Chao Wen ᱨᱮᱱᱟᱜ Wild Rhythm ᱡᱟᱦᱮᱨ ᱳᱰᱟᱜ ᱵᱟᱠᱲᱟ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾
ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2020
Wild Rhythm ᱡᱟᱦᱮᱨ ᱳᱰᱟᱜ ᱵᱟᱠᱲᱟ
Chao Wen ᱞᱮᱠᱟᱛᱮ
ᱜᱟᱦᱟᱠ: Jade Simple Design
ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ
ᱡᱟᱸᱪ ᱟᱠᱟᱱ ᱮᱣᱟᱨᱰ ᱡᱤᱛᱠᱟᱨ
#94921 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪᱰᱤᱡᱟᱭᱤᱱ
Wild Rhythm ᱡᱟᱦᱮᱨ ᱳᱰᱟᱜ ᱵᱟᱠᱲᱟ ᱵᱟᱵᱚᱛ ᱛᱮ
Wild Rhythm ᱫᱚ ᱪᱩᱸᱠᱩᱭᱤᱝ, ᱪᱤᱱ ᱨᱮᱱᱟᱜ ᱢᱤᱫ ᱡᱟᱦᱮᱨ ᱳᱰᱟᱜ ᱵᱟᱠᱲᱟ ᱠᱟᱱᱟ ᱾ ᱵᱷᱤᱛᱨᱤ ᱚᱛᱟ ᱫᱚ ᱒᱔᱐ ᱣᱟᱨᱜ ᱢᱤᱴᱟᱨ ᱫᱟᱨᱟᱭ ᱟᱠᱟᱱᱟ ᱟᱨ ᱱᱚᱶᱟ ᱫᱚ ᱢᱤᱫ ᱜᱮᱞᱮᱨᱤ, ᱢᱤᱫ ᱵᱟᱨ ᱵᱟᱝ ᱵᱟᱝ ᱢᱤᱫ ᱛᱟᱦᱮᱸᱱ ᱳᱰᱟᱜ ᱞᱮᱠᱟᱛᱮ ᱦᱚᱸ ᱠᱟᱹᱢᱤ ᱫᱟᱲᱮᱭᱟᱜ-ᱟ ᱾ ᱥᱤᱢᱤᱱᱴ, ᱤᱥᱛᱤᱞ ᱟᱨ ᱨᱚᱝ ᱫᱚ ᱢᱩᱬ ᱡᱤᱱᱤᱥ ᱠᱚ ᱠᱟᱱᱟ, ᱟᱨ ᱡᱷᱚᱛᱚ ᱠᱷᱚᱱ ᱟᱞᱜᱟ ᱟᱞᱜᱟ ᱡᱟᱹᱛ ᱟᱨᱷᱚ ᱛᱚᱨᱤᱠᱟ ᱠᱚ ᱵᱮᱵᱷᱟᱨ ᱠᱟᱱᱟ ᱾ ᱡᱟᱦᱟᱸ ᱪᱟᱴᱟ ᱩᱥᱩᱞ ᱚᱛᱟ ᱮᱢᱟᱜᱼᱟ ᱤᱱᱟᱹ ᱨᱮ ᱢᱤᱫ ᱫᱚᱥᱟᱨ ᱛᱚᱞᱟ ᱥᱮᱞᱮᱫ ᱟᱠᱟᱱᱟ, ᱟᱨ ᱢᱤᱫ ᱛᱟᱦᱮᱸᱱ ᱠᱟᱛᱷᱟ ᱠᱚᱞᱚᱢ ᱡᱩᱨᱩᱢ ᱛᱮ ᱢᱤᱫ ᱜᱷᱩᱨᱩᱱ ᱥᱮᱲᱮᱸ ᱛᱮᱭᱟᱨ ᱟᱠᱟᱱᱟ ᱾ ᱵᱟᱨ ᱪᱮᱛᱟᱱ ᱨᱮ ᱢᱤᱫ ᱡᱚᱛᱚᱱ ᱳᱰᱟᱜ ᱫᱚᱦᱚ ᱟᱠᱟᱱᱟ ᱡᱟᱦᱟᱸᱛᱮ ᱵᱮᱵᱷᱟᱨᱮᱭᱟᱜ ᱚᱛᱟ ᱵᱟᱲᱛᱤ ᱟᱠᱟᱱᱟ ᱾ ᱱᱚᱶᱟ ᱰᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱚᱛᱟ ᱨᱮᱱᱟᱜ ᱢᱩᱬ ᱛᱮᱭᱟᱨ ᱡᱤᱱᱤᱥ ᱠᱚ ᱛᱮ ᱨᱩᱶᱟᱹᱲ ᱮᱢᱟ ᱮᱫᱟᱭ ᱟᱨ ᱟᱞᱜᱟ ᱟᱞᱜᱟ ᱥᱟᱡᱟᱣᱴ ᱟᱨ ᱵᱟᱨᱵᱟᱫ ᱠᱚᱢ ᱮᱢᱟᱜ-ᱟ ᱾
ᱢᱟᱱᱟᱱ
A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ
Wild Rhythm ᱡᱟᱦᱮᱨ ᱳᱰᱟᱜ ᱵᱟᱠᱲᱟ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ Wild Rhythm ᱡᱟᱦᱮᱨ ᱳᱰᱟᱜ ᱵᱟᱠᱲᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾
ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ
ᱯᱨᱮᱥ ᱠᱤᱴ
ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾
- ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
- Compared with the traditional household exhibition hall, designers are not rigidly placing each simulation cell in the space. And at the beginning of the design, their product positioning is like its brand name, meaning growing wildly, they don't have the limitation of the product line, giving more freedom to the space. In the space, you can regard it as an exhibition hall, and you can also regard it as a gallery, a bar, even a residential accommodation.
- ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
- The project covers 240 square meters. The biggest advantage of the original space is that its story height is relatively high, but a large column in the middle of the original building destroys the integrity of the original space. In addition to the construction of the second floor, designers also built a scenario spiral stair around the original structural column, and set up the storage room through the empty high relationship on the bar, increasing its layering sense and actual use space.
- ᱴᱮᱜ ᱠᱚ
- Interior, New Life Exhibition Hall, Modern, Simple, Pure, Art, Life Aesthetics, Ideal Residence
- ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
