ᱵᱤᱥᱚᱭ ᱨᱮ ᱪᱟᱞᱟᱜ ᱢᱮ
NGZ Design ᱨᱮᱱᱟᱜ CR Land Yulanshan ᱟᱠᱷᱨᱟᱭ ᱛᱟᱞᱠᱟ ᱡᱟᱭᱜᱟ

NGZ Design ᱨᱮᱱᱟᱜ CR Land Yulanshan ᱟᱠᱷᱨᱟᱭ ᱛᱟᱞᱠᱟ ᱡᱟᱭᱜᱟ ᱫᱚ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱟᱨ ᱯᱨᱚᱫᱟᱨᱥᱚᱱᱤ ᱰᱤᱡᱟᱭᱤᱱ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱵᱷᱟᱜ ᱨᱮ 2020 A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱨᱮᱱᱟᱜ ᱟᱹᱰᱤ ᱢᱟᱱ ᱟᱠᱟᱱ ᱡᱤᱛᱠᱟᱨ ᱠᱟᱱᱟ᱾


ᱨᱩᱯᱟᱵᱷᱤᱛᱨᱤ· 2020

CR Land Yulanshan ᱟᱠᱷᱨᱟᱭ ᱛᱟᱞᱠᱟ ᱡᱟᱭᱜᱟ

NGZ Design ᱞᱮᱠᱟᱛᱮ

ᱜᱟᱦᱟᱠ: NGZ Design

ᱵᱷᱤᱛᱨᱤ ᱵᱷᱟᱜ ᱨᱮ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱡᱤᱛᱠᱟᱨ

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#97989 ᱞᱟᱜᱤᱫ ᱮᱣᱟᱨᱰ ᱦᱟᱞᱚᱛ ᱡᱟᱸᱪ

ᱨᱚᱝ

ᱰᱤᱡᱟᱭᱤᱱ

CR Land Yulanshan ᱟᱠᱷᱨᱟᱭ ᱛᱟᱞᱠᱟ ᱡᱟᱭᱜᱟ ᱵᱟᱵᱚᱛ ᱛᱮ

CR Land Yulanshan ᱫᱚ Lanzhou ᱨᱮ ᱠᱷᱟᱸᱡᱟ ᱯᱟᱲᱟᱣ ᱛᱟᱞᱠᱟ ᱡᱟᱭᱜᱟ ᱠᱟᱱᱟ ᱾ ᱵᱷᱤᱛᱨᱤ ᱡᱟᱭᱜᱟ ᱫᱚ 3261 ᱵᱚᱨᱜᱟ ᱢᱤᱴᱟᱨ ᱦᱚᱪᱚ ᱟᱠᱟᱱᱟ ᱟᱨ ᱩᱥᱩᱞ ᱟᱨ ᱛᱷᱟᱲᱟ ᱛᱷᱟᱠ ᱨᱮ ᱚᱨᱜᱟᱱᱟᱭᱡᱽ ᱠᱟᱱᱟ ᱾ ᱫᱷᱤᱨᱤ ᱫᱚ ᱢᱩᱬᱩᱛ ᱡᱤᱱᱤᱥ ᱠᱟᱱᱟ ᱾ ᱟᱛᱮ ᱛᱟᱞᱠᱟ ᱦᱟᱛᱟᱣ ᱚᱲᱟᱜ ᱨᱮ, ᱢᱤᱫ ᱫᱷᱤᱨᱤ ᱠᱷᱚᱱ ᱠᱟᱴᱟ ᱟᱠᱟᱱ ᱞᱟᱢᱯᱦᱮᱫ ᱫᱚ ᱫᱷᱤᱨᱤ ᱯᱟᱪᱷᱮ ᱠᱟᱱ ᱠᱟᱸᱴ ᱥᱟᱶ ᱢᱮᱞᱟᱣ ᱠᱟᱱᱟ ᱾ ᱢᱟᱨᱵᱚᱞ ᱛᱷᱟᱲ ᱠᱚ ᱫᱚ ᱴᱷᱤᱠ ᱠᱟᱴᱟᱭ ᱢᱮᱥᱤᱱ ᱛᱮ ᱨᱩᱠᱷᱤ ᱛᱮ ᱠᱟᱴᱟᱭ ᱟᱠᱟᱱᱟ ᱟᱨ ᱛᱟᱭᱚᱢ ᱛᱮ ᱠᱟᱴᱟᱣ ᱟᱠᱟᱱᱟ, ᱡᱟᱦᱟᱸ ᱫᱚ ᱢᱟᱨᱟᱝ ᱟᱨ ᱩᱢᱩᱞ ᱨᱮᱭᱟᱜ ᱢᱤᱫ ᱟᱞᱜᱟ ᱠᱷᱮᱞ ᱛᱮᱭᱟᱨ ᱟᱜ ᱟ ᱾ ᱥᱤᱲᱤ ᱫᱚ ᱢᱩᱨᱛᱤ ᱡᱮᱞᱮᱠᱟ ᱨᱩᱯ ᱨᱮ ᱛᱮᱭᱟᱨ ᱠᱟᱱᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱠᱟᱞᱟ ᱜᱮᱞᱮᱨᱤ ᱟᱨ ᱠᱷᱟᱸᱡᱟ ᱯᱟᱲᱟᱣ ᱚᱲᱟᱜ ᱠᱚ ᱡᱚᱲᱟᱣᱟ ᱾ ᱱᱚᱶᱟ ᱫᱤᱡᱟᱭᱤᱱ ᱫᱚ ᱢᱤᱫ ᱦᱟᱨᱟᱨ ᱟᱨ ᱥᱩᱱᱫᱚᱨ ᱴᱷᱟᱴ ᱠᱚ ᱚᱱᱚᱛ ᱟᱜ ᱟ ᱡᱟᱦᱟᱸ ᱫᱚ ᱡᱟᱭᱜᱟ ᱨᱮᱭᱟᱜ ᱞᱟᱠᱪᱟᱨ ᱠᱚ ᱩᱫᱩᱜ ᱟᱜ ᱟ ᱾

