟᱱᱟ᱾ ᱴᱮᱠᱚᱬ ᱠᱚ ᱨᱮ ᱢᱮᱱᱟᱜ ᱠᱟᱱᱟ ᱟᱥᱟᱞ ᱠᱟᱹᱴ, ᱢᱚᱨᱚᱢᱚᱨ, ᱥᱩᱶ ᱨᱮᱠᱷᱟ ᱟᱨ ᱯᱩᱨᱟᱹᱱᱚ ᱡᱟᱢᱟᱱᱟ ᱨᱮᱭᱟᱜ ᱠᱟᱸᱪ ᱡᱟᱱᱮᱞᱟ ᱠᱟᱹᱨᱤᱜᱚᱨᱤ᱾ ᱢᱤᱫ ᱢᱟᱨᱟᱝ ᱫᱟᱜ-ᱥᱤᱟᱹᱦᱤ ᱪᱤᱛᱟᱹᱨ ᱠᱟᱜᱚᱡ ᱨᱮ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱ ᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱢᱤᱫᱴᱟᱝ ᱥᱮᱴᱮᱨ ᱨᱮ ᱛᱟᱹᱱᱟᱹᱜ ᱠᱟᱱᱟ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Beauty of Yinyang Residential Interior Design (ᱵᱟᱹᱲᱴᱤ ᱨᱮᱭᱟᱜ ᱯᱷᱮᱥᱨᱟ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ) ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Beauty of Yinyang Residential Interior Design (ᱵᱟᱹᱲᱴᱤ ᱨᱮᱭᱟᱜ ᱯᱷᱮᱥᱨᱟ ᱨᱮᱭᱟᱜ ᱰᱤᱡᱟᱭᱤᱱ) ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
In contrast to the Western concept of spatial design that is filled with power and outward contrast, people can find reservation, harmony, serenity and order in the Oriental traditional architecture and craft aesthetics, especially from the new Chinese styling derived from its classic styling. This project encompassed the functionality of modern western design, in successfully continuing the legacy the serene elegance and genuine spiritual pursuit in the traditional Chinese culture.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The interior design area is 300 square meters.
ᱴᱮᱜ ᱠᱚ
New Chinese Styling, Symmetry, Circle, Oriental, Line
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Vintage Glass Window Craft, Gold Foil, Large Water Ink Wall Painting on Paper, Genuine Timber, Marble
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
With the indispensable circle element in the new Chinese styling, it is epitomized in the design of the dining area which articulated the gathering for meals in the traditional Chinese culture, and the design team successfully overcame the seamless joint of veneer in the elevation design. And as opposed to the usual wall painting materials, the design team mounted a large traditional Chinese water ink painting on the wall in exhibiting the grandeur of the celebrated sense of fulfilment.
ᱜᱚᱵᱮᱥᱚᱱᱟ
As the maintenance of traditional culture progressing with the time is one of the missions of designers, in the era of globalization, it is critical for the humanity first design domain to help people to find the cultural root that may have been gradually forgotten. And in this project, the reflection of the designer on the Western industrial design and Oriental traditional aesthetics was translated to the sense of order in the form of linear elements exhibiting stability and fulfillment.
ᱯᱨᱮᱨᱚᱱᱟ
In the Chinese world, the core principle of interpersonal interaction and decorum is to adhere to the good, and to escape from the bad. Fengshui was indeed a spatial layout theory based on order bringing stability and harmony to home. In order to facilitate the changes in modern life style, while preserving Chinese culture, the design team reflected and explored in ultimately applying the principle of the balanced symmetry of Yinyang in this spatial design.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project finished in February, 2018 in Taichung, Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Traditional Chinese aesthetics places high premium on the beauty of symmetry, which originated from their unique school of philosophical thinking in the balance of Yinyang.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Chih Hsiu Sung
Joy Chou
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Photographer LIN YU HUAN, SW8 Studio, 2019.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

ᱱᱚᱢᱤᱱᱮᱴ