Masaru Eguchi ᱨᱮᱱᱟᱜ The Japanese Forest Primary Function: ᱨᱮᱵᱮᱱ ᱪᱤᱛᱟᱹᱨ

Masaru Eguchi ᱨᱮᱱᱟᱜ The Japanese Forest Primary Function: ᱨᱮᱵᱮᱱ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾

ᱨᱩᱯᱟᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ· 2020

The Japanese Forest Primary Function: ᱨᱮᱵᱮᱱ ᱪᱤᱛᱟᱹᱨ

Masaru Eguchi ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: Sunpono

ᱯᱷᱚᱴᱚᱜᱨᱟᱯᱷᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#95058 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱥᱟᱭᱤᱴ ᱧᱮᱞ ᱢᱮ A' Design Award ᱨᱮ ᱧᱮᱞ ᱢᱮ ᱯᱨᱮᱥ ᱨᱤᱞᱤᱡ ᱯᱩᱨᱥᱠᱟᱨ ᱵᱮᱡ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

The Japanese Forest Primary Function: ᱨᱮᱵᱮᱱ ᱪᱤᱛᱟᱹᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

Book Text: ᱡᱟᱯᱟᱱᱤ ᱵᱤᱨ ᱫᱚ ᱡᱟᱯᱟᱱᱤ ᱫᱷᱚᱨᱚᱢ ᱨᱮᱭᱟᱜ ᱦᱚᱲᱢᱚ ᱠᱷᱚᱱ ᱤᱫᱤ ᱟᱠᱟᱱᱟ ᱾ ᱡᱟᱯᱟᱱᱤ ᱢᱟᱨᱮ ᱫᱷᱚᱨᱚᱢ ᱠᱚ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱫᱚ ᱟᱱᱤᱢᱤᱡᱚᱢ ᱠᱟᱱᱟ ᱾ ᱟᱱᱤᱢᱤᱡᱚᱢ ᱫᱚ ᱢᱤᱫ ᱯᱟᱛᱭᱟᱹᱣ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱨᱮ ᱦᱚᱲ ᱵᱟᱝ ᱡᱤᱣᱤ ᱠᱚ, ᱡᱤᱭᱚᱱ ᱵᱟᱹᱱᱩᱜ ᱡᱤᱱᱤᱥ ᱠᱚ (ᱫᱷᱟᱛᱩ, ᱠᱟᱹᱢᱤ ᱛᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱡᱤᱱᱤᱥ, ᱮᱴᱟᱜ) ᱟᱨ ᱟᱞᱟᱠᱟᱱ ᱡᱤᱱᱤᱥ ᱠᱚ ᱦᱚᱸ ᱢᱤᱫ ᱢᱚᱱᱮ ᱢᱮᱱᱟᱜ ᱟ ᱾ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱱᱚᱶᱟ ᱞᱮᱠᱟᱱᱟ ᱾ ᱢᱟᱥᱟᱨᱩ ᱮᱜᱩᱪᱤ ᱫᱚ ᱡᱟᱦᱟᱸ ᱨᱮ ᱚᱱᱚᱛ ᱨᱮ ᱟᱴᱠᱟᱨ ᱮᱢᱚᱜ ᱚᱱᱟ ᱠᱚ ᱪᱤᱛᱟᱹᱨ ᱮᱫᱟᱭ ᱾ ᱫᱟᱨᱮ, ᱜᱷᱟᱸᱥ ᱟᱨ ᱫᱷᱟᱛᱩ ᱠᱚ ᱡᱤᱭᱚᱱ ᱨᱮᱭᱟᱜ ᱢᱚᱱᱮ ᱠᱚ ᱟᱴᱠᱟᱨᱮᱭᱟ ᱾ ᱟᱨ ᱴᱷᱟᱶ ᱨᱮ ᱡᱟᱹᱭ ᱡᱩᱜ ᱦᱟᱵᱤᱡ ᱛᱚᱸᱜᱮ ᱦᱩᱭ ᱟᱠᱟᱱ ᱰᱟᱹᱢ ᱞᱮᱠᱟᱱ ᱛᱮᱭᱟᱨ ᱠᱟᱱ ᱡᱤᱱᱤᱥ ᱠᱚ ᱦᱚᱸ ᱚᱱᱟ ᱢᱚᱱᱮ ᱠᱚ ᱟᱴᱠᱟᱨᱮᱭᱟ ᱾ ᱡᱮᱞᱮᱠᱟ ᱟᱢ ᱵᱟᱝ ᱡᱩᱛᱟᱹᱣ ᱟᱠᱟᱱ ᱴᱷᱟᱶ ᱠᱚ ᱧᱮᱞ ᱮᱫᱟᱢ, ᱚᱱᱠᱟᱛᱮᱜᱮ ᱟᱜᱟᱢ ᱫᱚ ᱱᱤᱛᱚᱜᱟᱜ ᱛᱚᱨᱟ ᱠᱚ ᱧᱮᱞᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

The Japanese Forest Primary Function: ᱨᱮᱵᱮᱱ ᱪᱤᱛᱟᱹᱨ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ The Japanese Forest Primary Function: ᱨᱮᱵᱮᱱ ᱪᱤᱛᱟᱹᱨ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ: "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ: The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
ᱴᱮᱜ ᱠᱚ: Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ: The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ: The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
ᱜᱚᱵᱮᱥᱚᱱᱟ: Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
ᱯᱨᱮᱨᱚᱱᱟ: One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ: The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ: This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ: Copyright: Masaru Eguchi
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ: Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.