ᱢᱟᱱᱟᱱ

A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱵᱟᱵᱚᱛ ᱛᱮ

CR Land Yulanshan ᱟᱠᱷᱨᱟᱭ ᱛᱟᱞᱠᱟ ᱡᱟᱭᱜᱟ ᱫᱚ A' Design Award ᱨᱩᱯᱟ ᱯᱩᱨᱚᱥᱠᱟᱨ ᱧᱟᱢ ᱟᱠᱟᱱᱟ, ᱱᱚᱶᱟ ᱫᱚ ᱥᱩᱱᱫᱚᱨ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱰᱤᱡᱟᱭᱤᱱ ᱠᱚ ᱞᱟᱹᱜᱤᱫ ᱮᱢ ᱟᱠᱟᱱ ᱥᱚᱢᱟᱱ ᱠᱟᱱᱟ᱾ ᱱᱚᱶᱟ ᱠᱚ ᱫᱚ ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱠᱚ ᱨᱮᱭᱟᱜ ᱵᱷᱟᱵᱱᱟ ᱟᱨ ᱵᱷᱟᱞᱟᱭ ᱠᱟᱢᱤ ᱡᱷᱟᱞᱠᱟᱣ ᱠᱚ᱾ CR Land Yulanshan ᱟᱠᱷᱨᱟᱭ ᱛᱟᱞᱠᱟ ᱡᱟᱭᱜᱟ ᱫᱚ ᱠᱚᱞᱟ, ᱣᱤᱜᱭᱟᱱ, ᱰᱤᱡᱟᱭᱤᱱ ᱟᱨ ᱴᱮᱠᱱᱚᱞᱚᱡᱤ ᱨᱮᱭᱟᱜ ᱥᱤᱢᱟ ᱵᱟᱲᱦᱟᱣ ᱟᱨ ᱫᱩᱱᱤᱭᱟ ᱵᱷᱟᱞᱟᱭ ᱞᱟᱹᱜᱤᱫ ᱜᱚᱲᱚ ᱮᱢ ᱠᱟᱱᱟ᱾