- Just because this is a pure space, all design intents are derived from basic demands of life, so in the aspect of material usage, designers will return to the essence of architecture as far as possible. Then cement, steel and paint are the materials they use the most, the craft is also as simple and traditional as possible. All the planning is just for returning to the most basic building level so as to reduce unnecessary waste and superposition.
- ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
- Although some space of the building is relatively high, we cannot carry out construction of the second floor in the whole space due to the influence of beam mesh, smoke exhaust and fire fighting equipment. And the space that can be built is separated by piecemeal. So we made full use of the complex spatial foundation, and we have created a variety of spatial forms in a relatively limited space through the setting of stairs, thus creating conditions for the later construction of atmosphere.
- ᱜᱚᱵᱮᱥᱚᱱᱟ
- In the commercial society, and even the whole society, there is a surplus of consumption, which virtually produces a great waste of resources. And people who live in the environment seem to have slowly forgotten the essence of life. Therefore, designers hope that the pure space can arouse people's rethinking of life. Finally, the space becomes basic and simple, the decoration and the architecture are integrated, and the design and selection of the furniture are also based on actual use.
- ᱯᱨᱮᱨᱚᱱᱟ
- The inspiration originates from the residential living environment of designers' childhood, because of shortage of material, all parts of families are derived from the basic needs of life. With the development of economy and the accumulation of material, people begin to tend to be exaggerated and wasteful. So, designers hope the furniture are the products from thinking about the practical aspects, and the space also returns to the most basic requirements from the perspective of buildings.
- ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
- The project started in September 2018 in Chongqing and finished in July 2019 in Chongqing.
- ᱠᱟᱹᱢᱤ ᱦᱚᱨ
- Pure is the most fundamental reason of finishing the project completely. From the beginning of the design, designers integrated the decoration with the building, which effectively ensured that the project was not affected too much in the implementation process. Thus, ensured a perfect realization of the design intention.
- ᱯᱮᱴᱮᱱᱴ ᱠᱚ
- Copyrights belong to Chao Wen, 2019.
- ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
- Chao Wen
- ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
- Image #1: Photographer In Space, Storage Area and Display Area, 2019.
Image #2: Photographer In Space, Chair Exhibition Area, 2019.
Image #3: Photographer In Space, Bedroom Display Area, 2019.
Image #4: Photographer In Space, Hand-made Activity Space, 2019.
Image #5: Photographer In Space, Bar Area, 2019.
ᱥᱯᱚᱱᱥᱚᱨᱰ
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