ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
Li Hsu Tsai ᱨᱮᱱᱟᱜ Absolute Nature Ora Do Ghar Bhitorak Design

Li Hsu Tsai ᱨᱮᱱᱟᱜ Absolute Nature Ora Do Ghar Bhitorak Design ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱠᱟᱥᱟᱵᱷᱤᱛᱨᱤ· 2020

Absolute Nature Ora Do Ghar Bhitorak Design

Li Hsu Tsai ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Tsong Yo Interior Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#88794 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

Absolute Nature Ora Do Ghar Bhitorak Design ᱵᱟᱵᱚᱛ ᱛᱮ

Book Text: Absolute Nature ge taiwan reyak Pingtung Sahar reak' upun-utar khonta building nagam Ora Do Ghar Bhitorak design. Sarhaoak' rasika 245 square meter, baherath bagan tanreak' lekhate. Nowa design okoyle chinhaf ban'a purankalak' din re dhiri sanam oṛak' ar deshiyalak' aboriginal art ar craft khon. Huring purnu jharkak' bodले glass rerelak' bariya kejea, ar sakam khonta jharka ar unchi chatom sedhaye. Majhi seṭi sirijana bahaḍ tetaŋ, ar bariyate nawa etho ek-stringer seti building reak' baklate benao lena, jahan khan khuli layout benaoal kanae. Cement, glass, jahaj lakri, tiles ar phirti kaṭha (recycled timber) bebohar akan.

ᱢᱟᱱᱟᱱ

A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Absolute Nature Ora Do Ghar Bhitorak Design ᱫᱚ A' Design Award ᱠᱟᱥᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱱᱟᱣᱟ ᱵᱷᱟᱵᱱᱟ ᱛᱮ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Absolute Nature Ora Do Ghar Bhitorak Design ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The project restores its original beauty, at the same time incorporate recyclable materials to reduce waste and save energy. Open plan layout introduces natural lighting and ventilation, complimented with garden pool landscaping and greeneries to resemble immortality. A wide variety of handicrafts is utilized to reactivate the space and act as a presentation of life style. The project tends to integrate natural ecology with arts and humanities while promoting a healthy lifestyle environment.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
It is a four-story building with a total area of 245 square meters including the outdoor garden. The interior spaces are mainly comprised of living room, dining room and kitchen on the first floor, reading area and multi-purpose room on the second floor, studio and lounge with storeroom on the third floor, and bedroom, washroom, steam room, etc. on the fourth floor.
ᱴᱮᱜ ᱠᱚ
Reformation of old building, aboriginal arts, natural habitat, sustainable design, residential design
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
Cement, Glass, driftwood, Terracotta tiles, Ceramic Tiles, Metal pieces, Wood crafts
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The casting of the cement walls is a major challenge during the construction process. As the overall space has to maintain the original appearance of the cement mortar, the casting needs to be completed in very limited time and parts of the wall surface that contain totem design with lines and uneven corners have all increased the difficulty of the application.
ᱜᱚᱵᱮᱥᱚᱱᱟ
The facade of the old building is covered with traditional, non porous iron gates and iron windows. Openings on both the front and rear sides of the building are increase ventilation, while introducing greeneries to regulate microclimate. The reconstruction and design have revolved around the existing building structures which reflect local culture and respond to the surrounding context. The use of raw materials for decorations and recycled waste timber made furniture revitalize the old space.
ᱯᱨᱮᱨᱚᱱᱟ
The site is situated in Hengchun Peninsula in Southern Taiwan which is rich in verdant scenery and aboriginal settlement. Since the client is involved in the creation of aboriginal arts and crafts, the initial concept of the spatial characters is hence inspired by the stone slab house and the ecological characteristic, utilized sustainable materials and construction methods to sustain the architecture, while integrating aboriginal cultures and arts elements into the design.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project is completed in June, 2018 in Pingtung City, Taiwan.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
The original windows are too small, and the stairs located in the center of the house leads to poor internal ventilation and insufficient natural lighting. After the transformation, the original windows are replaced with glass walls and high-ceiling design and skylights are introduced. The interior staircase that obstructed the spatial connections and circulations is removed and replaced with a more porous, single stringer staircase at the end of the building to allow an open, unobstructed internal layout.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Designer: Tsai Li Hsu
Designer: Lin Cheng Chuan
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
image #1 : Mei De Advertisement Design Photography, 2019
image #2 : Mei De Advertisement Design Photography, 2019
image #3 : Mei De Advertisement Design Photography, 2019
image #4 : Mei De Advertisement Design Photography, 2019
image #5 : Mei De Advertisement Design Photography, 2019

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A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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