Moralo oa Balhae Tlhamo ya Dibapadi ka Ziwan Li ke mohlodi oa khau e hlomphehang haholo ya 2024 Moputso oa Tšepe oa A' Design Award Mokhahleong oa Tlhodisano oa Bonono ba Dijithale.

TšepeBonono ba Dijithale· 2024

Balhae Tlhamo ya Dibapadi

ka Ziwan Li

Moreki: Ziwan Li

Mohlodi oa Moputso oa Tšepe oa A' Design Award Mokhahleong oa Bonono ba Dijithale

54,434

Mohlodi oa Khau ea Netefaditsweng

Netefatsa Boemo ba Khau bakeng sa #158219

Etela Sebaka Sheba ho A' Design Award Tokollo ya Boraditaba Baeche ya Moputso

Mebala

Moralo

Mabapi le Balhae Tlhamo ya Dibapadi

Bokamorao ba morero o latela moithuti Junghyae le morutisi wa hae, Morena Yoo, ba bitsitsweng motseng wa Gyeru ho leleka meya lewatleng. Leeto la bona le senola setso sa Balhae le mekgwa ya bong. Morero ona wa tlhamo ya dibapadi o hlompha setjhaba sa Balhae, o kopanya nalane le ditoro. Kgahlegelo ya moetsi ka nalane, setso le feshene ha e fane morero ona wa tlhamo botle le pale e sebetsang feela, empa hape e eketsa boima ba nalane le kutlo ya dipesana ho ona.

Kamohelo

Mabapi le Moputso oa Tšepe oa A' Design Award

Balhae Tlhamo ya Dibapadi ke mohapi oa Moputso oa Tšepe oa A' Design Award, kananelo e hlomphehang e fuoang meralo e metle e finyellang litlhoko tsa porofeshenale le tsa indasteri tse lebelletsoeng ho lintho tse hlahisitsoeng tse entsoeng hantle. Bahapi ba Tšepe ba bontša bokhoni bo boholo, bokhethehi bo phahameng, kutloisiso ea litsebi le bokhoni ba boqapi ba baqapi ba bona. Balhae Tlhamo ya Dibapadi e lebelletsoe ho ba ntho e hlahisitsoeng e hlomphuoang haholo, e ratoang le e ratehang, e sebetsang le e nang le mehopolo e mecha. Moralo ona o hapileng Moputso oa Tšepe oa A' Design Award o kenyelletsa mekhoa e metle ka ho fetesisa ea indasteri mme o na le litšobotsi tsa theknoloji tse nang le bokhoni tse amanang le tsebo le talenta. Ka lebaka la botlalo ba eona, Balhae Tlhamo ya Dibapadi e tšoanelehela tlhompho mme e entsoe ho fana ka ntlafatso ea bophelo e thusang ho etsa hore lefatše le be sebaka se molemo.

Ka Mora Moralo

Sete ya Boraditaba

Litlhaku, ditho tsa sehlopha le lintlha tsa botekgeniki tse fanoeng ke moetsi wa moralo.

Boleng bo Ikhethang: Set in the flourishing ancient kingdom of Balhae, 926 CE, this story follows apprentice Junghyae and her mentor, Master Yoo, called to Gyeru village. Tasked with banishing spirits from the shallow seas to ensure safe mermaid hunting for the locals, their journey illuminates the era's rich culture and mystical practices. This character design project is a visual homage to Balhae's lost civilization, blending history and fantasy through art.
Boholo le Phuthelo: size: 127 cm * 127 cm, 300 dpi
Lithegi: 2D, Character Design, Digital Arts, Fantasy, History
Theknoloji ya Tlhahiso: Character designs in this series are designed with pencil and rendered in Procreate software and Photoshop CC software.
Phephetso ya Moralo: Balhae was a historical kingdom that was conquered by the Khitans in 926 CE. Its legacy is somewhat enigmatic due to the scarcity of surviving artifacts, artworks, or detailed contemporary accounts about its culture, as it faded from history centuries ago. Undertaking a project to resurrect Balhae's rich cultural tapestry without abundant reference material was a formidable challenge.
Dipatlisiso: To reconstruct the lost civilization of Balhae authentically, I extensively researched historical descriptions, geographical studies, and neighboring societies. This included delving into customs, religious practices, military strength, and climate conditions of nearby regions like the Tang Dynasty, Khitans, Koguryo, Paekche, and Silla. Synthesizing this data, I engaged in speculation to envision Balhae's unique cultural identity, creating a credible representation of its vibrant society. This project aimed to honor Balhae's historical significance and imagine the daily lives of its people.
Kgothaletso: The artist is deeply fascinated by the nuances of history, culture, and historical fashion. They delved into the history of the lost kingdom of Balhae, marveling at the richness and vibrancy of a culture that thrived thousands of years ago. They felt a profound sense of loss for such cultures that have vanished in the tides of history. Inspired by Balhae's legacy, they embarked on a creative journey to resurrect this long-forgotten culture through a fantasy narrative.
Nako ya Projeke: 2 months, Los Angeles, January 2022
Tsamaiso ya Mosebetsi: The key of this design lies in reviving lost cultures through a meticulous fusion of imagination and the scant textual references sourced by the artist from academic literature, paintings, and sculptures of neighboring countries associated with the lost culture. By imaginatively blending these elements, the artist breathes life into the forgotten cultural narratives.
Diphatente: Image #1: Image Ziwan Li, Master Yoo Traveling Outfit, 2022.
Image #2: Image Ziwan Li, Apprentice Junghyae, 2022.
Image #3: Image Ziwan Li, Apprentice Junghyae Ritual Outfit, 2022. 2022.
Image #4: Image Ziwan Li, Mermaid, 2022.
Litlotla tsa Setshwantsho: Image #1: Image Ziwan Li, Master Yoo Traveling Outfit, 2022.
Image #2: Image Ziwan Li, Apprentice Junghyae, 2022.
Image #3: Image Ziwan Li, Apprentice Junghyae Ritual Outfit, 2022. 2022.
Image #4: Image Ziwan Li, Mermaid, 2022.