Wuhan Diary Vizualni dnevnik – avtor Yu Chen

Delo Wuhan Diary Vizualni dnevnik avtorja Yu Chen je izjemno cenjeni dobitnik prestižne nagrade 2021 Srebrna nagrada A' Design Award v tekmovalni kategoriji Grafično oblikovanje, ilustracija in vizualna komunikacija.

SrebrnaGrafika· 2021

Wuhan Diary Vizualni dnevnik

avtor/ica: Yu Chen

Naročnik: Hubei University of Technology

Dobitnik nagrade Srebrna nagrada A' Design Award v kategoriji Grafika

38,991

Potrjeni dobitnik nagrade

Preverite status nagrade za #119980

Ogled na A' Design Award Sporočilo za javnost Značka nagrade

Barve

Dizajn

O dizajnu Wuhan Diary Vizualni dnevnik

Wuhan Diary je vizualni dnevnik o vsakdanjem življenju v Wuhanu med pandemijo. Projekt s pomočjo programiranja gradi vizualne jezike, ki temeljijo na reliefu, iz zbranih javnih mnenj in podatkov o potrjenih primerih. Barve in gostota valovitih gorskih oblik izražajo družbeno okolje in spreminjajoče se razpoloženje vsakega obdobja. Tridimenzionalna oblika zemlje je bila zgrajena iz parametriziranih podatkov v okolju Unity. Wuhan Diary je predstavljen kot plakat velikosti 420 krat 594 milimetrov, skupaj z gibljivo grafiko, obogateno resničnostjo in interaktivno projekcijo.

Priznanje

O nagradi Srebrna nagrada A' Design Award

Wuhan Diary Vizualni dnevnik je prejemnik Srebrne nagrade A' Design Award, izjemno prestižnega priznanja, ki se podeljuje čudovitim, impresivnim vrhunskim oblikovanjem. Prejemniki Srebrne nagrade so izjemno briljantna in zelo ustvarjalna dela, ki ponazarjajo izjemno strokovnost, talent in bistrost svojih oblikovalcev. Od Wuhan Diary Vizualni dnevnik se pričakuje, da bo čudovito, zgledno delo, opazno profesionalno in globoko inovativno. To oblikovanje, nagrajeno s Srebrno nagrado A' Design Award, je zelo opazen, občudovan izum, ki koristi in premika meje umetnosti, znanosti, oblikovanja in tehnologije. Wuhan Diary Vizualni dnevnik je stvaritev, ki ji mnogi zavidajo, ki prebuja želje, prinaša pozitivna čustva in vzbuja začudenje in občudovanje.

V ozadju dizajna

Komplet za medije

Zasluge, člani ekipe in tehnične podrobnosti, ki jih je posredoval oblikovalec.

Edinstvene lastnosti: The Chinese people's concept of nature and world outlook are all firmly based on our land. I used programming to present a series of case studies on terrain-based visual languages and collected public opinions during the pandemic period. I used the color and density of rolling mountains to present the social environment and my emotions while under the pandemic situation, which creates a visual diary.
Dimenzije in embalaža: Poster:420mm×594mm
Oznake: Visual Diary, Motion Graphic, Mood, Program, Motion
Proizvodna tehnologija: Poster, AR , Motion Graphic, Interaction Projection
Oblikovalski izziv: I hope to combine the land elements with social data during the epidemic through visual design to create dynamic graphics that allow people to feel and reflect on what they experienced during the epidemic. A basic three-dimensional earth shape was built referencing the ubiquitous earth elements in Xu Bing's works, the collected public opinions, and confirmed case data of the epidemic. The data was then parameterized and with the combination of colours, they were imported to UNITY to realize a visual earth shape.
Raziskave: In January, the city of Wuhan captured the world's attention overnight as COVID-19 swept the globe. At this special moment, I am in Wuhan, experiencing the whole process of Wuhan’s fight against the epidemic. In this difficult time, I recorded all the things that happened around during this period and showed the changes in personal mood during each period through visual diaries so that more people could understand the thoughts of people in this special city of Wuhan under the epidemic.
Wuhan is my hometown, and the land I love so much that I can't help but think of how close the poems of ancients’ homeland and national emotions are to my current feelings. This involuntarily makes me aware of the homeland feelings in my genes.
Inspiracija: Due to the pandemic, I was quarantined at home for nearly three months, during which I had plenty of time to think about the modern relationship between humans and nature.
Trajanje projekta: The project started in January 2020 in Wuhan and finished in April 2020.
Patenti: Yu Chen
Člani ekipe: Yu Chen
Titouan Millet
Zasluge za slike: Yu Chen