ᱰᱤᱡᱟᱭᱤᱱ ᱯᱤᱪᱷᱟ ᱨᱮ

ᱯᱨᱮᱥ ᱠᱤᱴ

ᱰᱤᱡᱟᱭᱤᱱᱟᱨ ᱧᱮᱞ ᱠᱷᱚᱱ ᱠᱨᱮᱰᱤᱴ, ᱴᱤᱢ ᱥᱫᱚᱥᱭ ᱟᱨ ᱴᱮᱠᱱᱤᱠᱮᱞ ᱵᱤᱵᱚᱨᱚᱬ ᱮᱢ ᱟᱠᱟᱱᱟ᱾

ᱟᱞᱜᱟ ᱜᱩᱱ ᱠᱚ
The change of time and space is a part of artistic recreation. The design takes the current space and time as the basis of experience, presenting a unique sense of space. Through the interpretation of materials and the display of space, this case reflects the integration of cultural characteristics and the city, maps the future, and implicitly expresses Lanzhou's characteristics from the perspective of art.
ᱢᱟᱯ ᱟᱨ ᱯᱮᱠᱮᱡᱤᱝ
The project covers a total of 3261 square meters. The interlaced light and shadow and the turning point of space, the high and low levels create the changeable space and give the open space a kind of purity.
ᱴᱮᱜ ᱠᱚ
Interior, Commercial, Sales Center, Modern, Elegant, Simple, Oriental Aesthetics, RAW, Light
ᱛᱮᱭᱟᱨ ᱛᱮᱠᱱᱚᱞᱚᱡᱤ
In the reception lobby area, the ink charm of the lampshade carved by the whole stone echoes with the stone background of "Fox Volant Of The Snowy Mountain", which is the best annotation to Lanzhou's seemingly quiet but vigorous.
ᱰᱤᱡᱟᱭᱱ ᱪᱮᱞᱮᱧ
The stairs are not only structures that can go up and down in space. The designer breaks the sequence and deconstructs it again, forming a sculptural volume, making it become an art installation connecting the art gallery and the exhibition hall.
ᱜᱚᱵᱮᱥᱚᱱᱟ
Under the erosion of nature, the Yellow River stone is full of vigorous spirit after vicissitudes. The designer creates a kind of blank space, and then fills the corresponding space with stone again. Time has changed in stone's memory and space, and takes the present space and time as the basis of creation.
ᱯᱨᱮᱨᱚᱱᱟ
"Simplicity is an essential condition of artistic works. In essence, it rejects any external decoration and carving," Bellinsky said. Light to the extreme is simple. Driven by this concept, the designer try his best to create a simple and elegant style for space modeling and material selection. The Northwest Plateau is continuous. This land has given the designer rich design inspiration. It is the most direct and implicit expression to integrate humanity and nature into art works.
ᱯᱨᱚᱡᱮᱠᱴ ᱥᱚᱢᱚᱭ
The project started in October 2017 in Lanzhou and finished in April 2018 in Lanzhou.
ᱠᱟᱹᱢᱤ ᱦᱚᱨ
Raw means unprocessed, natural. With precise cutting machine, rough cutting is completed on the marble surface, presenting the "raw". The designer carves on the surface, using stones to create a subtle game of light and shadow.
ᱯᱮᱴᱮᱱᱴ ᱠᱚ
Copyrights belong to NGZ Design, 2018.
ᱴᱤᱢ ᱥᱮᱫᱟᱭ ᱠᱚ
Zhichao Yang
ᱪᱤᱛᱟᱹᱨ ᱥᱟᱹᱦᱟ
Image #1: Photographer Wei Liu, Stairs, 2018.
Image #2: Photographer Wei Liu, Corridor, 2018.
Image #3: Photographer Wei Liu, Hall, 2018.
Image #4: Photographer Wei Liu, Negotiation Area, 2018.
Image #5: Photographer Wei Liu, VIP Room, 2018.

ᱥᱯᱚᱱᱥᱚᱨᱰ

Designers.org ᱠᱷᱚᱱ ᱯᱟᱨᱚᱢ ᱛᱟᱞᱟᱥ

ᱟᱞᱮᱭᱟᱜ ᱵᱤᱜᱽᱭᱟᱯᱚᱱ ᱥᱟᱹᱜᱟᱹᱭ ᱠᱚ ᱠᱷᱚᱱ ᱯᱨᱚᱰᱟᱠᱴ, ᱥᱮᱵᱟ ᱟᱨ ᱢᱚᱠᱟ ᱩᱫᱩᱜ ᱢᱮ᱾

ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱢᱟᱨᱟᱝ ᱪᱤᱱᱦᱟᱹ ᱦᱟᱛᱟᱣ ᱞᱟᱹᱠᱛᱤᱭᱟᱜᱼᱟ

A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱫᱚ ᱵᱷᱟᱞ ᱰᱤᱡᱟᱭᱱ ᱞᱟᱜᱤᱫ ᱢᱤᱫ ᱟᱱᱛᱚᱨᱡᱟᱛᱤᱭ, ᱡᱩᱨᱤ ᱵᱤᱪᱟᱨ ᱠᱟᱱ ᱢᱟᱱ ᱠᱟᱱᱟ᱾ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱨᱮ ᱵᱷᱟᱜ ᱞᱮ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ ᱞᱟᱜᱤᱫ ᱡᱚᱜᱽᱭᱟᱛᱟ ᱨᱮᱱᱟᱜ ᱪᱤᱱᱦᱟᱹ, ᱱᱟᱢ, ᱢᱟᱱ ᱟᱨ ᱯᱨᱪᱟᱨ ᱧᱟᱢ ᱞᱟᱜᱤᱫ᱾ ᱟᱢᱟᱜ ᱠᱟᱹᱢᱤ A' ᱰᱤᱡᱟᱭᱱ ᱮᱣᱟᱨᱰ ᱞᱟᱜᱤᱫ ᱱᱚᱢᱤᱱᱮᱴ ᱠᱟᱛᱮ ᱢᱟᱱ ᱟᱠᱟᱱ A' ᱰᱤᱡᱟᱭᱱ ᱯᱩᱨᱟᱥᱠᱟᱨ ᱞᱟᱜᱤᱫ ᱯᱨᱚᱛᱤᱡᱚᱜᱤᱛᱟ ᱢᱮ᱾

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